• June 22, 2018

    Michelle Alexander

    The New Jim Crow author Michelle Alexander is joining the New York Times Opinion section. In a statement, editorial page editor James Bennet called Alexander “a powerful writer, a fierce advocate for a more just world and a deep believer in open-minded, searching debate over how to achieve it.”

    America Ferrera is editing an anthology of essays “about the experience of growing up between cultures in America. American Like Me: Reflections on Life Between Cultures—which features pieces by Roxane Gay, Lin-Manuel Miranda, Issa Rae, Jenny Zhang, among others—will be published by Gallery Books next September.

    Silvia Killingsworth has been hired by Bloomberg Businessweek as digital editor. Killingsworth was most recently the editor of The Awl and has previously worked at the New Yorker as managing editor.

    Former Vanity Fair editor Graydon Carter is working on a media company of his own. The New York Post reports that the venture is “rumored to be a multi-platform venture centering, at least at first, on wealthy and famous European families, including Britain’s royal family” and “could take flight before the end of the year.”

    At the Los Angeles Review of Books, Scott Timberg talks to Martin Amis about poetry, aging novelists, and his latest essay collection, The Rub of Time. “Medical science has given us the spectacle of the doddering novelist. As I say in the first of the Nabokov essays, all of the great novelists are dead by the time they reach my age,” Amis said. “Novelists probably do go on longer than they ought to, now. Philip Roth has done the dignified thing, just quit. . . . It seems to me that rather than gouging out another not-very-original book, you should just step aside.”

     

  • June 21, 2018

    Being Mortal author Atul Gawande has been named CEO of Amazon, Berkshire Hathaway, and JPMorgan Chase’s joint healthcare initiative. “I have devoted my public health career to building scalable solutions for better healthcare delivery that are saving lives, reducing suffering, and eliminating wasteful spending both in the US and across the world,” Gawande said in a statement. “Now I have the backing of these remarkable organizations to pursue this mission with even greater impact for more than a million people, and in doing so incubate better models of care for all.”

    At the New Yorker, Caleb Crain looks to the American Time Use Survey to explain why Americans are spending less time reading.

    Read an excerpt from David and Lauren Hogg’s new book, #NeverAgain.

    Univision is offering buyouts to Gizmodo Media employees in an effort to reduce its editorial budget and possibly avoid layoffs.

    After an internal investigation, MIT has announced that Junot Diaz will return to teaching there in the fall.

    Medium’s vice president of editorial Siobhan O’Connor talks to The Idea about the company’s new editorial vision. O’Connor says that the company now has eleven full-time editorial employees and that switch to an new ad-free, $5-per-month subscription plan has been successful. “Medium is unique in that you’re getting very different kinds of writing from very different kinds of writers — and it’s all presented together in one place,” she said. “We’re also unique in that we find ourselves in this rare moment where our business model  . . . is aligned with our mission, and it’s working.”

    Tonight at Books Are Magic in Brooklyn, Susan Choi talks to Lillian Li about her new book, Number One Chinese Restaurant.

  • June 20, 2018

    Édouard Louis

    The End of Eddy author Édouard Louis talked to the New York Times about growing up in northern France, finding his place in literature, and the reactions to his newly-translated book, History of Violence. When the book was published in France, some critics felt that the language used by certain characters, particularly Louis’s sister, was unrealistic. “My books are often faulted by bourgeois critics for prejudices that are theirs not mine,” Louis said. “When I write I don’t ask myself whether I’m being kind or cruel but whether what I’m putting down is true or false. I’m not a priest but someone who’s trying to reproduce the complexity of people’s characters.”

    HarperCollins executive editor Julia Cheiffetz will be heading her own imprint at Atria. On Twitter, Cheiffetz sought ideas for what to call the still-unnamed imprint—”No esoteric flowers or references to Greek mythology!”

    Philosopher Stanley Cavell has died at the age of ninety-one. For more on Cavell, see Mark Greif’s 2011 essay in n+1 and a 2010 interview with Joan Richardson in Bookforum.

    At Tin House, Elissa Washuta talks to Dead Girls: Essays on Surviving an American Obsession author Alice Bolin about learning from books, myths, and self-doubt. “I have always thought of it as a strength too because as a critic I always doubt myself. I have the strength of my convictions, I know my opinion, but at the same time, I am terrified of being wrong in material ways or not being convincing enough,” Bolin said. “So I’m always the person who has their ducks in a row. I will go back and re-watch my favorite movie that I’ve seen 800 times if I’m going to write about it.”

    Former President of Mexico and marijuana legalization advocate Vicente Fox is joining High Times’s board of directors. “Well, I am a soldier, in the sense of being an activist, working for this new future, working to break the paradigm,” Fox said of his new role. “In short, joining together those who believe in this future.”

  • June 19, 2018

    Moira Donegan

    Journalist Moira Donegan is writing a book. Her agent Monika Woods confirmed to Page Six that “Moira is working on a book following in the tradition of her sharp, insightful work on gender and feminism today.”

    VIDA Women in Literary Arts has released the 2017 VIDA Count, a report that its authors say has taken on new importance in the era of Trump and #MeToo.  

    Rolling Stone has promoted Jason Fine to editor. Fine has served as the magazine’s managing editor since 2015.

    Newspaper conglomerate Tronc is changing its name back to Tribune Publishing. A source says that the name change was approved last month, but was held up by the recently-completed sale of the Los Angeles Times and other papers. Spurred by the sale, a group of Illinois investors are hoping to raise enough money to either bid on the Chicago Tribune or become the majority shareholder in Tronc.

    At the Los Angeles Review of Books, Tom Rosenstiel talks to Jake Tapper about the difference between journalism and fiction writing. “The ability to make it up is the obvious difference,” said Tapper, whose debut novel The Hellfire Club came out this spring. “In fiction, you can take a historical tidbit and twist it to make the story better. (Though since I’m a journalist at my core I did feel obligated to explain those liberties in an extensive endnote section.)”

  • June 18, 2018

    Victor LaValle

    Victor LaValle

    Victor LaValle’s novel The Changeling is being adapted into a TV series that will air on FX.

    The legendary and inimitable Happy Ending reading series will return for one night: June 27 at Joe’s Pub. This installment is titled “Anxiety and Misdiagnosis,” and the lineup will include Amanda Stern (Happy Ending’s creator and longtime host, and the author of the new book Little Panic), Alexander Chee (The Queen of the Night and How to Write an Autobiographical Novel), and Leslie Jamison (The Empathy Exams and The Recovering). Musical guest TBA. Tickets are available here.

    Arundhati Roy answers questions from a number of fans—Lionel Shriver, Eve Ensler, Ali Smith, and a number of readers—discussing her favorite Beatle, political resistance, censorship in India, and why writers should be “unpopular.”

    Hanif Kureishi has offered a response to novelist Lionel Shriver, who last week ridiculed Penguin Random House for its efforts at diversity. “No one knows what a more democratic and inclusive culture would be like. It is fatuously omniscient to assume it would be worse than what we already have,” Kureishi writes. “The attempt of reactionaries to shut people down shows both fear and stupidity. But it’s too late: they will be hearing from us.

    The New York Times has published a series of photos from the biggest parties during Book Expo America.

    Pulbishers Weekly examines how Literary Hub has, since its launch in 2015, become “one of the premier literature-focused sites on the web.”

  • June 15, 2018

    Carmen Maria Machado. Photo: Tom Storm

    Editorial and administrative staff at the Washington Post have written an open letter to owner Jeff Bezos “asking for fairness for each and every employee who contributed to this company’s success.” The letter outlines concerns about a lack of raises, job security, and unfair demands on laid-off employees. “Please show the world that you not only can lead the way in creating wealth, but that you also know how to share it with the people who helped you create it,” they conclude.

    Houston Chronicle managing editor Vernon Loeb has been hired as The Atlantic’s new politics editor. Loeb has previously worked at the Washington Post, the Los Angeles Times, and the Philadelphia Inquirer.

    Literary Hub hosts a discussion by Allie Rowbottom, Thea Lim, Aja Gabel, and Chelsea Hodson on the publication process for debut authors.

    Jackie Chan is working on a memoir. Never Grow Up will be published by Gallery Books in November.

    In the New York TImes’s “By the Book” column, Michael Ondaatje reminisces about teaching literature at Columbia University’s medical school. “They were wonderful students; in some ways, they read books more perceptively than the usual academic students,” he recalled. “As if a character flaw resided in a specific and therefore limited area, such as the liver. So the problem could be eventually overcome.”

    Her Body and Other Parties author Carmen Maria Machado talks to Vulture about her next book, her encounter with Junot Diaz, and what should happen to men after the #MeToo movement. “If all things were equal, if it was fair, men would get to experience what we get to experience. In terms of having their art utterly devalued at every turn. In terms of not being taken seriously,” she said. “Obviously . . . I don’t think that will happen.”

  • June 14, 2018

    Chelsea Hodson. Photo: Ryan Lowry

    At BOMB, Alex Zafiris talks to Chelsea Hodson about vulnerability, love, and resisting categorization in her new essay collection, Tonight I’m Someone Else. “I think there is a tendency now to label and categorize everything, which inherently reduces the experience to one thing or another, which isn’t true to how I experience the moments of my life,” Hodson said. “I’m interested in using writing as a tool to explore nuances that are only detectable to me months or years later. These people and these moments stay with me, whether I want them to or not, so there is a lawlessness that comes with excavating them, dusting them off, and holding them in a new way.”

    This American Life podcast S-Town is being turned into a movie. Spotlight director Tom McCarthy is in talks to direct and playwright Samuel Hunter could write the script.  

    Amy Rose Spiegel has been hired as a senior editor at Broadly. Spiegel was most recently editor in chief of Talkhouse Music and has worked at BuzzFeed and Rookie.

    For the Paris Review’s “Feminize Your Canon” series, Emma Garman recommends the work of British novelist Olivia Manning. Though she was a prolific writer, her books were not well known during her lifetime, unlike the work of her “archnemesis” Iris Murdoch. “Manning may have bristled at the notion that she was artistically ahead of her time; what use was that when she had bills to pay?” Garman writes. “But her spare, unsentimental, and sometimes highly original fiction, with its “unlikable” characters and documentarian’s realism, is more aligned with current tastes than Murdoch’s eccentric flights of fancy.”

    Tonight at McNally Jackson in New York, Dorthe Nors presents her newly-translated novel Mirror, Shoulder, Signal.

  • June 13, 2018

    Chimamanda Ngozi Adichie

    Chimamanda Ngozi Adichie has won the 2018 PEN Pinter Prize. “In this age of the privatised, marketised self, Chimamanda Ngozi Adichie is the exception who defies the rule,” English PEN trustees chair Maureen Freely said of the author. “Sophisticated beyond measure in her understanding of gender, race, and global inequality, she guides us through the revolving doors of identity politics, liberating us all.” Adichie will receive the award in October, when she will also announce her choice for the 2018 International Writer of Courage.

    Amazon Studios has ordered a streaming series based on the New York Times’s Modern Love column. Written and directed by John Carney, the show “will explore love in its multitude of forms, including sexual, romantic, familial, platonic and self-love.”

    Julie Reynolds wonders why the Knight Foundation, a journalism organization that supports local news organizations, invested in Alden Global Capital’s Distressed Opportunities Fund, which was used to buy struggling newspapers and slash their budgets, from 2010 until 2014.

    After writing an article claiming that Penguin Random House UK’s plan to increase the diversity of its writers was “putting diversity ahead of literary excellence,” Lionel Shriver has been removed from the judging panel of Mslexia’s writing competition. In an open letter to Shriver, the inaugural cohort of the Penguin WriteNow program, which provides mentoring to writers from marginalized communities, detailed just how hard it is to be selected for such projects. Out of 2,000 applications each year, only twenty-three writers were selected. “In context: statistically you are much more likely to get into Oxford than onto a Penguin Random House mentoring scheme,” they explain. “Therefore it’s hardly the indiscriminate box-ticking process that Shriver so unimaginatively envisages.”

  • June 12, 2018

    Craigslist founder Craig Newmark has donated $20 million to the City University of New York’s Graduate School of Journalism, which will be renamed after him. “Sometimes rich people want to do fancy stuff in terms of endowments: Ivy League schools, the opera, the ballet,” Newmark said. “Me? I want to help out people who, much like me, really needed a hand. If you’re lucky enough to do well, then I feel the right thing is to give people a hand, and the best way for me to do that is to help out journalism.”

    Kamila Shamsie

    The Outline has laid off the editor and staff writer of its Power section. In a statement to Fast Company, editor in chief Joshua Topolsky claimed that he had “let go of two underperforming employees—the power section here is more than intact,” but later backtracked on his statement in a tweet.

    Home Fire author and Women’s Prize–winner Kamila Shamsie talks to The Guardian about immigration policy, living in London, and how it felt to have her book predict the future.

    A novelist can share a poet’s sensibility, precision, generosity, slant, view, broodiness, relationship with language, imagery, metaphor and the visual,” Caoilinn Hughes writes in her list of poets-turned-novelists at Granta. “But what about the novelists who are poets? Do their novels betray them as such?”

    New York magazine’s Reeves Wiedeman examines the history of VICE, and wonders if the company can make it through slow financial growth and allegations of widespread sexual misconduct. Though office culture has changed since the New York Times investigation, some staff loyalty still remains according to recently-hired senior vice-president Marsha Cooke. “In her first address to the staff,” Wiedeman reports, “Cooke said that she heard such pride in the organization that she half-expected the room to turn into a scene from Spartacus, with each of the company’s creatives standing up, one by one, shouting, ‘I am Vice!’”

    Tonight at Books Are Magic in Brooklyn, Lauren Groff talks to Lisa Lucas about her new novel, Florida.

  • June 11, 2018

    Lara Prescott

    Lara Prescott

    Michael Wolff has reportedly signed a contract with Henry Holt to write a sequel to his bestselling portrait of the Trump Administration, Fire and Fury.

    Knopf has paid a reported $2 million for the North American rights to Lara Prescott’s debut novel, We Were Never Here. Prescott’s book is a fictional account of the making of Boris Pasternak’s Doctor Zhivago, a novel that was banned and suppressed in the Soviet Union, and that might never have become known to the world had it not been successfully smuggled out of the country and translated by the CIA.

    David Hadju, author of the critical study Positively Fourth Street (in part about Bob Dylan), has sold his first graphic book to Columbia University Press. According to Hadju’s agent, Chris Calhoun, Hadju’s A Revolution in Three Acts is “a historical story of three ‘wildly transgressive’ stars of the Vaudeville stage: Bert Williams, the African-American minstrel performer; Eva Tanguay, the ‘I Don’t Care’ girl; and Julian Eltinge, a female impersonator.”

    Remembering Anthony Bourdain: Here is his list of “39 books to ‘unfuck yourself.’” Also, Dreaming the Beatles author Rob Sheffield pays tribute to the notoriously prickly celebrity chef: “He made it easy for the rest of us to live vicariously through his adventures, because he seemed to have a boundless appetite for life.”

    The novelist and cultural critic Marian Warner—a novelist and critic who won the National Book Critics Circle Award for Stranger Magic, her study of the Arabian Nights—recently warned against what she sees as a new tendency to reward authors for being “virtuous.” “Striving to be good is not the same as good writing,” she stated in her presidential address at the Royal Society of Literature. “Engaging in fictive truth-telling is not the same as winning gold stars for conduct.”

    Tonight in New York, Bad Feminist author Roxane Gay will discuss the new anthology Not that Bad: Dispatches from the Rape Culture, which she edited, with Aja Monet, author of My Mother Was a Freedom Fighter. Tomorrow, Gay will discuss the book with contributor Ally Sheedy.

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