• December 18, 2015

    In the wake of the news that Republican super-donor Sheldon Adelson was the man behind the secretive purchase of the Las Vegas Review-Journal, many questions still remain. At Politico, Ken Doctor considers why Adelson paid so much for the paper (a reported $140 million in cash, which is three times what the paper was valued at in March), and what the impact of the sale could be on the news business. The new partnership has not gotten off to an auspicious start: An in-house story about the sale was halted last week by the paper’s publisher so he could remove quotes, including one by the Journal’s editor questioning who the new owners are and what their expectations are for the paper.

    James Laughlin

    James Laughlin

    The New York Times has corrected a front-page story about the San Bernardino shooters. The paper had mistakenly reported that Tashfeen Malik has posted messages supporting jihad on social media, though the FBI later clarified that the missives were actually sent on private messaging platforms and on a dating site. This small error has big consequences for the story: Originally, the piece was a pointed and powerful critique of how the background check process for a US visa does not include checking public social media sites; now it is a somewhat garbled report about how the visa process had missed Malik’s “online zealotry.”  

    Dwight Garner looks back at a year of reading, but rather than make a “best of” list (you can find that here), Garner recounts his favorite lines and the most memorable moments from books published in 2015. There are many gems on the list, including witticisms from Joy Williams, Paul Beatty, and Rachel Cusk, but our favorite quip comes from legendary New Directions publisher James Laughlin, as reported in the biography Literchoor Is My Beat. When asked if he feared dying, Laughlin replied, “I fear death because I can’t recall that Dante mentions any book in hell.”

  • December 17, 2015

    Molly Crabapple

    Molly Crabapple

    Writer and artist Molly Crabapple, whose just-published memoir Drawing Blood describes her experiences reporting at Guantánamo Bay and elsewhere, has published new drawings of Syrian refugees in the Domiz camp in Iraqi Kurdistan.

    Morrissey has belatedly commented on his debut novel’s victory in this year’s Bad Sex Award, noting that he has “many enemies” of the kind who “try to use all your achievements against you,” and that “there are too many good things in life to let these repulsive horrors pull you down.” There are indeed many good things, and a “giggling snowball of full-figured copulation,” as featured in Morrissey’s List of the Lost, is just one of them.

    More good news for journalists: Staffers at The Nation have secured a new contract that provides for pay increases and up to four months’ paid parental leave.

    And even better news, it seems, for those involved in the UK’s phone-hacking scandal: It looks as if you really have got away with it.

    The writer Tao Lin has weighed in on the merits of MFAs in his characteristically deadpan fashion. He’s also updated his useful map of the contemporary American short story.

    The last McNally Jackson variety show of the year is tonight, which means you may get to spend the evening with Annie Baker and Lynne Tillman.

  • December 16, 2015

    In what is perhaps an ominous sign of the times, Merriam Webster has named the suffix ”-ism” as the word of the year. The dictionary reports that words such as racism, fascism, and socialism were often looked up this year, beating out also-rans such as marriage, respect, and inspiration. Meanwhile, Google has posted its “Year in Search” offering a deeper look into the queries on everyone’s mind.

    After last night’s Republican debate, it might be a good time to revisit Richard Hofstadter’s classic 1964 essay, “The Paranoid Style in American Politics,” which Harper’s Magazine has helpfully placed in front of its paywall. Hofstadter writes,  “The paranoid spokesman . . . traffics in the birth and death of whole worlds, whole political orders, whole systems of human values. He is always manning the barricades of civilization.” Sound familiar?

    Marco Rubio

    Marco Rubio

    Meanwhile, for those who feel there’s too much money sloshing around political campaigns, look at it this way: It’s always nice when a writer gets paid.

    We know that Obama was reading Lauren Groff this year, but what was Lauren Groff reading?

    For Karl Ove Knausgaard, after the magnum opus comes the listicle: “I ended up writing about ten things that made life worth living and ten things that made me want to shoot myself. The editor quit and the project was canceled before I turned it in, but in that brief form I’d found something that appealed to me. So I continued writing.”

    Businessweek makes its staffers compile a list of every piece they wish they’d written this year. If only more magazine writers would make lists of those they wish they hadn’t! We might try it in 2016.

    Artist Mary Ramsden and novelist Adam Thirlwell have a created a digital artist’s book, “RadioPaper,” with five new “super-short stories” by Thirlwell.  

  • December 15, 2015

    At the New Republic this week, in two shifts a day from Monday to Friday, ten writers (all women, incidentally) reread Nabokov’s Lolita on the occasion of its sixtieth birthday.

    Gabriel García Márquez

    Gabriel García Márquez

    The late and formidable literary agent Carmen Balcells and her late and formidable client Gabriel García Márquez get the Vanity Fair treatment.

    And the New York Times profiles Ian Hislop, impish editor of Private Eye, the UK magazine that “combines very funny jokes, many of them unashamedly adolescent, with serious investigative journalism of the kind most British papers no longer do.”

    Meanwhile, it looks as if a lot of other British journalists are off the hook, as prosecutors drop their four-year phone-hacking inquiry.

    A striking detail from one of the obituaries for the great scholar Benedict Anderson: “Anderson’s linguistic fluency was almost superhuman. Perry Anderson could read all the major European languages but once ruefully declared his big brother was the true polyglot of the family: Benedict could read Dutch, German, Spanish, Russian, and French and was fully conversant in Indonesian, Javanese, Tagalog, and Thai; he claimed he often thought in Indonesian.”

    If you haven’t yet read the current issue of the New York Review of Books, you’re missing Colm Tóibín on Clarice Lispector.

    A writer for the Economist sits through a performance of a forgotten Arthur Miller play, written for a cash prize when Miller was a twenty-year-old sophomore, and wonders how many of these “lost” works (which seem to be sloshing around all over the place this year) really need finding again: Our sympathies.

    In a pairing so obvious that you feel it may already have happened, Neil Gaiman plans to adapt Mervyn Peake’s Gormenghast novels for the big screen.

    Vindication once again (courtesy of the Globe and Mail) for all those who still take punctuation seriously.

    You know you’ve made it as a magazine writer when you can flog an old article as a book for $200 a copy—but then if you’re Gay Talese, you probably already knew (that’s right, “Frank Sinatra Has A Cold” is now a book).

  • December 14, 2015

    Author and scholar Benedict Anderson died yesterday in Batu, Malang, East Java. Best known for his influential 1983 study Imagined Communities: Reflections on the Origins and Spread of Nationalism, he also wrote many other books, including Under Three Flags: Anarchism and the Anti-Colonial Imagination (2005) and The Fate of Rural Hell: Asceticism and Desire in Buddhist Thailand (2012). Next summer, Verso will publish Anderson’s memoir A Life Beyond the Boundaries.

    PEN has announced the longlist for its annual translation prize. And in other awards news, Salman Rushdie has been awarded the Mailer Prize for lifetime achievement

    László Krasznahorkai

    László Krasznahorkai

    Elusive novelist Elena Ferrante grants a rare interview to the Financial Times: “I believe that, today, failing to protect writing by guaranteeing it an autonomous space, far from the demands of the media and the marketplace, is a mistake. . . . I think authors should be sought in the books they put their names to, not in the physical person who is writing or in his or her private life. Outside the texts and their expressive techniques, there is only idle gossip.” 

    Poet and basketball columnist Rowan Ricardo Phillips reflects on Steph Curry and the Golden State Warriors in the Paris Review.

    Tonight in New York, László Krasznahorkai, the author of Satantango, among other novels, and the winner of this year’s Man Booker International Prize, will make a rare US appearance, discussing his work with Salman Rushdie and Valeria Luiselli.

     

  • December 11, 2015

    Lucia Berlin

    Lucia Berlin

    The New York Times book critics picked their favorite books of the year, and while Michiko Kakutani’s and Janet Maslin’s lists are billed as “roughly in order of preference,” Dwight Garner’s is alphabetized by author: We’d like to think it’s because he couldn’t quite bring himself to choose between the inimitable Joy Williams and the inimitable Lucia Berlin (whom Williams reviews in the latest Bookforum).

    A new season of Serial—the podcast that put podcasts on the radar for millions of new listeners—has begun, focusing on Bowe Bergdahl, the US soldier who left his post and spent several years in captivity with the Taliban. Unlike the first season, about Adnan Syed, who was convicted for the 1999 murder of his ex-girlfriend Hae Min Lee (and whose friend is now writing a book about him, due out next September), this one is not primarily concerned with finding out what happened: “The basic facts in the case of Bergdahl are known,” writes Sarah Larson on the New Yorker site, “and most parties involved agree on what they are. But what those facts mean, what Bergdahl actually experienced in the Army, his motivations for leaving his platoon, and the many terrible consequences of that decision are more complex, even existential.” So that’s a relief for anyone who felt let down when the first season’s ending turned out to be some variation of a “contemplation on the nature of the truth” after all.

    The new editor of Harper’s, Christopher Cox, introduces the latest issue, and makes some staff-writer announcements ahead of the magazine’s relaunch next spring: There will be regular essays from Rivka Galchen, A. S. Hamrah, and Emily Witt, while Christine Smallwood (who will write on the state of the American short story in a forthcoming issue of Bookforum) is taking over the New Books column full time, after the departure of her comrade, the novelist Joshua Cohen.

    You know it’s a good week when George Saunders is on Colbert.

    And on Monday, philosopher Alain Badiou will be at Columbia, speaking onRadical Grace: The Role of Art in Response to Present Tragic Circumstances.”

  • December 10, 2015

    Time magazine has an excerpt from Open Letter, the posthumously published manifesto by Charlie Hebdo’s editor-in-chief, Stéphane Charbonnier, who was killed in the January attack. In this controversial passage from the book, due out in English next month, Charbonnier lays out his objections to the term Islamophobia, which he claims obscures the underlying problems of racism and discrimination against the poor.

    Eve Kosofsky Sedgwick

    Eve Kosofsky Sedgwick

    Jane Hu looks around the archive of the great queer theorist Eve Kosofsky Sedgwick (kept in her Manhattan apartment until an institution decides to acquire it),  and talks to Sedgwick’s husband, Hal, who maintains it: “I know that there is enormous generative power in her work,” he says, “and I don’t want that ever to be lost.”

    As round-up season begins to wind down, there are still a few more revelations to be had: People magazine, for instance, shares with us President Barack Obama’s book of the year—he chose Lauren Groff’s Fates and Furies.

    Meanwhile, the longlist is out for the next Tournament of Books, to take place in March, and you can apply to be a judge.

    BuzzFeed’s ethics guidelines apparently preclude any expressions of political partisanship by its writers and editors, but its chief, Ben Smith, has announced in a memo that they should feel free to attack Donald Trump (and certain parties at Time magazine have evidently felt the same).

    Anyone who hasn’t yet read Ariel Levy’s New Yorker piece on Transparent creator Jill Soloway is missing out on both a portrait of the poet Eileen Myles and the most appealing depiction of a TV writers’ room we’ve encountered: “The writers Soloway assembled for ‘Transparent’ . . . are her playmates and her propaganda squad. Only one of them, Bridget Bedard, had experience in television before joining the show, as a writer on ‘Mad Men.’ Soloway culled the rest of her staff from academia, fiction, queer activism, film, and musical theatre.”

  • December 9, 2015

    Svetlana Alexievich

    Svetlana Alexievich

    Svetlana Alexievich (”Flaubert called himself a human pen; I would say that I am a human ear”) delivered the annual Nobel lecture in Sweden, quoting extensively from her own diaries and from the other voices her work makes space for. And in light of her observation that “I am often told, even now, that what I write isn’t literature, it’s a document,” Jonathon Sturgeon reads her as the most contemporary of writers.

    Novelist Bret Easton Ellis has an op-ed about how we’re all too eager to be liked nowadays. Offering the experiences of his controversial youth as self-help for those he sees as cowed by life online, he writes: “I was liked as often as I was disliked, and that was OK because I didn’t get emotionally involved. Being reviewed negatively never changed the way I wrote or the topics I wanted to explore, no matter how offended some readers were by my descriptions of violence and sexuality. As a member of Generation X, rejecting, or more likely ignoring, the status quo came easily to me.”

    And, from the Baffler, a piece on literature as a tool for empathy as a tool for business—or, why and how they teach literature to aspiring MBAs. Merve Emre sits in on a seminar called “Leadership Through Fiction.”

    Sarah Weinman writes about Hughes Allison, the “first black member of Mystery Writers of America,” and why he and his black detective character, Joe Hill, didn’t get the success they deserved.

    The new issue of n+1 is up online (and it’s worth subscribing for Sarah Resnick’s essay on heroin alone).

  • December 8, 2015

    After the UK government decided to go ahead with airstrikes against Syria, the writer Michael Faber, in a Swiftian satirical gesture, sent Prime Minister David Cameron a copy of his latest novel with a note suggesting that “a book cannot compete with a bomb in its ability to cause death and misery, but each of us must make whatever small contribution we can, and I figure that if you drop my novel from a plane, it might hit a Syrian on the head.” He concluded: “With luck, we might even kill a child: their skulls are quite soft.”

    Readers of Time magazine apparently favor Bernie Sanders for “Person of the Year,” but he didn’t make the cut for the editors’ shortlist, unlike you-know-who.

    Mary-Kay Wilmers

    Mary-Kay Wilmers

    If you haven’t yet read the essay on Marianne Moore (and her mother) in the LRB by its editor, Mary-Kay Wilmers—soon to be played on TV by Helena Bonham-Carter—we hereby give you permission to put aside whatever you’re working on and do so.

    Chris Ware has made an animated cover for this week’s New Yorker with the help of This American Life’s Ira Glass, whom he callsprobably one of the few people alive making a living with a semiotics degree.

    You may have heard all you want to hear by now about the contested border between fiction and nonfiction, but in case not, Geoff Dyer seems unusually well qualified to talk to you about it.

    The New York Times’s Modern Love column—which can, it seems, be romantic about anything, even journalism—is becoming a (star-studded) podcast.

    And First Look Media, which has had its share of image problems, now wants to help keep journalism glamorous by making entertainment along the lines of Spotlight (which it co-produced).

    At Lincoln Center tomorrow night, Dennis Lim will discuss his new book on David Lynch (seven of whose films will be showing this month as part of the Lynch/Rivette double retrospective) with Bookforum contributor and Village Voice movie critic Melissa Anderson.

  • December 7, 2015

    Sonny Mehta

    Sonny Mehta

    On Saturday, the New York Times ran an op-ed on page one, above the fold. “End the Gun Epidemic in America” points out the obvious necessity for better regulation of firearms. “It is not necessary to debate the peculiar wording of the Second Amendment,” the editorial reads. “No right is unlimited and immune from reasonable regulation.” In another Saturday print-edition article (not on page one) titled “Gun Debate Yields Page One Editorial,” the Times provides us with some of its own history: notably, the paper has not run an editorial on page one since 1920, when it bemoaned the Republican party’s nomination of Warren G. Harding as its presidential candidate. Speaking of the gun-control op-ed, Times publisher Arthur Sulzberger Jr. noted that the print version of the paper still has a particular effectiveness: “Even in this digital age, the front page remains an incredibly strong and powerful way to surface issues that demand attention.”

    Oprah Winfrey’s memoir, The Life You Want, will be published by Flatiron Books, a division of MacMillan publishers, in January 2017. The book will be the first title in Winfrey’s new imprint with Flatiron, which will release several nonfiction titles each year.

    Knopf EIC Sonny Mehta has been named Person of the Year by Publisher’s Weekly. Says PW: “Mehta has seen to it that Knopf hasn’t simply rested on its reputation—he’s cemented its place as one of the most successful literary imprints in the business.”

    In Al Jazeera America, Scott Beauchamp turns to Don Delillo’s work in order to understand terrorism’s insidious “war on the imagination.” In Delillo’s prescient 1991 book Mao II—one of many Delillo fictions concerned with public plots and rampant paranoia—the novelist narrator muses on how terrorists have supplanted writers in shaping society: “I used to think it was possible for a novelist to alter the inner life of the culture. Now bombmakers and gunmen have taken that territory. They make raids on human consciousness.”

    Novelist Teddy Wayne makes the case for why having a shelf full of (print) books is the best thing parents can do for their children’s development: “Poking through physical artifacts . . . is archival and curatorial; it forces you to examine each object slowly, perhaps sample it and come across a serendipitous discovery. Scrolling through file names on a device, on the other hand, is what we do all day long, often mindlessly, in our quest to find whatever it is we’re already looking for.”

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