• October 28, 2015

    Alex Pareene

    Alex Pareene

    Gawker has a new editor-in-chief, and “despite talk of making [the site] ‘20 percent nicer,’” as Re/Code puts it, they’ve picked one of their old guard, Alex Pareene, former editor of Wonkette and a survivor of First Look Media’s ill-fated Racket. John Cook, Gawker Media’s executive editor, proclaimed his excitement that Pareene would take over in time to make the most of a 2016 presidential race that “promises to be nothing short of a terrifying circus.”

    Vox and Buzzfeed have seemingly helped embarrass the SXSW festival’s organizers into reinstating and expanding its planned discussions about online harassment (which they’d tried to cancel after a brief burst of targeted online harassment).

    A writer explains why “experience” isn’t what it’s cracked up to be (after all, staying in bed and writing was good enough for Proust).

    Blob-like, The Atlantic is expanding and taking over National Journal’s former turf in Washington, DC. Among other things, this news gave Erik Wemple the chance to journey down memory lane, recalling the good old days of Washington political coverage, when cash was everywhere. National Journal was once one of several subscription services, and an employee of one such told Wemple that, in the late 1990s, “Everyone at Roll Call got $20,000-plus bonuses. People were crying in the hallways.”

    Things sound pretty bad for both literary journals and the floods of writers who now pay for the privilege of submitting work to them.

    McNally Jackson Live, a regular “highbrow variety show,” begins tomorrow night, when Jeanette Winterson and Vivian Gornick will be on hand to entertain you—and every week from now on promises “someone unexpected doing some unexpected thing.”  

  • October 27, 2015

    Lisa Jardine, “the leading British female public intellectual of our times,” is the subject of an impressive and very moving collaborative obituary that honors her as a scholar, teacher, and friend: She showed “generations of women who came after her that it was both possible to succeed at work and at many other things as well.”

    Junot Díaz

    Junot Díaz

    The Dominican Consul General has stripped the writer Junot Díaz of his Order of Merit award for speaking out against what the Dominican Republic has been doing to Haitians and those of Haitian descent.

    PEN’s website has hosted an unusually thoughtful and detailed roundtable discussion between editors (many of whom are also writers) about publishing, followed by a collection of useful resources: “What I dislike about so much of the way people deal with diversity,” Alexander Chee says, “is that they treat these explorations as hygiene, when it is about finding new and exciting work that blows down the doors of your mind.

    Scholars are still fighting over Sylvia Plath and her personal life.

    You can now read the second half of President Obama’s conversation with Marilynne Robinson (or listen to a recording): “I think that in our earlier history—the Gettysburg Address or something—there was the conscious sense that democracy was an achievement,” Robinson says. “It was not simply the most efficient modern system or something. It was something that people collectively made and they understood that they held it together by valuing it.”

    On her nightstand alongside Edward P. Jones, Anthony Marra, Mary Karr, and Saul Bellow, Stacy Schiff has Donald Antrim’s The Verificationist, which she says “it’s time to reread”—and indeed, it almost always is.

    It’s nearly time for this year’s NaNoWriMo to begin.

  • October 26, 2015

    Germaine Greer

    Germaine Greer

    Why did Ted Cruz’s presidential campaign recently pay HarperCollins $122,252.62? According to the New Republic, the candidate (whose literary agent, Keith Urbahn, was Donald Rumsfeld’s chief of staff) was probably buying up copies of his new book, A Time for Truth. (The bulk purchases led the Times to leave the book off of its best-seller list.) He’s not the only candidate who is boosting his own sales: Earlier this year Ben Carson spent $150,000 buying up copies of his book A More Perfect Union, the centerpiece of his recent author tour.

    Harriet Klausner—a former librarian who wrote more than 31,000 reviews for Amazon and was at one time that site’s “#1 reviewer”—died last week, just three days after the appearance of her final online writings.

    Students at Cardiff University are collecting signatures for a petition to cancel an upcoming lecture by the author Germaine Greer (who wrote The Female Eunuch). The protesters are attempting to block Greer’s appearance because of comments she has made about trans people (“Nowadays we are all likely to meet people who think they are women, have women’s names, and feminine clothes and lots of eyeshadow, who seem to us to be some kind of ghastly parody, though it isn’t polite to say so”). But Cardiff says that, despite student resistance, the lecture will take place.   

    Neil Strauss, who celebrated pickup artists in his bestselling book The Game, has a new book The Truth: An Uncomfortable Book about Relationships. He’s not so enthralled by the pickup-artist scene anymore: “But now I am in the camp that any manipulation is not a good thing. And anytime you’re trying to get esteem or validation from outside yourself is not a good thing.”

    Slate has created an interactive, annotated “Bartleby, the Scrivener.”

  • October 23, 2015

    Paul West, the novelist and critic (and former Bookforum “First Novels” columnist), has died. “As a stylist,” the New York Times notes in its obituary, he “pulled out most if not all the stops” in books whose protagonists might be astronauts or aliens, Jack the Ripper or von Stauffenberg (who gave his name to the plot against Hitler). “The impulse here,” West wrote in his 1985 vindication of purple prose, “is to make everything larger than life, almost to overrespond, maybe because, habituated to life written down, in both senses, we become inured and have to be awakened with something almost intolerably vivid. When the deep purple blooms, you are looking at a dimension, not a posy.” West believed in giving the world back its intensity and “showing—showing off—the expansive power of the mind itself”: In his view, a writer who’s “afraid of mind, which English-speaking writers tend to be, unlike their Continental counterparts, is a lion afraid of meat.”

    Shane Smith

    Shane Smith

    Vice media continues its bid to take over the world (this time via a number of television networks).

    Larry Kramer has expressed his impatience with the reviews of his latest book in the New York Times, which he says is “famous among gay writers for ignoring us, or trashing us. Straight critics just don’t get us. Just like straight historians don’t get us.”

    If you’ve ever wondered why American readers are so deprived (relatively speaking) of literature in translation, you may be curious about the tribulations of Chad W. Post of Open Letter Press—this sort of publishing, it seems, is a tough business.

    Finally, the conversation we’ve been waiting for between one writer and another, where “another” is the infamous Guy in Your MFA.

  • October 22, 2015

    Eileen Myles

    Eileen Myles

    Who wouldn’t want to eavesdrop on a conversation between Alexander Chee and Eileen Myles? But this one especially seems designed to cheer the rest of us up: “I feel there’s a revolution going on,” Myles says, “like the road saga of the 50s and 60s for boys might be writing poetry for females right now. And I just love how poetry seems to be totally. . . the notebook is open—girls, and girlboys, young people and older people and all kinds of people are writing in it. Something special, mortal, cheap and fun, a new way of being smart and fast—it coincides with texting, and social media—it’s a leaky, glittering sort of form.”

    Twitter CEO Jack Dorsey claimed at a conference recently that the company “stands for speaking truth to power”—which wouldn’t be of much interest except that he simultaneously implied that Politwoops, the delightful service that until earlier this year allowed us to track politicians’ deleted tweets, might be allowed to return.

    The Harry Ransom Center at the University of Texas has just opened its Gabriel García Márquez archive to researchers and will hold a symposium next week.

    Juliet Jacques recommends the beginnings of a library of books by trans-identified authors.

    Yet more praise for the unaccountably modest critic George Scialabba.

    Tonight at NYU, there’ll be a conversation about Michel Houellebecq’s Submission between Emily Apter, Lorin Stein (who translated it), and Bookforum’s former editor Eric Banks (who reviews it in a forthcoming issue).

  • October 21, 2015

    Henry David Thoreau

    Henry David Thoreau

    Responding to what he calls Kathryn Schulz’s “devastation of Thoreau’s character, style, and mental health” in her latest New Yorker essay (which is also fun to read: “No feature of the natural landscape is more humble than a pond,” she writes, “but, on the evidence of Thoreau, the quality is not contagious”), Jedediah Purdy mounts a spirited defense of “a genuine American weirdo.”

    Futuristically enough, we’ll all soon be able to experience New York Times stories through virtual reality.

    Meanwhile, Twitter has hired a Times editor at large as editorial director of its currently-not-compelling-enough Moments section.

    And Gawker hones its Spiderman sensibility: John Cook, now officially hired as executive editor of Gawker Media, where he’d been acting as interim chief after this summer’s troubles, feels bound “to operate this place in a way that is cognizant of the power it has, and uses it judiciously.”

    Advice for writers: Prolific freelancer (and author of the forthcoming A Floating Chinaman) Hua Hsu reports that he rewrites his assignments constantly till the last minute, often at night. “I’ve tried to alter my approach over the years,” he tells Full Stop, “but the only seemingly useful advice I’ve ever gotten about becoming a highly efficient, daytime writer is to have a child.”

    Likewise, Jill Bialosky, novelist, poet, and executive editor at W. W. Norton, finds it “incredibly sustaining . . . to carry on a full-time job and also be a writer. My books build over time. I sometimes work on two or three projects at once, different forms, and this takes the pressure off each project.” It’s almost as if writing gets easier the less time you have to actually do it.

    Tonight the bookish carnival that is Lit Crawl NYC will take over Housing Works Bookstore Cafe. There’ll be games of Exquisite Corpse and Nerd Jeopardy (the latter run by BOMB magazine), and music will be provided by the Farrar, Straus and Giroux house band—yes, they have one, and it features Sarah Crichton, publisher of Sarah Crichton Books, on lead vocals.

  • October 20, 2015

    Jay Carney

    Jay Carney

    Behold a small parable of journalism and the workplace in the twenty-first century. Amazon’s spokesman (that’s Jay Carney, ex-White House Press Secretary to you) says on Medium that Amazon is much nicer than the New York Times would have you think, and that the Times reporters got one of their most colorful quotes, about Amazonians weeping at their desks, from an untrustworthy, disgruntled former employee who’d been caught perpetrating a fraud. The Times’s executive editor (also on Medium) stands by the story, in detail, and notes that, “Several other people in other divisions also described people crying publicly in very similar terms.” And the last word should go to the Washington Post’s Erik Wemple, who points out, with regard to the named employee, that “if the retail giant is willing to slime this fellow solely to attack the New York Times,” then that in itself “shores up the depiction in the newspaper of a no-holds-barred work environment” at Amazon.

    Oral historians seem excited that for once they’ve beaten the novelists to the Nobel Prize. Svetlana Alexievich, though, is apparently keen to emphasize that she is “a writer,” not a journalist or anything else. She spoke to Masha Gessen for the New Yorker about her work: “We live in an environment of banality. For most people, that’s enough. But how do you get through? How do you rip off that coating of banality? You have to make people descend into the depths of themselves.”  

    The Sacramento News & Review will be getting a $15,000 grant from First Look Media’s Press Freedom Litigation Fund, to help deal with a lawsuit filed against them by Kevin Johnson, mayor of Sacramento (and one-time NBA star).

    When you write the novel live, you might as well do the press junket right afterward—The Believer interviews Joshua Cohen about PCKWCK, and being a writer nowadays: “I used to support myself as a journalist, and then the internet devalued that and I had to write more pieces for less money. The economic pressures attendant on being a culture producer: these all play into it. Writing a novel was always the life aside from that. There was always a church-state wall. And writing a real novel was the church, by the way.”

    In New York, brows are apparently still fevered: Tonight at McNally Jackson, n+1’s Dayna Tortorici and the New Yorker’s Joan Acocella will discuss Elena Ferrante with her translator Ann Goldstein.

  • October 19, 2015

    Dale Peck

    Dale Peck

    The Evergreen Review, the legendary literary publication that is currently being revived by Dale Peck and John Oakes, is throwing a party at Le Poisson Rouge on November 2. The event will be emceed by Peck, and will feature Heather Abel, Calvin Baker, Alex Chee, Mark Doten, and John Keene. There will be “literary outrages, parodies of beloved icons, and a performance/happening.” They are making it clear that this will be no ordinary literary event: “No readings!”  

    The New York Times reports that David Lynch will write, with the help of journalist Kristine McKenna, a memoir-biography hybrid titled Life and Work, tentatively scheduled to be released by Grand Central in 2017. “I want to get all the right information in one place,” Mr. Lynch says, “so if someone wants to know something, they can find it here.” The Guardian presents a slightly more contentious side of the story: Lynch has said through his British publisher, Canongate, that “There’s a lot of bullshit out there about me, in books and all over the Internet.” He continues: “I wouldn’t do it with anyone other than Kristine; she and I go way back, and she gets it right.”

    Donald Trump and Vanity Fair editor Graydon Carter have long history of antagonism, dating back to the years when Carter was an editor at Spy, which ran a series of pieces skewering the real-estate tycoon, calling him, most famously, a “short-fingered vulgarian.” Apparently the hard feelings persist: On Friday evening, Trump Tweeted that there are rumors that Carter is about to be fired from Vanity Fair

    As Ben Carson prepares to take a break from the campaign to promote his new book, A More Perfect Union, Philip Bump at the Washington Post notes that since the year 2000, presidential candidates have written at least 172 books. But while running for president might help book sales, a book doesn’t often help one’s chances when running for president: “Very few authors actually go on to win.”

    Sports columnist T. J. Simmers is suing the Los Angeles Times for discrimination, and according to Politico, his legal team includes the famously discredited New Republic writer Stephen Glass. (In other Glass news, the ex-journalist has reportedly paid Harper’s $10,000 for a now-discredited article he published in that magazine in 1998.)

    Garth Greenwell—a student at the Iowa Writer’s Workshop whose What Belongs to You will be published by FSG in January—writes about his experience of selling a novel while he’s still getting his MFA. Were his fellow students resentful of his success? “There was some of that, some of it painful,” Greenwell states, but mostly there was generosity: “I’m not sure how I would have weathered the anxiety of edits, the anxiety of marketing and promotion, the anxiety of waiting for reviews, without my circle of friends here.” Has the book deal given him more confidence as a writer? No. “I think I had a fantasy, maybe many writers do, that once the book found a home there would be some fundamental assuaging of the anxiety I suppose all artists feel, the constant buzz of doubt inherent in making things with no obvious purpose or sure measure of success. But of course that hasn’t happened.”

  • October 16, 2015

    Last night, the Kirkus Prize, one of the most lucrative book awards in the world at $50,000 for each winner, went to Hanya Yanagihara, Ta-Nehisi Coates, and Pam Muñoz Ryan.

    In the New York Times magazine, Jonathan Mahler revisits the strange tale of Osama bin Laden’s killing—”not only a victory for the U.S. military but also for the American storytelling machine”—and the official statements, reporting, and other accounts of it (including Kathryn Bigelow’s 2012 film Zero Dark Thirty, which she rather grandly called “the first rough cut of history”). Mahler interviews Seymour Hersh, whose LRB story challenging the official version of events drew so much (often negative) attention, but he also speaks to a Pakistani journalist named Aamir Latif, who reported in Abbottabad in the days after the US raid and maintains there was indeed “coordination and cooperation” on it between the US and Pakistani authorities. Latif’s piece on the subject was actually published (without a byline) on GlobalPost all the way back in 2011.

    Jennifer Clement

    Jennifer Clement

    The Mexican-American writer Jennifer Clement has become the first woman to be elected leader of PEN International.

    Buzzfeed has been hiring more foreign correspondents, even as other outlets are having to close their bureaus abroad. Buzzfeed’s editor Ben Smith told Erik Wemple about its strategy for covering the globe more cheaply than old-time papers did—one thing that helps is that this generation of reporters “grew up as really aggressive, thrifty freelancers.”

    Esther Leslie, a translator of Walter Benjamin, has a piece about Benjamin and the current plight of migrants in Europe that’s well worth reading.

    Deborah Friedell’s LRB essay on Donald Trump is full of insights about what he is and isn’t good at, not least this one: “Bloomberg puts Trump’s current net worth at $2.9 billion, Forbes at $4.1 billion. The National Journal has worked out that if Trump had just put his father’s money in a mutual fund that tracked the S&P 500 and spent his career finger-painting, he’d have $8 billion.”

  • October 15, 2015

    Hanya Yanagihara

    Hanya Yanagihara

    The shortlist for the National Book Award is out, and some helpful soul has collected free samples of most of the books in question, including the memoirs by Sally Mann and Ta-Nehisi Coates, fiction by Lauren Groff and Hanya Yanagihara, and poetry by Terrance Hayes and Ada Limón.

    In a “leap-out-of-the-bathtub moment,” as he told the New York Times, an American scholar has found the earliest draft of the King James Bible, a notebook from the early seventeenth century in which one of the translators seems to have puzzled out his allotted section and then taken over someone else’s: “Some of them, being typical academics, either fell down on the job or just decided not to do it,” Professor Miller said, with a laugh. “It really testifies to the human element of this kind of great undertaking.”

    The artist Ai Weiwei has sold his memoirs (which also promise to be a “cultural history of China over the past 100 years”), due out in 2017.

    Perhaps unsurprisingly, newspaper reporting made it onto a list of the “most endangered” jobs for the second year running—the list is compiled by CareerCast, which also established this year that it’s better to be a lumberjack than a reporter.

    Tonight, the Albertine book club, led by Antonin Baudry, will discuss Jean-Paul Sarte’s weird and wonderful autobiographical novel Les Mots.

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