• February 9, 2016

    Tolstoy’s great-great-granddaughter has organized a public marathon reading of War and Peace across more than thirty Russian cities this week: Readers include Vladimir Urin, director of the Bolshoi ballet, and the great Polish auteur Andrzej Wajda, who made Ashes and Diamonds.

    Matt Power

    Matt Power

    Applications for the second annual Matthew Power Literary Reporting Award, the grant honoring the acclaimed journalist who died on assignment in Uganda in 2014, are due February 16th.

    The Al Jazeera America shutdown is coming earlier than expected: The website will cease being updated at the end of this month, but you can still find the work (and contact details) of an excellent group of reporters and editors at their portfolio site.

    At Jezebel, Catherine Nichols muses on Adelle Waldman’s analysis of love in fiction written by men and women. Nichols goes on to write about the ways in which characters in Jane Austen and Charlotte Brontë change and adapt to one another, but she starts with a rather irresistible quotation from Douglas Adams: “It is difficult to be sat on all day, every day, by some other creature, without forming an opinion on them. On the other hand, it is perfectly possible to sit all day, every day, on top of another creature and not have the slightest thought about them whatsoever.”

    Some political scientists have set up a database of women experts on various topics, for those spoilsports out there who don’t enjoy an all-male panel.

    Tonight at BookCourt, Christopher Sorrentino will present his new novel, The Fugitives. And at the Powerhouse Arena in Dumbo, Sarah Leonard and Bhaskar Sunkara will launch The Future We Want: Radical Ideas for the New Century—you can read an excerpt from it here.

  • February 8, 2016

    In an interview with Bill Maher on Friday, author Gloria Steinem, who is pro–Hillary Clinton, implied that women who support Bernie Sanders are just trying to meet men. “When you’re young, you’re thinking: ‘Where are the boys? The boys are with Bernie.’” But after a group of Sanders supporters started an online petition requesting that she take the statement back, Steinem issued an apology: “In a case of talk-show Interruptus, I misspoke on the Bill Maher show recently, and apologize for what’s been misinterpreted as implying young women aren’t serious in their politics,” she wrote in a Facebook post yesterday. “Whether they gravitate to Bernie or Hillary, young women are activist and feminist in greater numbers than ever before.”

    After a bidding war, HarperCollins has acquired a memoir by Fox News anchor Megyn Kelly. Deadline Hollywood says the publisher paid $10 million for the book, but publishing sources told Page Six that the figure is in the $3 million to $4 million range. The book, which as yet is untitled, will be released in the fall.

    St. Mark’s Bookshop, the legendary independent East Village bookseller, is losing its fight against eviction, sources say. The store has announced an emergency sale to raise funds, but owes more than $60,000 in back rent, and was recently issued a warrant for a $34,400 tax lien. A lawyer for St. Mark’s says, “They’re probably not going to be around much longer; we’re talking days.”

    Alison Bechdel

    Alison Bechdel

    Alison Bechdel names her ten favorite books.  

    At Publishers Weekly, Ken Pisani drolly recounts his difficult, humiliating attempts to find a literary agent. “The first thing I learned about rejection is that agents are very, very sorry—nearly every rejection contains an apology or some regret: ‘I am sorry, but we cannot take it on at this time’; ‘We regret to inform you…’ Some of them are frightened: ‘I’m afraid I have to pass’; ‘I’m afraid this isn’t right for me.’”

    The New York Times’s public editor, Margaret Sullivan, writes about the paper’s Express Team: eight writers and editors who “quickly develop articles when a topic begins gathering steam on social media.” The team “is a response to a new reality: The Times can no longer just decide, high on its mountaintop, what is news.” Says editor Patrick LaForge: “The reader controls the news agenda much more than 30 years ago.” As Sullivan points out, some readers are not happy with the change (“There is too much fluff and silliness in the so-called news,” one reader responded), but in the end she argues that the paper must experiment, and must “reinvent itself to survive.”  

  • February 5, 2016

    New York Times executive editor Dean Baquet has sent staffers a memo announcing a fairly major overhaul, including cuts in the newsroom and elsewhere: “Simply put, we keep turning things on—greater visual journalism, live news blogs, faster enterprise, podcasting, racing against an ever-growing list of new competitors on an expanding list of stories—without ever turning things off,” he writes. From now on, “everything we do must either be part of [our] mission or help generate the revenue to sustain our journalistic dominance.” The Awl has a bracing graph of the Times’s revenue relative to its operating costs over the past decade, and notes that “between this and Condé Nast and Hearst spinning off their print services into an easily disposable joint venture, sounds like 2016 is off to a great start for print media!”

    Sarah Koenig

    Sarah Koenig

    This week, the Serial podcast has leapt from a leisurely bi-weekly schedule to daily updates, as Sarah Koenig attends a hearing in Baltimore at which Adnan Syed’s lawyer is using new evidence to argue that his murder conviction should be overturned. Today’s episode follows the testimony of Asia McClain, a potential alibi for Syed who was never called to testify at his original trial.

    We’ve always said that editing was important, and now look: The drama of the presidential primaries is being played out partly on Wikipedia.

    A new literary review, the Chicago Review of Books, has been set up with the aim of “cultivating awareness of diverse voices, settings, genres, and ideas.”

    Gawker has a piece on what you might call the personal essay–industrial complex, and more specifically, a quite striking “identity survey” that the women’s website Bustle apparently sends to its new writers, which includes detailed questions about mental and physical health, family relationships, sexual history, drug use, and experiences of abuse or assault.

    Remember hypertext fiction, and that moment when it seemed as if it might threaten the printed book? Now it seems some brave souls are giving that another go, creating experimental digital fiction for anyone who feels they’re not getting enough quality time with their phone.

    Book reviewers have always had a good line in backhanded compliments, but this piece, congratulating its subject on his derring-do in writing a novel so much worse than his previous fiction, may set a new record.

  • February 4, 2016

    trialNext Friday, February 12, Bookforum will host a Valentine’s reading at the New Museum. “Trial and Error,” a tribute to love’s vicissitudes (in previous years we’ve named it “Bad Trips,” “Wasted Youth,” and “The Night We Called it a Day”), will feature readings by Mary Gaitskill, Vivian Gornick, Patricia Marx, A. O. Scott, and Christopher Sorrentino.

    No one seems quite ready to believe that Amazon now plans to open hundreds of physical bookstores, but if you’re on the west coast, weren’t put off by that New York Times story, and have the ability to lift 50 lbs,” you might just have a shot at a job.

    And it seems fair, or at least tempting, to say that you could do a lot worse (both professionally and in terms of reading material).

    Alexander Chee writes in the New Republic about the odd status of the historical novel, from War and Peace—which “holds a strange place in literary history, participating in the crowning of realism as a substantial and serious literary mode in America, even as the novel also contributed to the argument that historical fiction could be by nature dangerous, illegitimate, and inaccurate”—to Hilary Mantel’s tour de force of the French Revolution, A Place of Greater Safety, which she was initially unable to publish, to the “trepidation” in friends’ eyes when he described his own second novel, “as if I had announced that I was giving up years of hard work writing literary fiction to sell out and become a hack.” And the Rumpus interviews Chee about that novel, The Queen of the Night, “structured like a five act opera,” and how, while writing it,I often thought I was losing my mind, or that I’d done something that would kill me before I finished it.”

    Now that Tina Fey has signed a deal with Universal Pictures to make a movie based on a Good Housekeeping article, we can’t help wondering whether or not writers there are bound by New Yorker–style rules about such things.

    As primary season rolls on, you may want to refamiliarize yourself with our editor Chris Lehmann’s thoughts on the Republican field (sans Trump).

  • February 3, 2016

    Christopher Cox

    Christopher Cox

    Christopher Cox, who was promoted to editor in chief of Harper’s just three months ago, has been abruptly fired by the publisher and president, John R. MacArthur, seemingly over Cox’s support of a plan to redesign the magazine’s cover. The rest of the staff reportedly opposed the firing of Cox, who has done great work in his several years at the magazine. Roger D. Hodge, a previous editor of Harper’s who was fired in 2010 after a four-year tenure, told the New York Times that he too had had conflict with MacArthur over editorial matters, and that he warned Cox when he took the job “that he should expect to get fired eventually, but that he would probably have a few good years.”

    In the Guardian, Pankaj Mishra has a biting account of the situation for writers in Narendra Modi’s India, where the novelist Arundhati Roy is now facing trial for “contempt of court.” Mishra vividly describes the ways in which “the suppression of artists and intellectuals in a formal democracy such as India manifests itself in many interlocking patterns.”

    The Awl reports rumors that Gawker’s editorial union will be staging a two-hour walk-out one day next week in protest at the management’s refusal to offer cost-of-living salary increases. All the Gawker sites are expected to go dark during the staffers’ absence.

    The Atlantic won Magazine of the Year at the Ellies on Monday night, and Kathryn Schulz, a poet of the present and future tenses, took the prize for feature writing for her truly frightening New Yorker piece, “The Really Big One.

    Ten thousand copies of a very real-looking parody supplement to the New York Times were handed out to New York commuters yesterday (including outside the Times building itself). It critiques the Times’s Israel/Palestine coverage and announces a “new editorial policy.”

  • February 2, 2016

    If you can take your eyes off the surprising results from last night’s Iowa caucuses, there is a new issue of Bookforum online.

    Ahead of the shut-down, Al Jazeera America staffers have set up a portfolio site, where you can find an impressive array of their best work.

    book-seidel-oogaboogaThe New Yorker has a review of Frederick Seidel’s new book of “suave and vengeful” poems: “If the id had an id, and it wrote poetry, the results might sound like Widening Income Inequality (Farrar, Straus & Giroux), Frederick Seidel’s sixteenth collection. . . .  American poets like to think of their art as open, democratic, all-­embracing; few aside from Seidel have imagined the lyric poem to be an exclusive haunt of self-flattering, hedonistic élites. Seidel is securely on the winner’s side of the widening wealth gap; the implication, if we’re reading him, is that so are we.”

    Tobi Haslett has published an intriguing conversation with Margo Jefferson in Bomb, about Negroland and much besides: “Sometimes I look at myself on tape,” she says, “and I think, ‘Ugh, God, that perfect diction.’ It’s natural to me—but oh it’s just so pristine. You know? It’s strange to keep confronting, in these stylistic ways, how you were constructed. What you were constructed to be in the world.”

    And, as he publishes his second novel, The Queen of the Night, fifteen years after his first, Alexander Chee tells The Millions exactly what his writing life is like.

    Meanwhile, Sarah Manguso’s exploration of writerly envy is a welcome tonic.

  • February 1, 2016

    Simon & Schuster’s imprint Gallery Books has announced that it will publish a new biography of David Bowie by Paul Morley, who recently helped Grace Jones with her recent book I’ll Never Write My Memoirs. Morley’s book, The Age of Bowie, is scheduled to appear late this year.

    MTV News has been on a hiring spree—earlier in January, the company brought in five former employees of Grantland, the ESPN-owned sports and pop-culture website that closed its doors late last year. Now, in an effort to boost its political coverage, MTV has hired author and Wonkette founder Ana Marie Cox and New York Magazine columnist Jaime Fuller.

    Stephen King has awarded the Guardian’s Short Story Prize to Elodie Harper, a reporter whose submission, “Wild Swimming,” is “a sinister tale set around a reservoir in Lithuania.”

    Meredith Wild

    Meredith Wild

    Meredith Wild, who sold millions of her self-published romance novels, has started an imprint called Waterhouse, which, according to the New York Times, “is off to a promising start.” Many authors-turned-publishers are thriving, the article says, because they know how to market books that fail to stand out in the crowded world of self-publishing. “The self-publishing ecosystem has become oversaturated,” the article points out. “Amazon has more than four million e-books in its Kindle store, up from 600,000 six years ago, making it harder for new authors to find an audience.”

    Hilary Mantel explains why you should read the under-sung novelist Elizabeth Jane Howard.

    David Granger is leaving his position as the EIC of Esquire after nineteen years in the position. He will remain an editorial director at the magazine. His replacement is Town and Country’s Jay Fielden.  

  • January 29, 2016

    As if primary season weren’t providing enough drama, that Washington institution Politico, in what has been described as “a mega-cataclysm,” is to lose Jim VandeHei, its cofounder and CEO, Mike Allen, its chief White House correspondent and the man behind its widely read morning Playbook, and three other senior staff members. VandeHei and Allen plan to start their own new venture.

    Meanwhile, last night’s Trumpless Republican debate saw quite a few attacks on Hillary Clinton, currently locked in an unexpectedly tight race for Iowa with Bernie Sanders, whose campaign has been upending the conventional wisdom among Democrats.

    cahiersFrench New Wave director and critic Jacques Rivette, who made landmark films such as Paris nous appartient and the Jamesian fantasy Céline and Julie Go Boating, and edited Cahiers du Cinéma in the mid-1960s, has died at the age of 87.

    The New Yorker’s Page Turner has a piece about South Korea’s Nobel Prize in Literature deficit and the country’s efforts to do something about it. The piece quotes an English professor there who runs a website about Korean literature and explains that if the great hope Ko Un, the octogenarian poet and Buddhist monk once imprisoned for pro-democracy activism, doesn’t land the prize, it may never happen, because of the Swedish Academy’s particular tastes: “They far prefer males. They prefer older people because they don’t want you to change your political beliefs. They prefer political heroes, people who stood up for something and who risked life and limb. And, of course, Ko Un qualifies for all of that. You drop under him and there’s at least a twenty-year hiatus where, if there is that author, I’m not aware.”

    A former student of Saul Bellow’s, who recalls “the pleasant disorientation of watching Augie March teach Nathan Zuckerman,” has published the last interview with him, complete with video footage.

  • January 28, 2016

    If the work of Franco Moretti so far represents the limit of your understanding of the statistical analysis of literature, get ready for the denizens of Poland’s Institute of Nuclear Physics, who have been busy discovering fractals and multifractals in most of our major works. Though, perhaps a little churlishly, they note that the “fractality of a literary text will in practice never be as perfect as in the world of mathematics.”

    The Washington news director for Bloomberg Politics, Kathy Kiely, has resigned because she feels the company would be severely hampered in any serious attempt to cover a presidential run by its multibillionaire owner Michael Bloomberg: “You can’t cover the circus,” she pointed out, “unless you can write about one of the biggest elephants in the room.”

    The Intercept wonders whether The Onion will tone down its Hillary Clinton coverage now that her “biggest fan and financial supporter” effectively has a controlling stake in it.

    Rebekah Brooks

    Rebekah Brooks

    And here’s yet another heartwarming media tale: Rebekah Brooks, back at the helm of Rupert Murdoch’s British operation after losing a few years to the vast phone-hacking scandal, has now appointed Angus McBride, the lawyer who managed to get her cleared of all criminal charges, as in-house counsel for News UK. It’s unusual, of course, for a criminal defense lawyer (apparently one of Britain’s best) to take on such a role at a company—but, to each according to his need.

    It’s really a shame for those sharing this kind of news on Facebook that Reactions, the new “like” button that will “expand the range of Facebook-compatible human emotions from one to six,” isn’t quite ready yet.

    Powerhouse Books is being sued by the New York Times over its use of cover images for David Shields’s War Is Beautiful, a book that attacks the Times’s aestheticized war photography, and it seems the publisher is now suing Shields himself. Several people have criticized the Times’s decision to bring this lawsuit (or “hissy fit,” as one law professor described it). And they’re not the only ones questioning the paper’s priorities: Its public editor has written disapprovingly about news going underreported when “enough Times firepower somehow has been found to document Hillary Clinton’s every sneeze, Donald Trump’s latest bombast, and Marco Rubio’s shiny boots.”  

    Still, we’re glad the Times found room for the story of the windmill-tilting theater director who has coaxed Roberto Bolaño’s 2666 (“It would take 45 minutes,” he points out, “just to explain what the novel is about”) into a five-hour stage play.

    Meanwhile, the latest translation by Natasha Wimmer, the translator of 2666 who has become, the Times notes, “something of a tastemaker in contemporary Latin American literature,” is of Sudden Death, a novel by the prizewinning Mexican writer Álvaro Enrigue in which Caravaggio and Quevedo play tennis with a ball made from the hair of the executed Anne Boleyn. Asked about the book’s period setting, Enrigue, who notes that he’s spent the last few years (turbulent ones for Mexico) in the “protective womb” of New York City, said: “We live in a world that demands explanation. And fiction has the capability to offer explanations for things. I work with history because I come from a country that has a tremendous thirst for reality. It is desperate to understand what the hell happened in recent years.” Tonight at the New York Public Library, Enrigue will be in conversation with Rivka Galchen.

  • January 27, 2016

    While Arianna Huffington may no longer be treating Donald Trump’s campaign as more entertainment than politics, Trump himself evidently does view it as a media story. Announcing that he planned to skip Thursday’s Republican debate after a stand-off with Fox News (over the network’s refusal to replace Megyn Kelly as moderator), he said: “Let’s see how much money Fox is going to make on the debate without me.”

    Much to everyone’s chagrin, it seems that David Bowie had better things to do than write his memoirs.

    James Fenimore Cooper

    James Fenimore Cooper

    Today Library of America launches a new twice-monthly column, The Moviegoer, that celebrates films based on classic American literature. First up is a piece on Michael Mann’s The Last of The Mohicans by Michael Sragow, who quotes the director calling James Fenimore Cooper’s book “a whitewash of land grabs and cultural imperialism.” Mann, Sragow writes, “thinks that he has turned his back on Cooper. What he’s really done, perhaps, is to liberate Cooper from himself.” There are columns to come on The Age of Innocence, The Maltese Falcon, The Innocents (the 1961 adaptation of Henry James’s “The Turn of the Screw”), and one by the writer Harold Schechter about true crime in American cinema.

    New York has a profile of Jim Rich, editor-in-chief of the Daily News, that discusses the newfound popularity of its front page: “We don’t shy away from the controversial issue,” Rich says. “You’ve seen publications on the right, but there’s a vacuum on the middle left on these issues, a consistent, strong voice, and I like to think we’re doing a decent job of filling that void.” The piece also notes that the News is now selling prints of its covers, and that if all else fails, that might be one way a tabloid paper could hope to stay in business.

    An unfinished Beatrix Potter story, “The Tale of Kitty-in-Boots,” will be published later this year, complete with angular drawings by Quentin Blake, best known for his work as Roald Dahl’s illustrator.

    And, a still more adorable development: For the more adventurous Jane Austen fan, Hot Topic apparently has a new clothing and lingerie line inspired by the soon-to-be-released Pride and Prejudice and Zombies.

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