• September 16, 2014

    White dudes

    White dudes 

    At New York Magazine’s blog, Annie Lowrey criticizes the tendency to imagine “media disruptors” as always white and male. Why does it happen? “First, founders are disproportionately white dudes. Second, white dudes are disproportionately encouraged to become founders. Third, white dudes are disproportionately recognized as founders.” We seem to associate management with maleness; whiteness, too. Lowrey suggests combating the problem from the bottom up, by sourcing a more diverse pool of people when hiring interns and populating panels. (While we’re at it, can we stop calling people, male and female alike, “media disruptors”?)

    An infographic illustrates the time it will take to read the classics. In the 98.33 hours it would take to read Game of Thrones, you could read Edith Wharton’s Age of Innocence (5.62 hours), The Odyssey (6.62 hours),  Madame Bovary (8.43 hours), Anna Karenina (19.43 hours), Don Quixote (21.72 hours), and War and Peace (32.63 hours). Your pick.

    E-books of poetry are finally better able to preserve the formatting of printed books. John Ashbery, upon learning three years ago that four e-book versions of his poetry had lost the appropriate formatting, withdrew the titles. Now he’s giving digital publishing another shot: Last week, Open Road published seventeen of his titles electronically. Ashbery says they are “very faithful” to the original layouts.

    Ben Lerner will be appearing tonight at the New York Public Library. Christian Lorentzen reviewed Lerner’s new book, 10:04, in the fall issue of Bookforum; Alexander Benaim recently interviewed the writer. “I’m increasingly aware that the story I tell about how a book comes to be is just another fiction,” Lerner told Benaim. “I mean it’s something I invent, however involuntarily, alongside the book or after it.”

    It’s difficult to organize an event for a writer who insists on staying anonymous, as the celebrated Elena Ferrante has. Those Who Leave and Those Who Stay, the most recent installment in the Italian writer’s Neapolitan series, has just come out. Manhattan’s Center for Fiction brings Ann Goldstein, Roxana Robinson, and Stacey D’Erasmo together to discuss Ferrante’s work.

    At the NYRB blog, Tim Parks describes being driven mad by the task of preparing footnotes for the book he is working on. Footnotes are still necessary for books that only exist in paper (and about which no information appears online), but such books are now few and far between. “Why not wipe the slate clean, start again, and find the simplest possible protocol for ensuring that a reader can check a quotation,” he pleads. “Doing so we would probably free up three or four days a year in every academic’s life.”

  • September 15, 2014

    Slavoj Zizek

    Slavoj Zizek

    Last week, the New York Times issued a letter claiming that Slavoj Zizek plagiarized himself in his Op-Ed “ISIS Is a True Disgrace to Fundamentalism,” which ran in the paper on September 3. According the the Times retraction, the Op-Ed recycles entire passages from Zizek’s 2008 book Violence. But now it seems the Times has withdrawn the retraction: It’s nowhere to be found on the paper’s website.

    The dean of the University of California at Berkeley’s Graduate School of Journalism has proposed that students pay $10,250 a year in addition to their annual tuition, which is approximately $15K for in-state students and $31K for out-of-staters. “Our students will pay more,” writes dean Ed Wasserman in a memo, “but they’ll benefit as well.”

    Geoff Dyer wishes the Man Booker Prize had been open to American writers in 1982. If it had, he argues, the prize certainly would have gone to Don DeLillo’s “prophetic, pre-9/11 masterpiece,” The Names. Martin Amis thinks DeLillo would have won yet another Booker had he been eligible: with White Noise (1985).

    Today, the Financial Times will unveil its first redesign in seven years. “Between the lines,” writes Tom McGeveran at Capital New York, “it’s possible to read an idea that’s been inching forward among quality broadsheet newspapers in recent years: the primacy of digital for delivering hard news.” Meanwhile, this weekend, the Guardian unveiled its own new format, which includes a completely redesigned Weekend magazine, a brand new ‘Journal’ section featuring long reads, and a generally refreshed look and feel.”

    Digital First Media is in the process of deciding the strategies for its future, which could involve the sale of “some or all of the company’s news products, which include 76 daily papers and 160 weekly publications,” including the Denver Post and the San Jose Mercury News.

  • September 12, 2014

    Alan Moore

    Alan Moore

    Alan Moore, the author of V for Vendetta, has finished a million-word novel. “I’m not averse to some kind of ebook, eventually,” he said. “As long as I get my huge, cripplingly heavy book to put on my shelf and gloat over, I’ll be happy.”

    Spin Media laid off nineteen employees and ended the print magazine Vibe, which it acquired last year.

    James Franco’s latest book, Hollywood Dreaming, drops this month. It’s a collection of poems, short stories, and paintings that describe the evolution of his career in Hollywood.

    Guernica has a new column about politics and fiction. The first columnist is Rob Spillman of Tin House, who discusses David Mitchell’s Bone Clocks and Emily St. John Mandel’s Station Eleven. Spillman is hard on Mitchell: “There are so many compelling characters and wonderful turns of phrase, yet they are lost in a self-indulgent stew.” James Camp reviewed Mitchell for Bookforum

    At the New York Review of Books, Michael Gorra on Michel Pastoureau’s book about the color green. The meaning of the color depends on its use, Pastoureau argues. As Gorra explains, for Pastoureau “the history of color is indeed a history and not a kind of allegory in which each hue carries a fixed and single burden.” Pastoureau has previously written on blue and black.

  • September 11, 2014

    Hilary Mantel’s novels Wolf Hall and Bring Up the Bodies, both made into plays in London, may come to the New York stage as well. Broadway producers Jeffrey Richards and Jerry Frankel are in talks with producers in London, with plans to mount Wolf Hall: Parts 1 and 2 in the spring.

    The New Inquiry’s September issue is called “Back to School.” Read the editor’s note here.

     

    Rahel Aima

    Rahel Aima

    Rahel Aima has joined TNI as a contributing editor.

    At the New Yorker’s Page-Turner, Elif Batuman considers the shift, over the past decade, from irony to awkwardness, and decides that all awkwardness is at bottom familial. “Awkward moments remind us that we are never isolated individuals, and that we are seldom correct when we say, ‘Not in my name.’ Awkward moments are, by definition, relatable.

    Poynter adds a handful of names to Vanity Fair’s unnecessarily white and male list of “media disruptors”—a “new breed of journo-entrepreneurs” that “strike out on their own.” Poynter suggests Shani Hilton, of Buzzfeed, Raju Narisetti of NewsCorp, Nitasha Tiku of ValleyWag, and Melissa Bell of Vox, among others.

    At the Millions, Cathy Day describes advising a deluded prospective creative writing major about her future. “If what you love is reading,” Day says to the student, “why don’t you major in literature?”  “Because creative writing is more practical.”

  • September 10, 2014

    Forbes has compiled a list of the highest-earning writers this year. James Patterson is in first place, earning $90 million. Gillian Flynn, the author of the “literary thriller” Gone Girl, is in 12th place, at $9 million.

    The shortlist for the Man Booker Prize has been announced, and includes Joshua Ferris, Richard Flanagan, Karen Joy Fowler, Howard Jacobson, Neel Mukherjee, and Ali Smith.

    A hacker claims to have taken over the email account of Bitcoin founder Satoshi Nakamoto, and is promises to release Nakamoto’s “secrets” if someone will pay him 25 bitcoins, or $12,000. A head administrator at Bitcoin says the hacker is likely just “some troll in it for the laughs.”

    John Cheever's house

    John Cheever’s house

    Susan Cheever, John Cheever’s daughter, takes A.N. Devers on a walk through her father’s house in Ossining, New York. John Cheever bought the house—which was built in 1795 and rebuilt in the 1930s—in 1961. It is the only house he ever owned. “I pray that our life in the new house will be peaceful and full,” Cheever wrote soon after. “I pray to be absolved of my foolishness and to be returned to the liveliness, the acuteness of feeling, that seems to be my best approach to things.” The house is now for sale for $450,000.

    McSweeney’s Internet Tendency is holding a contest to find new columnists for the website. Submissions should a description of the writer’s vision for the column, a sample column, brief descriptions of additional columns, and a biographical note.

  • September 9, 2014

    Jenny Diski

    Jenny Diski

    Jenny Diski, one of the London Review of Books’ best critics, has been diagnosed with inoperable cancer. The lovely and devastating first installment of what will be a regular diary about her illness describes the “pre-ordained banality” that comes along with the diagnosis, and the difficulty of writing about a subject whose outlines are so oppressively familiar. “I can’t avoid the cancer clichés simply by rejecting them,” she realizes. “Rejection is conditioned by and reinforces the existence of the thing I want to avoid. I choose how to respond and behave, but a choice between doing this or that, being this or that, really isn’t freedom of action, it’s just picking one’s way through an already drawn flow chart. They still sit there, to be taken or left, the flashing neon markers on the road that I would like to think isn’t there for me to be travelling down.”

    Sheila Heti, Heidi Julavitz, and Leanne Shapton talk about the book they’ve recently edited, Women in Clothes, which, as Julavitz explains, originated in a simple premise: “Clothing is a daily fact we can’t avoid. That being the case, how do women decide what to put on their bodies?”

    Former New York City Police Commissioner Ray Kelly has a book deal. The as-yet untitled memoir will come out in Fall 2015, and will include Kelly’s “thoughts on the challenges faced by law enforcement.

    The American Reader has announced that it will cease publishing online. The magazine, which began in 2012, will devote all its resources to its bimonthly print publication. This decision has something to do with the low traffic the website receives—about 75,000 unique monthly visitors, which is not enough to merit measurement by certain analytics firms. The print run is 6,000.

    The executive editor of Politico has resigned, citing disagreements not about the publication’s goals but about the right strategy to achieve them.

    Twitter is testing buttons that will allow users to directly buy products through the app, the New York Times reports. The buttons will be available first only on mobile versions of the app and will be incorporated more widely later. Facebook introduced a “buy” button in July. Pinterest, too, is trying to make it easier to buy through their website.

  • September 8, 2014

    Benny Johnson, the Buzzfeed staffer who was fired for plagiarism this summer, has been hired as a social media director at the National Review.

    At the New York Review of Books blog, Masha Gessen has posted an interesting essay about Russia’s recent population dip. In the past two decades, the number of people has fallen by almost seven million people (5 percent). The main cause is lower life expectancy. But why are Russians dying at an earlier age now than they were during Soviet rule? Is it violence, vodka, “lack of hope”?

    Poynter points out an error in the New York Times’s Joan Rivers obit. Romanesko (and the St. Peters Blog), in turn, points to an error in a Rivers obit run by the the Poynter-owned Tampa Bay Times.

    In the American Reader, William J. Maxwell writes about the FBI’s attempts, in the 1950s, to discourage bookstores form carrying titles that criticized the agency. The Bureau at the time apparently had significant influence over some of the big publishing houses, and kept files on a number of authors, particularly African-American writers such as A Raisin in the Sun playwright Lorraine Hansberry.

    Margaret Atwood

    Margaret Atwood

    Margaret Atwood is the first author to agree to contribute to the Future Library project, which will collect 100 titles, all of which will be locked away for 100 years and released in 2114.

    Ian McEwan reflects on the court cases that inspired his latest novel, The Children Ace, including a 2000 case regarding the proposed separation of Siamese twins.

    The winners of this year’s Rona Jaffe Awards, granted to emerging women writers, have been announced.

     

  • September 5, 2014

    Teju Cole

    Teju Cole

    Teju Cole, the author of Open City and a 4,000-word essay about immigration (composed entirely of Tweets), talks with Foreign Policy magazine about US drone policy, Nigerian corruption, and “hashtag activism.”

    Vice Media, which has announced that A&E networks has invested $250 million in the company, has announced another $250 million investment, this one from a venture capital firm called Technology Crossover Ventures.

    The New Republic celebrates its centennial this fall, with a gala, an anthology, and a special issue; the publication’s website is also featuring one-hundred notable articles from its history.

    The Paris Review considers the wit, wisdom, and poetry of spam comments: “the best spam coalesces—with its typos, its competing voices, and its gloriously infelicitous phrasings—into a sort of nauseous goulash.”

    Tao Lin interviews Ben Lerner about his new novel, 10:04 (for more on the book, see Christian Lorentzen’s review in our fall issue).

    Good news for New York Francophiles: Albertine Books in French and English, which takes its name from the Proust character, will open in the city on September 27. The bookstore and reading room will also host readings, debates, and other literary events, including a six-night festival in October organized by Greil Marcus.

  • September 4, 2014

    USA Today has laid off between 60 and 70 staffers—about half of them editors and writers, according to Jim Romenesko. “Today is my last day at USA TODAY, after 30 years,” Edna Gundersen, the paper’s longtime pop critic, tweeted yesterday. “I was laid off this morning, along with several great colleagues. Onward.”

    David Remnick has responded to environmental activist Vandana Shiva, who recently fired off a harsh rebuttal to Michael Specter’s profile of her in the August 18 New Yorker. “Part of the problem is that after encouraging Mr. Specter to travel with you both in Italy and India, you apparently changed your mind, and stopped replying to his interview requests (or emails.)”

    Inc. profiles Dao Nguyen, who, after being fired from Le Monde, went on to become the head of data and growth at Buzzfeed, where she has become a key player in the company’s ongoing surge in traffic.

    Chris Kraus

    Chris Kraus

    At the Believer, Chris Kraus writes about a mid-’90s email exchange between Kathy Acker and cultural theorist Mackenzie Wark, which will soon be published by Semiotext(e): “In some ways, Acker and Wark’s correspondence amounts to a cautionary tale against casual sex, but, in a larger sense, they’re trying to forge a brave friendship that includes sexual and intellectual intimacy aided by total disclosure. Comfort matters less to them than knowledge.”

    Andrew Sullivan considers the problem with every web outlet thinking they need a “take” on the latest trending news (or “news”) story: “The Takes wouldn’t be produced if they weren’t profitable—or at least aspirationally, potentially profitable—to the publishers, but the defining feature of modern web publishing is that the Takes are ruining the Brands. When your worst, laziest, least-polished writing is also the most frequently published content at your publication, that writing defines the voice of your site.”

  • September 3, 2014

    Yesterday, Washington Post owner Jeff Bezos announced that Frederick J. Ryan Jr.—a onetime Reagan-administration staffer and currently Politico’s first chief executive—will be replacing Katharine Weymouth as publisher of the paper. This is the first time that the Post will not be headed by a member of the Graham family since 1933, when Weymouth’s great-grandfather Eugene Meyer bought the paper.

    John Updike

    John Updike

    At The Atlantic, a story about Paul Moran, who systematically dug through and took items from John Updike’s trash for three years, beginning in 2006. Moran has blogged about his finds at The Other John Updike Archive, and says of his pursuit: “It was disgusting. . . . The immediacy made it seem so wrong, but longterm, if you flash back on virtually any major author or historical artist, you would think, ‘I wish I had Mark Twain’s stuff or Andy Warhol’s stuff.’”

    Simon Reynolds, author of music studies such as Rip It Up and Start Again and a Bookforum contributor, has written an ode to “inkies,” British weekly music newspapers like NME, Melody Maker, and Sounds. “Imagine, if you can, or remember, if you’re old enough, a long-ago time when music fans had to wait. Wait for news about music. Wait for reviews that were really previews of music you’d wait even longer to hear.”

    Emily Bazelon and Dave Weigel are both leaving Slate. Bazelon will join the New York Times Magazine, as part of their in-progress redesign, and Weigel is moving to Bloomberg Politics.

    A&E Networks is rumored to be in negotiations with Vice Media to pay $25 million for a 10 percent share.

     

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