• November 13, 2017

    Radhika Jones

    Radhika Jones will be the next editor of Vanity Fair. Jones is replacing Graydon Carter, who announced his retirement this fall after twenty-five years as editor in chief. According to the New York Post, Jones will be taking a significant pay cut: While Carter reportedly made about $2 million dollars a year, Jones is being offered about $500,000. As one Post source put it: “The era of the highly paid Conde Nast editor is truly over.”

    The Washington Post’s Opinion section with now use artificial intelligence to guide readers to stories with opposing viewpoints from what they’re reading.

    Gossip columnist Liz Smith died yesterday at the age of ninety-four. Smith authored her column for thirty-three years, in the Daily News, New York Newsday, and the New York Post. She wrote in her inimitable style right up until the end: In a Friday dispatch for the website New York Social Diary, Smith shared a byline with Denis Ferrara on a story that begins as an appreciation of the late actress Contance Ford, talks about how Adam Sandler isn’t actually so bad, and ends on a hopeful note, riffing on Socrates quote: “Yeah, I know, you thought today’s column was going to be a total rant about the horror of the 45th president’s first year. Sometimes we like to deliver a perverse surprise. We’ll have at least three more years to rant. We need to reserve our rage and fear. And build the new.”

    Edwidge Danticat has been awarded the 2018 Neustadt International Prize for Literature.

    Jesmyn Ward sits down with The Guardian to discuss her novel, Sing, Unburied, Sing.

    At the Melville House blog, Simon Reichley examines the recently released “Industry Salary Survey,” compiled by Publishers Weekly. Predictably, the news is not good: “Everything that was a bummer last year (a dramatic pay gap between male and female employees, a stunning lack of racial diversity, stagnant wage growth, etc) is a bummer this year.”

    Tonight in New York, there are far too many worthwhile literary events for one Monday evening: at the New York Public Library, Myriam Gurba discusses her memoir Mean with Emily Books cofounders Emily Gould and Ruth Curry; at McNally Jackson books, Corey Robin talks about the updated edition of his influential study of conservatism, The Reactionary Mind, with Keith Gessen; The Strand is hosting a roundtable about the book Tell Me Something Good: Artist Interviews from the Brooklyn Rail; and Greenlight Books in Brooklyn is presenting a joint book launch for Stephen Elliott and Nuar Alsadir.  

  • November 10, 2017

    The Washington Post is launching a new feature to offer new perspectives to its readers. Counterpoint will search opinion articles and link to counterarguments based on what a user is reading at that time. Editorial page editor Fred Hiatt said the tool will not only expose readers to different viewpoints, but also to more Post content. “If you come to read a great column by Charles Krauthammer, would you be interested in a counter argument by Ruth Marcus?” he mused. “If a link to Greg Sargent brought you to our site, would you stick around if you knew that Michael Gerson had written a really smart piece on the same topic, but from a different perspective?”

    After giving a verified Twitter checkmark to Jason Kessler, the founder of the Charlottesville white supremacist rally—a move that many felt ran counter to CEO Jack Dorsey’s commitment to removing “hate symbols, violent groups, and tweets that glorify violence” from the platform—the company has suspended its verification system pending a review.

    Kevin Roose explores the increasing influence of YouTube’s conservative pundits.

    Jaron Lanier

    The New York Times talks to Jaron Lanier about social media, obscure flutes, and his new book, The Dawn of the New Everything. Lanier is skeptical that Facebook and other social media giants were unaware of their platforms’ potential to spread fake news, and worries that advances in virtual reality technology could make the problem worse. “Hopefully, in this period, when we’re dealing with this really crude and early stuff like Facebook feeds, Instagram, Snapchat, we’ll be able to get the politics straight and find a path for people to have dignity and autonomy before the hard-core stuff comes,” he says. “Unless we all kill ourselves through this other stuff, which is a possibility, too.”

    Tonight at New York University, Masha Gessen and Siri Hustvedt discuss the politics of language.

  • November 9, 2017

    Peter Hamby takes a deep dive into the world of the White House press corps. Hamby writes that the inability of White House correspondents to question press secretary Sarah Huckabee Sanders on inaccuracies and pressure the administration into discussing certain topics is having a detrimental effect on the media’s reputation. “The political press is facing a crisis of substance,” he writes, “and it’s not just poisoning the public’s perception of journalism, it’s playing right into Trump’s hands.”

    Politico’s Jack Shafer looks at the now-reversed Disney boycott of the Los Angeles Times and explains why Disney, not the newspapers, won the fight. Shafer writes that the company’s blacklisting of the newspaper used Trump’s constant dismissals of the press as a template. “By aping Trump, Disney has encouraged individuals and institutions covered by the outlets it owns—ABC News, ESPN, and local TV news—that snitty boycotts are the correct way to register disapproval,” he concludes.

    Adam Gopnik

    The 2017 National Book Awards will be broadcast on Facebook Live, the Los Angeles Times reports.

    Stephen Elliott talks to the Los Angeles Review of Books about his novels, the genius of Britney Spears, and why he doesn’t like LA.

    Adam Gopnik remembers his life in 1980s New York, where his new novel. Before he started writing for the New Yorker, Gopnik dreamed of being a songwriter. “I had written a college show about the life of Vladimir Tatlin, the great Russian Constructivist architect, and I simply assumed that I was six weeks away from Broadway with a show about him,” he recalls. “And we also had once met someone who had been to dinner with someone who had spoken to the sister of Art Garfunkel’s psychotherapist—some relationship like that—and I had made a cassette of my best songs to send to him, and I never heard back. Still haven’t, in fact.”

    Tonight at Book Culture, Jeremy Dauber presents his new book, Jewish Comedy: A Serious History.

  • November 8, 2017

    The Library of America announced that it has hired John Kulka to be its new literary director. Kulka—who has held positions at Harvard University Press, Yale University Press, and Basic Books—is replacing editor and author Geoffrey O’Brien, who will conclude his long tenure as LoA’s editor in chief at the end of 2017.

    Mattress company Casper is launching its own quarterly print magazine. Woolly “encourages readers to relax with a mix of personal essays, comedic advice columns, yoga instructor confessions and much more,” according to Adweek.

    Kevin Young

    The New York Times talks to Kevin Young about poetry, hoaxes, and his new book, Bunk. In his research, Young found that modern hoaxes are much worse than their predecessors. “They’re worse in their damage and in their intent now,” he said. “And to see that, and be proven right, or prescient, is a kind of hollow victory.”

    The South African government is threatening to ban journalist Jacques Pauw’s new book, The President’s Keepers, an exposé of “Jacob Zuma’s compromised government.” The State Security Agency sent a cease and desist letter two days after the book was published, claiming that Pauw’s work was “replete with inaccuracies.” But NB, the book’s publisher, says that it has no plans to withdraw the book.

    Through a collection of a year’s worth of New York Times push notifications, Slate examines how “the convergence of Trump and technology and the media landscape, with the invigorated news giants and hungry digital outlets duking it out for our bloodshot eyeballs” has changed the way we live. “For all of our polarization and our partisan bubbles, this inability to detach from the news is something we’ve experienced together,” they write. “We didn’t used to know what was said at every White House press briefing. We didn’t await word of the next mass shooting. We didn’t always wake up expecting news. The cadence of life has changed.”

  • November 7, 2017

    The New York Times talks to Mad Men creator Matthew Weiner about his debut novel, Heather, the Totality. Weiner said that although he’d always wanted to write fiction, he wasn’t sure he would ever have the opportunity to do so, and has been shocked by his book’s warm reception in the literary world. “It’s like someone who goes to the casino for the first time and wins,” he said.

    Rose McGowan’s upcoming memoir will be released in January, one month earlier than planned. Brave will be published in January by Harper One.

    Daniel Mendelsohn

    The Millions talks to An Odyssey author Daniel Mendelsohn about memoirs, family, and why Greek epics are still relevant today. In Mendelsohn’s opinion, “Greek texts have a kind of hardness and durability” because they avoid the pitfalls of sentimentality. “Modern superheroes are all essentially optimistic visions of transformation,” he says. “You need to only read two pages of Ovid’s Metamorphosis to understand that the ancient transformations are very problematic. The essential vision of life is pessimistic and these transformations are punishments.”

    Margaret Sullivan writes that while journalists are working harder than ever on deeply reported, investigative pieces about the conflicts of interest in the Trump administration, they are struggling to find a way to break through a chaotic news cycle that many readers are tuning out. “The scoops have been relentless, the digging intense, the results important,” Sullivan writes, but “too often, it has succumbed to the chaos of covering Trump, who lies and blusters and distracts at every turn.”

    The Observer reports from a rally held yesterday in support of the DNAinfo and Gothamist writers who lost their jobs last week after owner Joe Ricketts shut down the sites in response to a union vote. Former Gothamist editor David Colon takes a closer look Ricketts’s decision to replace each website’s work with his letter announcing the site’s closure. By doing so, “Ricketts did more than just erase a literal database of New York City history,” Colon writes. “He also directly attacked the reporters who he fired without a second thought. It’s the kind of retaliatory move made by a man who thinks he’s above consequences—a spiteful kiss-off to people whose only crime was sticking up for themselves.” Ex-LAist editor in chief Julia Wick remembers the site’s dedication to local reporting and warns that Gothamist and DNAinfo likely won’t be the last sites to be shut down over unionizing. “There are more important stories to tell than ever, and a growing contingent of moneyed powerbrokers now have the ultimate say over the content—and life—of our newsrooms,” she writes. “If you aren’t scared yet, you should be.”

  • November 6, 2017

    Donna Brazile

    Donna Brazile

    Former Democratic National Committee Chair Donna Brazile has come under fire for her new tell-all political memoir Hacks: The Inside Story of the Break-Ins and Breakdowns That Put Donald Trump in the White House. Brazile has been deeply critical of Hillary Clinton, and in interviews she has called Clinton’s presidential campaign “worse than Hurricane Katrina.” More than 100 former senior aides with Hillary for America responded with a rebuttal to Brazile’s account, proclaiming, among other things, that “It is particularly troubling and puzzling that she would seemingly buy into false Russian-fueled propaganda, spread by both the Russians and our opponent, about our candidate’s health.” House minority leader Nancy Pelosi and current DNC Chair have also spoken out against Brazile’s account. Brazile has this response for her critics: “Go to hell.”

    Jonathan Franzen considers how we can prepare for climate change in the era of Trump: “I don’t have any hope that we can stop the change from coming. My only hope is that we can accept the reality in time to prepare for it humanely, and my only faith is that facing it honestly, however painful this may be, is better than denying it.”

    Following mounting allegations of sexual misconduct against Kevin Spacey, Netflix has announced that it has canceled a Gore Vidal biopic in which Spacey had been cast to play the author. Meanwhile, novelist Alexander Chee provocatively considers Spacey’s response to the allegations.

    Publisher’s Weekly explains why, in the age of e-books, it has become increasingly difficult to define a bestseller.

    Nancy Friday, the bestselling author of My Secret Garden and other studies of gender politics, has died at age eighty-four.

    Kirkus Reviews has announced the winners of its annual book awards. What It Means When a Man Falls from the Sky: Stories by Lesley Nneka Arimah won for fiction, and The Gulf: The Making of An American Sea by Jack E. Davis won for nonfiction.

  • November 3, 2017

    Local news sites DNAinfo and Gothamist were shut down yesterday by owner Joe Ricketts. The decision comes one week after the New York offices of the company voted to unionize, and will affect 115 employees. In a post on the website, Ricketts wrote that while he was proud of his reporters for covering “tens of thousands of stories that have informed, impacted and inspired millions of people . . . DNAinfo is, at the end of the day, a business, and businesses need to be economically successful if they are to endure.”

    Condé Nast is ending the print edition of Teen Vogue, and will be reducing the print frequency of several other magazines. At least eighty jobs will be cut as part of publisher-wide cost-cutting measures.

    Andrew Durbin. Photo: Tag Christoff

    Novelist Andrew Durbin has been hired as the senior editor for the Americas of Frieze magazine.

    Julianne Moore has signed on to play Gloria Steinem in the film adaptation of Steinem’s memoir, My Life on the Road.

    Flatiron has announced the title and publication date of former FBI director James Comey’s upcoming book. A Higher Loyalty: Truth, Lies, and Leadership will be released next May.

    Vanity Fair’s Joe Pompeo looks at the rift between the Wall Street Journal’s reporters and opinions writers. Although the paper’s news staff aren’t usually bothered by the editorial page’s more conservative views, Pompeo writes that the latest articles into the Trump campaign’s connection to Russia, particularly the Journal’s call for Robert Mueller to resign, has left some news writers frustrated. “We could disprove half the stuff [the opinion writers] are saying if they just read our own reporting,” said one anonymous reporter. “It’s like living in some alternate universe.”

  • November 2, 2017

    Michael Oreskes, head of news at NPR, has resigned after multiple women alleged that he sexually assaulted them when he served as the Washington bureau chief of the New York Times. More men have come forward with allegations of sexual assault against actor Kevin Spacey. Deadline speculates that the alleged incidents—which have already halted filming on the upcoming season of House of Cards—might affect Spacey’s biopic about Gore Vidal. Netflix has yet to comment on whether the streaming service will release Gore as scheduled in 2018.

    The Cut’s Anna Silman talks to Sarah Polley, whose miniseries adaptation of Margaret Atwood’s Alias Grace will premiere on Netflix this Friday. Polley first attempted to option the book twenty years ago, when she was 18, but Atwood wasn’t interested. “I started thinking about making it into a film when I was close to Grace’s age at the time of the murders, and now I’m almost the age Grace is at the end of the novel,” she said. “My understanding of why I was so drawn to it has changed over 20 years of psychoanalysis, which has involved talking about this book a lot.”

    Mohsin Hamid. Photo: Jillian Edelstein

    Mohsin Hamid explains why there is so much “pessimism and despair about the future.” Hamid says that social media encourages the natural human tendency to focus on negative information over positive. “Nobody’s going to say that today in Pakistan, 16 million mothers kissed their kids goodnight, 5 million musicians practiced their musical instruments, and 833,000 people fell in love for the first time,” he notes. “They’re going to say that today in Pakistan somebody killed five other people with a bomb. Now, that is true, but it is a fundamental omission of so much information.”

    Fox News staffers criticized their network’s coverage of Robert Mueller’s indictments this week. The anonymous employees told CNN that they were embarrassed by the coverage, and that the network “feels like an extension of the Trump White House.” “I’m watching now and screaming,” one Fox News personality said in a text message. “I want to quit.”

    A cache of Facebook posts and ads from Russian-controlled accounts were released by lawmakers yesterday. Ads were targeted at social media users across the political spectrum, with group topics ranging from “Defend the 2nd,” a page for gun owners, to “Don’t Shoot,” a page for citizens against police brutality. One free page, “Army of Jesus,” spread an image of “Clinton dressed as Satan, with red horns and boxing gloves, appearing to punch Jesus, who also was wearing boxing gloves, as well as a determined glare as heavenly light appeared above him.”

    Tonight at NYU, Arlie Russell Hochschild talks about her latest book, Strangers in Their Own Land.

  • November 1, 2017

    Solmaz Sharif. Photo: Arash Saedinia

    Agatha French reports on the PEN Center USA Literary Awards, held last week in Los Angeles. Winners included Solmaz Sharif’s Look for poetry, Paul Kalanithi’s When Breath Becomes Air for creative nonfiction, and Martin Pousson’s Black Sheep Boy for fiction. Presenter Nick Offerman noted that if anyone wanted to call the president “an incompetent, degenerate boob,” or “a cartoon slug made of Cheeto dust,” that PEN “will fight for your ability to do so.”

    Bloomberg looks at Facebook’s inability to control the spread of fake news on its social media site. Although the company has implemented a fact checking program and started marking news deemed to be from untrustworthy sources, progress has been slow. Aaron Sharockman, executive director of PolitiFact, one of the organizations partnering with Facebook to provide fact checking, said that marking each article as “disputed” takes too long to have an impact. “By the time we’ve done that process it’s probably living in 20 other places in some way, shape or form,” he said. The New York Times reports that Facebook’s fake news problem is global. From Myanmar, where photoshopped images have helped spread anti-Rohingya messages, to India, where hoaxes and fake news are shared on Facebook-owned WhatsApp, “people are dying, and communities are tearing themselves apart with the tools Facebook has built.”

    Fitzcarraldo Editions has acquired the rights to Patrick Langley’s next novel, Arkady.

    Simon & Schuster has published Bob Dylan’s Nobel lecture, available in a mass-market hardcover for $16.99 or as a limited-edition signed copy for $2,500.

    Warner Bros has announced a release date for Crazy Rich Asians, an adaptation of Kevin Kwan’s novel. The movie, starring Constance Wu, will be released next August.

    Wikipedia founder Jimmy Wales explains his new project, Wikitribune. Wales writes that the site is not yet a news service. Instead, “this is the launch of a project to build a news service. An entirely new kind of news service in which the trusted users of the site – the community – is treated as completely equal to the staff of the site – also the community.”

    The Daily Beast talks to Katia Kelly, Matt Termine, and Julian Russo, Brooklyn-based bloggers whose investigations into the owner of a derelict building in Carroll Gardens contributed to Paul Manafort’s indictment. After Kelly wrote a post on her blog, Pardon Me for Asking, wondering about the brownstone, Matt Termine and Julian Russo looked through public records in their freetime and “uncovered a series of unusual loans” that led to Manafort, the building’s owner. “I think it’s very exciting if not too surprising,” Russo said about the charges filed earlier this week. “This feels today like sort of a climactic culmination of all this time we spent along with other people we connected with through our website.”

  • October 31, 2017

    Jacqueline Woodson. Photo: Marty Umans

    Jacqueline Woodson talks to Entertainment Weekly about her new two-book deal with Riverhead. Woodson’s last book, Another Brooklyn, was her first work of adult fiction in twenty years. “I think it’s much harder to write for young people than it is to write for adults,” she said. “You have to go back to that place of being a young person yourself and so many adults have either deliberately forgotten that place (probably because it was too painful a time to hold onto) or they just can’t access it.”

    The Guardian speculates on who might be in the running for the next editor of Vanity Fair. Two months after Graydon Carter resigned, the magazine has yet to announce his replacement.

    Little, Brown editor Tracy Behar is starting her own imprint with the publisher. Behar’s still-unnamed imprint will launch next year and focus on health, psychology, and science.

    Kristopher Jansma looks at Clarice Lispector’s final novel, A Breath of Life, which was published after her death and assembled by the late author’s friend and assistant, Olga Borelli. Hired by Lispector after a fire destroyed all of the author’s unfinished work, Borelli “dedicated her life to the remainder of Lispector’s,” Jansma writes. “She cared for her, talked with her, comforted her, and played a singular hand in the construction of her late works, editing and arranging them from disparate fragments.”

    Hamilton Fish, publisher of the New Republic, is taking a leave of absence after a number of female employees reported that Fish “created an uncomfortable environment for them,” according to a letter from owner Win McCormack.

    Nick Denton reflects on the impact of Gawker’s early reporting on rumors and gossip about sexual harassment in the media and entertainment industries—including on Bill Cosby and Harvey Weinstein, among others—and how those posts paved the way for outlets like the New York Times and the New Yorker. “Those first accounts of sexual harassment — even if anonymous or thinly sourced — give confidence to victims that they are not alone,” he writes. “Gossip, though it draws those motivated by envy and resentment, is also a tool of the powerless.”