• June 9, 2017

    The diplomatic crisis between Qatar and its neighboring Gulf states has put pressure on the Qatari government to shut down Al Jazeera, or significantly curtail the new organization’s editorial independence. Saudi Arabia has canceled Al Jazeera’s broadcasting license and ordered the company to close its offices in the country. The organization’s website was also the victim of a cyberattack.

    The New York Times attempts to identify which part of their February report on contacts between Trump advisers and Russian intelligence officials was inaccurate, after former FBI director James Comey testified that the story was “in the main . . . not true” but declined to explain his claim. The paper continues to stand by the article, and notes that its findings were corroborated by other major news outlets in the months that followed.

    Guardian reporter Ben Jacobs has accepted an apology from Montana Congressman Greg Gianforte, who assaulted the journalist at a campaign event. In his letter to Jacobs, Gianforte admitted that his “physical response” to a question about health care policy “was unprofessional, unacceptable, and unlawful.” Gianforte is also donating $50,000 to the Committee to Protect Journalists, “in the hope that perhaps some good can come of these events.”

    Walter Mosley. Photo: David Shankbone

    In a speech at the twentieth-anniversary celebration of Cave Canem, Walter Mosley reflected on the poetry organization’s legacy as a refuge for African-American poets in a literary world dominated by white culture. “I feel at home here because my understanding, my experience of this institution brings up many feelings I have about being black and a writer in a world that hasn’t given us the kind of support or attention we deserve and more importantly that we need,” he said.

    Rivka Galchen and Anna Holmes try to find the line between cultural appropriation and artistic license. Invoking the Wu-Tang Clan’s reverence for Chinese culture, Galchen writes that “the difference between appropriation and exchange” might be found in the quality of the work itself. “Maybe when we say it’s wrong to take something, we really mean, What you’ve given back is far too poor, too mediocre.” Holmes notes that the subjective nature of what constitutes appropriation makes it difficult to identify. “You can’t always prove appropriation,” she writes. “But you usually know it when you see it.”

  • June 8, 2017

    Naomi Alderman’s The Power has won the Baileys Prize for Women’s Fiction. Her book, which is set in a future world “where women and girls can kill men with a single touch,” is the first science fiction work to win the prize.

    The New York Times talks to Alan Pasqua, the pianist whose “jazzy piano chords” accompanied Bob Dylan’s Nobel lecture. Pasqua had played piano on two of Dylan’s albums in the 1970s, but had not performed with the Nobel laureate since. When he first heard from Dylan’s manager about the accompaniment, Pasqua did not know it would be for the Nobel speech. “All I knew at that point is that it was a spoken-word thing that Bob was doing,” he said.

    At Jacobin, Justin Slaughter looks at the current administration’s refusal to acknowledge global warming, comparing Donald Trump to Moby-Dick’s Captain Ahab. As C.L.R. James wrote in his book Mariners, Renegades, and Castaways, Captain Ahab’s ideas, feelings, and needs “become the standard by which reality is tested and whatever does not fit into that must be excluded.” Slaughter points out that the current president operates in a similar mode. “Anything that doesn’t fit—from crowd size and negative polls to carbon dioxide emissions rising above four hundred parts per million or physical manifestations of global climate change like floods, droughts, and famines—must be ‘fake news.’”

    Ta-Nehisi Coates is writing the script for a new film by director Ryan Coogler. Based on the New Yorker article of the same name by Rachel Aviv, Wrong Answer tells the story of teachers at an Atlanta middle school who changed answers on students’ standardized tests in order to meet No Child Left Behind standards and receive necessary funding.

    Denis Johnson

    At n+1, Justin Taylor reflects on the “profound spiritual and moral vision” found in Denis Johnson’s work. Taylor looks at the troubled characters found throughout the late author’s books and stories, and finds a compassion built from philosophy, religion, and faith. “Johnson saved his deepest empathy for those whose Hells were wholly self-made,” Taylor writes. “He knew that to be both the perpetrator and the victim was to suffer twice.”

  • June 7, 2017

    At Vulture, David Edelstein responds to criticism of his review of Wonder Woman, which some readers found superficial and offensive. Although Edelstein writes that some of his words were taken out of context, he notes that others were simply not clear to readers. “To have to unpack my descriptions means, in the end, that they weren’t good or nuanced or sensitive enough to their ramifications,” he writes. “The lesson was learned on that score—and plenty of others.”

    Milo Yiannopoulos will self-publish his book, Dangerous, which was dropped by Simon & Schuster earlier this year. After the book was put back on Amazon for pre-order, it quickly moved to the top of the “humor” category.

    The Knight First Amendment Institute has requested that Trump unblock the Twitter accounts of his critics. The group argues that Trump’s Twitter is now a “designated public forum,” which is subject to First Amendment rules, and plans to bring legal action if their request is ignored. “This is a context in which the Constitution precludes the President from making up his own rules,” said Knight Institute executive director Jameel Jaffer. “Though the architects of the Constitution surely didn’t contemplate presidential Twitter accounts, they understood that the President must not be allowed to banish views from public discourse simply because he finds them objectionable.”

    Aaron Cantú

    Sante Fe Reporter writer and New Inquiry editor Aaron Cantú was indicted for felony charges received after being arrested while reporting on Inauguration Day protests in DC. Cantú is one of two journalists who are still facing charges from covering the protests.

    After NSA contractor Reality Winner was arrested for allegedly providing The Intercept with evidence of targeted Russian election hacking, journalists wonder whether the website should have taken more precautions to conceal Winner’s identity. In a statement, The Intercept denied knowing the identity of the leaker, and added that Winner has not yet been tried for her alleged crimes. “It is important to keep in mind that these documents contain unproven assertions and speculation designed to serve the government’s agenda,” they write, “and as such warrant skepticism.” At New York magazine, Jake Swearingen writes that both the reporters and the leaker share some of the blame—The Intercept for revealing the postmark on the document, and Winner for contacting the website while at work. The Washington Post explains how the NSA was able to trace the document back to Winner through nearly-invisible dots left by the printer she used. At The Outline, William Turton writes that Winner should have been more careful in light of the current administration’s vendetta against leaks. “These teams have been on red alert ever since NSA contractor Edward Snowden took a trove of documents and turned them over to the media,” he writes. Snowden himself noted that Winner has been charged under the Espionage Act, which means that the jury will not hear her motives for leaking the document. “Winner is accused of serving as a journalistic source for a leading American news outlet about a matter of critical public importance,” he writes. “The prosecution of any journalistic source without due consideration by the jury as to the harm or benefit of the journalistic activity is a fundamental threat to the free press.”

  • June 6, 2017

    Bill Maher has apologized after using a racial slur during an interview with Republican Senator Ben Sasse. HBO called the comment “inexcusable and tasteless,” and said they will edit the remark out of future broadcasts. In response, Senator Al Franken has canceled an upcoming appearance on the show.

    Ben Smith talks to former New York Times public editor Margaret Sullivan about the paper’s decision to discontinue the role.

    Sewanee Review editor Adam Ross talks about the magazine’s struggle to stay relevant in the digital age. Ross had been in the middle of writing a new novel when he was initially approached about the job, and he has postponed work on the book indefinitely. “This is a magazine with some of the greatest DNA in the American literary ecosystem,” Ross said. “That seemed worth slowing my literary career down for.”

    Broadly talks to Noëlle Santos, who is planning to open the only general-interest bookstore in the Bronx.

    Personal trainer Bryant Johnson is writing a book based on his workout routine for Supreme Court Justice Ruth Bader Ginsburg. The RBG Workout: How She Stays Strong . . . and You Can Too! will be published by Houghton Mifflin Harcourt in October.

    Bob Dylan

    Bob Dylan has finally given his required Nobel lecture. In the speech, recorded last weekend, Dylan discussed his songwriting influences from Buddy Holly to Homer, “accompanied throughout by jazzy piano chords.” Dylan also paid tribute to his literary influences, including Moby-Dick, All Quiet on the Western Front, and The Odyssey. In closing, he made a case for songwriting as a part of literature: “I return once again to Homer, who says, ‘Sing in me, oh Muse, and through me tell the story.’”

    Tonight at Books are Magic in Brooklyn, Elizabeth Strout talks to Amor Towles about her new book, Anything is Possible.

  • June 5, 2017

    Kareem Abdul-Jabbar

    In the New York Times Book Review’s By the Book column, basketball legend and author Kareem Abdul-Jabbar—whose new book is Coach Wooden and Me—names the best book he ever received as a gift (Geoff Dyer’s But Beautiful: A Book about Jazz) and his favorite literary hero (Walter Mosley’s P.I. Easy Rawlins).

    Reporting on this year’s Book Expo America convention, Publishers Weekly names this fall’s “big books” (new fiction by Jeffrey Eugenides, Leni Zumas, and Jennifer Egan), and gives a recap of the convention’s main event, Hillary Clinton’s discussion with Wild author Cheryl Strayed. Clinton called her latest book of personal essays, which will be published by Simon & Schuster this September, “a really unvarnished view of what I think happened [in the election].” “Someone else could run for president tomorrow, or in four years, and they won’t have the same experience,” Clinton said. To which Strayed replied: “Somebody else please run for president tomorrow.” PW also reports on the BEA panel Book Reviews: The Diversity of Race, Ethnicity and Sexual Orientation, and took note of “a different feel” (smaller, but still relevant) at this year’s convention.

    “People say, if all you have is a hammer, then every problem looks like a nail. We should be so lucky. President Trump has a hammer, but all he’ll use it for is to smash things that others have built, as the world looks on in wonder and in fear.” Environmental activist and author Bill McKibben—the author of Oil and Honey and Earth—offers a clear and eloquent rebuttal of Trump’s decision to “obliterate” the Paris climate accord. “It’s not stupid and reckless in the normal way. Instead, it amounts to a thorough repudiation of two of the civilizing forces on our planet: diplomacy and science. It undercuts our civilization’s chances of surviving global warming, but it also undercuts our civilization itself, since that civilization rests in large measure on those two forces.”

    Novelist Ian McEwan says he’s still in denial about Brexit. “My faction lives in daily bafflement. How has this happened in a mature parliamentary democracy, this rejection of common sense and good governance? How can it be that in a one-off vote just over a third of the electorate has determined the fate of the nation for the next half century? That shameless lies were told in the Brexit cause?”

    Robert Caro is reportedly nearing the end of his research on Lyndon Baines Johnson. He has so far published four volumes of the proposed five-book biography of LBJ, and is currently working on the fifth. A question remains: What will become of Caro’s voluminous archives of research? In a recent interview, “the author estimated that less than 5 percent of the material in his research files has made it into the finished books.”

    J. Ryan Stradal has written a deeply felt personal essay about the time he spent with author Denis Johnson.  

  • June 2, 2017

    Maria Semple

    Julia Roberts will star in the television adaptation of Maria Semple’s Today Will be Different. Semple is currently writing a limited series based on the book for HBO.

    Scholars have discovered a new play by Edith Wharton in a Texas archive. “The Shadow of a Doubt” was written and produced in 1901, long before Wharton began writing novels.

    At the New York Times, Holland Cotter reviews the Morgan Library and Museum’s exhibition on Henry David Thoreau. “As you go through the show it becomes clear how important it is to have him present, right now,” Cotter writes. “Not just because 2017 is the bicentenary of his birth but because he is a model of resistance in a rived, self-destructive, demagogic political moment.”

    John Cassidy reflects on Trump’s announcement that the US will withdraw from the Paris climate-change accord. Cassidy calls the speech “Trumpism in its full glory—the world as a conspiracy against its sole superpower, a country that accounts for a quarter of global G.D.P. and about forty per cent of global personal wealth.”

    After one of the paper’s journalists was assaulted by a US congressman, The Guardian has seen a 40 percent increase in reader contributions.

    Conservative journalist Cassandra Fairbanks is suing Fusion reporter Emma Roller for defamation. The suit was filed after Roller tweeted a photo of Fairbanks, which included a caption that alleged Fairbanks was making a “white power hand gesture.” According to Fairbanks’s lawyers, mainstream journalists use the First Amendment “to smear and slime their adversaries at will,” when it is actually “meant to protect the Cassandra Fairbanks’ of the journalism world: independent, alternative voices of truth in a sea of fake news.”

  • June 1, 2017

    The New York Times is offering another round of buyouts in the newsroom in the hopes of avoiding forced layoffs. The paper plans to merge the current system of copy editors and “backfielders” into a single group. The Times is also eliminating the public editor role, currently held by Liz Spayd. In a memo, publisher Arthur Sulzberger noted that the public editor position was poorly suited to the digital age. “Today, our followers on social media and our readers across the internet have come together to collectively serve as a modern watchdog, more vigilant and forceful than one person could ever be,” he wrote. Instead, the paper is establishing a Reader Center. Run by International desk editor Hanna Ingber, the department will work with editorial staff throughout the newsroom to field tips, criticisms, and other feedback.

    Former CBS Evening News anchor Scott Pelley will now serve as a full-time correspondent on 60 Minutes. Pelley has worked on the program since 2004, and continued to work as a correspondent after he took over Evening News in 2011.

    Chris Kraus

    Politico is launching a London edition of Playbook this summer. The newsletter will be run by current Daily Mirror political editor Jack Blanchard.

    Bill O’Reilly is working on his next book. Killing England: The Brutal Struggle for American Independence will be published in September by Henry Holt.

    At Literary Hub, Chris Kraus explains why you should read Eileen Myles’s recently-reissued first novel, Cool for You. Loosely based on Myles’s childhood, Kraus writes that the novel could be considered a kunstlerroman, or “a chronicle of an artist’s becoming.” “Seventeen years after its first publication, the book feels just as radical, startling, and daringly alive as when it first came out,” writes Kraus. “Perhaps now it will be better read.”

  • May 31, 2017

    Francesco Pacifico

    Francesco Pacifico talks to Adam Thirlwell about translating his his new novel, Class. Pacifico is translating the new book into English himself, which he says has given him a chance to rewrite the original. “I’d gained enough distance from Class to realize the Italian version hadn’t been properly edited—there were a lot of moral asperities that I had to tone down because it was a crazily bleak book,” he said. “Now my Italian editor and I think we should publish the new version as a paperback.”

    At Hazlitt, Elizabeth Strout discusses politics, stand-up comedy, and her new book, Anything is Possible.

    BuzzFeed CEO Jonah Peretti stands by his company’s decision to publish an unverified intelligence dossier on Donald Trump, and says he plans to “vigorously defend” the website in the resulting defamation lawsuit.

    The Ringer is the latest web publication to leave hosting platform Medium. The sports and culture site will be moving to Vox Media later this summer. Creator Bill Simmons will retain ownership and editorial independence, while Vox will assist in ad sales and share profits.

    Four more editorial employees of The Observer were fired yesterday, including Dana Schwartz, the author of last year’s open letter to owner Jared Kushner. Other laid off employees include a culture writer, a managing editor, and “a business and tech editor who was hired only in the past month.” The website has yet to fill the editor in chief position after the resignation of Ken Kurson last week.

    The Atlantic’s Rosie Gray looks at the challenges faced by former White House communications director Mike Dubke, whose recent resignation was made public yesterday. As a low-profile, establishment Republican, writes Gray, “Dubke never cut much of a figure in a White House populated with outsize personalities and animated by factionalism and conflict.” But Republican strategist Katie Packer Beeson says that there were other reasons for his short tenure. “The best communications director in the business is no match for a boss who thinks they know better, changes their mind and struggles with the truth,” she told Gray. “This is an impossible job and no amount of compensation in the world would make it worth taking.”

  • May 30, 2017

    Al Franken

    At the New Yorker, Jill Lepore looks at a new (and newly relevant) batch of dystopian novels.

    In his new book, Giant of the Senate, Al Franken recalls likening Ted Cruz to “a Carnival cruise” (and noting that both are “full of shit”). Cruz has responded: “Al is trying to sell books and apparently he’s decided that being obnoxious and insulting me is good for causing liberals to buy his books… I wish him all the best.”

    Philip Pullman has offered a glimpse of his forthcoming novel The Book of Dust, which is meant to serve as a companion to his bestselling trilogy of “His Dark Materials” novels. You can read an excerpt from the book (which will be released on October 19) here.

    Benjamin Anastas explains why American journalist Martha Gellhorn’s A Stricken Field, an account of the 1938 refugee crisis in Prague, continues to be “essential reading for today.”

    At the Los Angeles Times, David L. Ulin has written an eloquent appreciation of the novelist Denis Johnson, who died last week. And at the New Yorker, Tobias Wolff recalls Johnson’s generosity, and Philip Gourevitch honors the novelist’s “ecstatic American voice.” 

    The new issue of Bookforum is out now.

  • May 26, 2017

    Denis Johnson

    Jesus’ Son author Denis Johnson died yesterday at the age of 67. The news was announced by Farrar, Straus and Giroux publisher Jonathan Galassi. “Denis was one of the great writers of his generation,” Galassi said. “He wrote prose with the imaginative concentration and empathy of the poet he was.”

    The collection of O. Henry Prize Stories for 2017 will be published by Anchor next September. The anthology was edited by Laura Furman and includes stories by Michelle Huneven, Alan Rossi, and more.

    Entertainment and culture writer Ira Madison III is leaving MTV News for the Daily Beast. New York magazine’s Lauren Kern has been hired as the first editor in chief of Apple News. Ken Kurson has resigned from his position as editor in chief of The Observer.

    Polis Books founder and publisher Jason Pinter is self-publishing a novel. “I wrote this book during the insanity of the election campaign,” he told Publisher’s Weekly, “and I wanted it out right now, not in 18 months [which is the usual publishing cycle]. I knew I would need to do it myself.” The Castle will be released on June 26.

    The New York Times details the increasingly violent treatment of journalists in the first months of Trump’s presidency. After Republican Congressman Greg Gianforte body-slammed a reporter the night before his election, the Times asks, “In this time of intense partisanship, shiv-in-the-kidney politics and squabbles over the meaning of truth, can Americans come together and agree that a politician slamming a journalist to the ground for asking a question is wrong? The answer, it turns out, is no.”

    At Electric Literature, Rebecca Makkai reviews the new American Writers Museum in Chicago, and asks, “How can we represent four hundred years of American literary history in a way that doesn’t reinforce the unfortunate hierarchies of those four hundred years?”