• November 11, 2013

    Michelle Dean responds to the internet backlash against the appointment of Isaac Fitzgerald as Buzzfeed’s book editor with the argument that Buzzfeed—and the acknowledgement of the internet’s role in literary culture—won’t kill book reviewing, though ”snobbery might.”

    Stephen Glass

    Stephen Glass

    Haruki Murakami has already named a novel after the Beatles’ song “Norwegian Wood,” and now he’s raiding their oeuvre again for titles. His latest short story, “Drive My Car,” was published in the Japanese magazine Bungeishunju last week.

    A New York Times account of the legal troubles surrounding Gore Vidal’s estate not only highlights the late writer’s family drama, but also hints that Vidal may have engaged in sex acts with underage boys. In 2011, when he was battling dementia, Vidal left his estate (estimated to be worth around $37 million) to Harvard University, angering several of his relatives who now seem to be willing to air Vidal’s dirty laundry. Speaking to the Times, nephew Burr Steers claimed the Vidal had promised him the estate, then noted that evidence may exist—with conservative columnist William F. Buckley, no less—of Vidal’s participation in what Burrs called “Jerry Sandusky acts.”

    Amazon reviews, liveblogging books, and including GIFs in reviews—Salon’s Laura Miller surveys the brave new landscape of multimedia book reviewing, and makes a convincing case that “all of these innovations can be fascinating if you’re interested in how people talk about the experience of reading.”

    To celebrate its 15th birthday, McSweeney’s has launched a crowdfunding campaign geared to raise… $15. The idea here isn’t to meet the goal (which has already happened) it’s to hold “the most successful campaign of its kind. Percentage-wise.” So far, it’s working splendidly: the publishing concern is beating expectations by 86,046 percent, with 223 backers and a month to go.

    Disgraced journalist Stephen Glass’s magazine days are behind him, and it’s looking like he won’t have a career practicing law ahead of him, either—at least not in California. Glass moved to California several years ago after a failed attempt to get licensed as a lawyer in New York, and was rejected again by the California Bar Court on moral grounds. Last week, Glass challenged the rejection in a Sacramento court, and things did not go well. State supreme court justices seemed to side with the argument that Glass had failed to demonstrate “a pattern of exemplary behavior” since getting caught fabricating more than forty magazine articles, and wondered whether he had recently been forthcoming about the extent of his lies. One justice noted “that he did not fully disclose an entire list of his contrived works until he was asked to do so by California examiners.”

  • November 7, 2013

    The relationship between Japan and South Korea has been fraught for years due to a history of territorial disputes. Over the past two decades, however, the soaring popularity of Japanese writer Haruki Murakami in South Korea has helped mend relations between the countries. Murakami earned an unprecedented $1.4 million advance in South Korea for his forthcoming novel Colorless Tsukuru Tazaki and His Years of Pilgrimage, and according to an essay in the Asahi Shimbum, is single-handedly “responsible for triggering and fueling the Japanese literature boom in South Korea.”

     BuzzFeed has hired former McSweeney’s publicity director to head its new books section. Fitzgerald has yet to start the job, but he’s already getting a taste of what it might be like: On Wednesday, he was mocked by Gawker and the Atlantic for announcing that his section will not publish negative reviews. “He will follow what he calls the ‘Bambi Rule’… ‘If you can’t say something nice, don’t say nothing at all.’”

    Isaac Fitzgerald

    Isaac Fitzgerald

    William T. Vollmann tells Newsweek that should he ever win the Nobel Prize for Literature, it would “be fun to give some [of the money] to prostitutes.”

    Donna Tartt’s The Goldfinch tops the list of Amazon editors’ top books of 2013.

    One of the best things we’ve read this week is New York Magazine book critic Kathryn Schulz’s essay on how she came to love (and loathe) Twitter. After months of not really using the site, Schulz became addicted in 2010, after she started tweeting for fun, rather than to promote her book. The rest is history: “One evening in December, on the train home from a literary event, I tweeted a handful of imaginary book-band mash-ups: Pale Arcade Fire. Rabbit, Run DMC. When Bad Things Happen to Good Village People. A stranger tweeted back at me: Jane Eyre Supply. Ha! I thought. This is fun.”

    The Observer sends an immersive journalist to see what life is like for NYU students who live inside the university’s Bobst library.

  • “Lacks discipline,” “the greatest mind ever to stay in prep school,” and “not a good novelist” are just a few of the barbs Norman Mailer directed at his contemporaries.

    Graphic novel imprint Fantagraphics has launched a Kickstarter campaign to raise $150,000 by Dec. 5 or face the possibility of having to roll back its 2014 publishing lineup. The company’s finances were put in jeopardy last summer, following the death of publisher Kim Thompson. Thirteen books planned for the spring and summer of this year did not come out as a result, and the publisher is now struggling to recoup losses.

    Unless a buyer emerges before November 25, literary start-up Small Demons will be forced to close, sources tell the Los Angeles Times. Launched about three years ago, the site “catalogs the places, music, food and drink, people, books, artworks, and other objects that appear in a single book—then links them to the other books in which they appear.” The idea was that these products would then be hooked into e-commerce marketplaces, so readers would easily be able to buy, say, a novel or film or a song mentioned in a particular book, such as David Foster Wallace’s Infinite Jest or Patty Smith’s Just Kids.

    Julian Peters's "The Love Song of J. Alfred Prufrock."

    Julian Peters’s “The Love Song of J. Alfred Prufrock.”

    On Monday, Toronto mayor Rob Ford admitted to having smoked crack, and in the process brought some additional publicity to Robyn Doolittle’s forthcoming book about Ford, Crazy Town. The book is now scheduled to be released in February—a month ahead of schedule.

    We’re not sure why any indie bookstore would ever take Amazon up on this offer, but under a new initiative, shops that carry Kindles will get 10 percent of revenue off e-book purchases for two years after a customer buys a Kindle in their store. Business Insider’s Jay Yarow remarks, “We suppose 10 percent of revenue is better than nothing, but this seems like a suicide mission for any bookstore that signs up.”

    Here are the first nine pages of illustrator Julian Peters’s graphic rendition of T.S. Eliot’s “The Love Song of J. Alfred Prufrock.


  • November 6, 2013

    While her Facebook-founding brother continues to spread the gospel of social media, Randi Zuckerberg is making a name for herself by writing cautionary books about the dangers of living online. Her first book, Dot Complicated, is a “cross between memoir and how-to guide” about navigating the social internet, and her latest effort is a children’s book about “about a young girl called Dot who discovers the fun of playing outside when her mother takes away her tablet, laptop, cellphone, and desktop computer. “

    One of Robert Walser's microscipts

    One of Robert Walser’s microscipts

    Moby Lives reprints the totally charming form letter Margaret Atwood sends out when declining to blurb a book. Explaining why she no longer blurbs, Atwood writes on her website: “Publishers and writers often send me manuscripts with a request that I read the book and give them a quotable quote to use on the back cover. It takes four to six hours to read the book, and I get 10 or so of these requests a week. Multiply 5 hours times 10 requests and you get a 50-hour a week job.”

    The music website Pitchfork is about to launch a magazine-style mobile app called “Pitchfork Weekly.”

    On November 15th, a new exhibit on the handwritten works of Emily Dickinson and Robert Walser will open at the Drawing Center in New York. While Walser, the younger of the two, was likely unaware of Dickinson’s work, they had a lot in common: “Walser wrote in tiny, inscrutable script on narrow strips of paper using an antiquated German alphabet that was long considered indecipherable. Similarly, Dickinson fitted her multifarious poetic fragments to carefully torn pieces of envelope or stationery, which were discovered among her posthumous papers.” This is the first time that Dickinson’s manuscripts and Walser’s microscripts will be displayed in a museum.

    Courtesy of The Toast—with a hat tip to Emily Gould—here are some delightful jokes about male novelists.

    Minnesota indie press Graywolf talks to the New York Times about the press’s history, the difficulty of publishing poetry, and what the editors look for in unsolicited manuscripts.

  • November 5, 2013

    Brad Stone, author of the new book The Everything Store, has made a new enemy in Mackenzie Bezos—the Amazon founder’s wife. In a 900-word, one-star review on Amazon, Mackenzie Bezos criticized the book for inaccuracy, bias, and failing to include accounts of the “supportive and inspiring culture” that exists at Amazon. For a more impartial take, read Astra Taylor’s review of The Everything Store in the Dec/Jan issue of Bookforum.

    Relatedly, in a long, thoughtful post on Reuters, Felix Salmon interrogates the belief that Amazon is a mortal threat to books, and ends up arguing that what the company is mostly shifting power away from publishers and towards booksellers.

    Zola Books, a new startup that is angling to be a “bookseller, curator, and social-networking site all in one,” is distinguishing itself by offering e-versions of Joan Didion books that up until now have not been available digitally. In addition to Didion’s Slouching Towards Bethlehem, Zola is also offering The White Album, Play It as It Lays, Miami, and After Henry, as well as a number of books by Didion’s late husband, John Gregory Dunne.

    Douglas Coupland

    Douglas Coupland

    Sci-fi author Douglas Coupland is going to serialize his next novel in the free subway paper Metro. The novel, Temp, will run in installments between November 4th and 29th, and is about a temp named Shannon. Here’s the first sentence of the book: “Greetings. My name is Shannon. I’m a temp, but more than that, I’m the future of employment in the Western world. Sure, you may have a job right now, but one day you’ll be me.”

    Ninety-eight small British publishers went out of business last year—a 42 percent increase from the year before.

    The audiobook of Morrissey’s autobiography will be read by Morrissey—but not the man you think. The narrator of the memoir will not be the singer, but actor David Morrissey, who has appeared on a number of high-profile TV series, including State of Play, Red Riding, and The Walking Dead.


  • November 4, 2013

    Harper Lee is bringing suit against a local museum in her hometown of Monroeville, Alabama, for allegedly exploiting her fame and the prestige of To Kill a Mockingbird without compensating her for it. The lawsuit has divided the small town, reports the Guardian, and left many residents wondering whether Lee, who is deaf and blind, is being manipulated by lawyers. Lee’s lawyers filed a trademark application last August, and sued the Monroe County Heritage Museum two weeks ago, after receiving an opposition. The suit accuses the the museum of ““palming off its goods,’ including t-shirts, coffee mugs, other various trinkets with Mockingbird brands.”

    Drink coasters are shown for sale in the gift shop of the Monroe County Heritage Museum in Monroeville, Alabama October 23, 2013. Harper Lee, the 87-year-old author of the still-popular 1960 bestseller, "To Kill a Mockingbird", recently filed a lawsuit against the museum dedicated to her novel in a dispute over a merchandising trademark. Photo taken October 23, 2013. REUTERS/Verna Gates

    Drink coasters are shown for sale in the gift shop of the Monroe County Heritage Museum in Monroeville, Alabama October 23, 2013. REUTERS/Verna Gates

    Macmillan is expanding it’s in-house books-to-film division. Whereas Macmillan Entertainment used to focus only on titles published by its Thomas Dunne imprint, it will now include the entire company.

    Margaret Atwood, Dana Spiotta, Tom McCarthy, Victor LaValle, Tao Lin and others talk to the Times about the effect that technology has has on their writing.

    What are the best-selling book genres? Self-help, kid lit, and erotica, says a new study by USA Today.

    Slate reprints a term paper assignment that Kurt Vonnegut gave to his class at the University of Iowa Writers’ Workshop. “I invite you to read the fifteen tales in Masters of the Modern Short Story,” he writes. “Then reproduce on a single sheet of clean, white paper the table of contents of the book, omitting the page numbers, and substituting for each number a grade from A to F. The grades should be childishly selfish and impudent measures of your own joy or lack of it. I don’t care what grades you give. I do insist that you like some stories better than others. Proceed next to the hallucination that you are a minor but useful editor on a good literary magazine not connected with a university. Take three stories that please you most and three that please you least, six in all, and pretend that they have been offered for publication. Write a report on each to be submitted to a wise, respected, witty and world-weary superior.”

    The Gambler, On the Road, As I Lay Dying, and A Clockwork Orange: a short list of classic novels written in six weeks or less.


  • November 1, 2013

    Cue the collective sigh of relief: Morrissey’s autobiography will be released in the U.S. after all. Only weeks after becoming the fastest-selling music memoir of all time in the UK, the powers-that-be announced that the Moz’s memoir—a Penguin Classic—will go on sale on this side of the Atlantic on Dec. 3.

    Amazon is starting a literary magazine. Day One is a weekly digital magazine that features poetry and short stories with a focus on “new and undiscovered” writers. Issues are delivered directly to subscribers’ Kindles, and an annual subscription is $20.

    At the Virginia Quarterly Review, Robert Birnbaum reviews a swath of new books about the jazz greats, from Duke Ellington and John Coltrane to Charlies Parker and Mingus.

    New York Times Book Review editor, Bookforum contributor, and award-winning critic Parul Sehgal delivers a TED talk praising envy—as the emotion is understood through the works of Proust and Highsmith.

    At the New York Times, Adam Kirsch and Anna Holmes take on the question of whether Twitter has changed the role of the literary critic.

    Conveying irony in writing is a delicate process. Go too far, and it can come across as over-the-top and mean-spirited. Don’t go far enough, and people won’t be able to tell that you’re kidding. But what if there were punctuation that designated irony? Over the centuries, many attempts have been made to come up with just such a punctuation mark, from the upside-down exclamation point to the one shaped like a Christmas tree to the reversed question mark. The New Statesman surveys the five-hundred-year history of the irony mark.

  • October 31, 2013

    Literary circles have been abuzz this week about an essay in the New York Times in which Tim Kreider laments the fact that it’s now culturally acceptable to ask writers to write for free. “I’ve been trying to understand,” Kreider muses, “the mentality that leads people who wouldn’t ask a stranger to give them a keychain or a Twizzler to ask me to write them a thousand words for nothing.” Responding to the piece in the New Republic, Luke O’Neill calls working for free “a necessary evil,” and argues that “young writers entering the marketplace for the first time would be doing themselves a disservice to take a hard line against it.” Elsewhere, the Observer profiles Scratch, a new magazine about “the business of writing.”

    Graywolf Press rings in Halloween with a scary audio recording of Benjamin Percy reading Goodnight, Moon.

    A Jane Austen biographer has publicly criticized the Bank of England for “airbrushing” the image of Austen that will go on the new £10 note. “They’ve made her look like a doll, with big eyes,” The Real Jane Austen author Paula Byrne complained. “Jane Austen was a supreme social satirist, and some of her writing was quite dark, but they’ve chosen a picture that makes her look a really cosy, middle-class writer.”

    Neil Gaiman

    Neil Gaiman

    Neil Gaiman is going to Bard. The acclaimed sci-fi author will be joining the theater department next spring, and will teach classes on “the history of the fantastic, approaches to fantasy fiction, and the meaning of fantasy today.”

    Garth Risk Hallberg hasn’t yet secured a book deal for his 900-page novel-in-progress about 1970s New York, but that didn’t stop Hollywood producer Scott Rudin from purchasing the film rights to the book. According to the Hollywood Reporter, Rudin bought the manuscript—tentatively titled City of Fire—after reading the whole thing in one night.

    The New York Public Library has announced the launch of the online Shelley-Godwin Archive, featuring original manuscripts and writing from Percy Bysshe Shelley and his second wife Mary Shelley, as well as from Mary’s parents, Mary Wollstonecraft and William Godwin. The Archive grew out of collaboration between the NYPL and the Maryland Institute for Technology in the Humanities, and will debut on Thursday night. The archive’s crown jewel is the original manuscript of Frankenstein, which was written by Shelley over the summer of 1816, and, according to one of the project heads, “is itself a sort of patched-together monster.”

  • October 30, 2013

    The Los Angeles Review of Books launches a new section, “Around the World,” which is dedicated to profiling “thinkers, writers, artists, and activists in countries all over the world, whose work transcends national borders and boundaries, whether it be in painting, music, poetry, or fiction, journalism, public service, or advocacy in the public interest.”


    If you’ve been curious about which books New Yorkers have been checking out of public libraries, wonder no longer: The NYPL has been releasing lists of the most-checked out books, both electronic and physical. Last September, the most checked-out fiction book was Dan Brown’s Inferno, followed by Khaled Hosseini’s And the Mountains Echoed and Lauren Weisberger’s Revenge Wears Prada, while the most in-demand non-fiction books were Sheryl Sandberg’s Lean In, David Sedaris’s Let’s Explore Diabetes with Owls, and Sonia Sotomayor’s My Beloved World.

    The Economist considers the delicate ecosystems of university presses and their prospects for survival: While many university presses are under intense amounts of financial pressure—after all, “academic monographs are considered a splash today if they sell just 800 copies in their first year”—the magazine argues that “the machinations of the university system” will keep many presses afloat. This is because “to win tenure, academics need to publish their research, and university presses are hungry outlets. However, no press wants to be mistaken for a vanity publisher, so most of them try to publish academics from other institutions.”

    Michael Jackson’s doctor, Conrad Murray, is shopping around a memoir.

    River of Fundament, Matthew Barney’s five-hour adaptation of Norman Mailer’s novel Ancient Evenings, will premiere in full at Australia’s 2014 Adelaide Festival next year. The festival runs from Feb. 28 to March 16, and the film will debut in the U.S. at the Brooklyn Academy of Music not long after.

    New Yorkers, if you have no plans tonight (or even if you do) we encourage you to stop by the Community Bookstore in Brooklyn to hear Bookforum contributor Eric Banks discuss the life and legacy of Susan Sontag with Sigrid Nunez, author of Sempre Susan; Jeff Seroy, who works at FSG, and Moe Angelos, who performed in the New York Theater Workshop production of Sontag: Reborn. The panel coincides with the Library of America’s release of Susan Sontag: Essays of the 1960s & 70s.

  • October 29, 2013

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    A year ago this week, after tearing through the Caribbean and up the Eastern Seaboard, Hurricane Sandy made landfall in New Jersey, and worked its way on to New York City and beyond. The storm flooded subways, destroyed homes, knocked out power grids, left at least ninety people dead in New York and New Jersey, and became one of the costliest natural disasters in American history (second only to Katrina). In New York, the storm did extensive damage to the sleepy residential communities of the Rockaways, a thin peninsula that runs along the south shore of Long Island Sound. In a matter of days, thousands of  homes were demolished. Residents were displaced, and some have yet to return.

    Visiting the Rockaways a day after the storm, Magnum photographer Gilles Peress wrote, “The devastation is on such a scale… that I really have a feeling of having entered another dimension.” This surreal dimension is chronicled in The Rockaways, a new book that includes Peress’s photos alongside essays about Sandy’s impact by local journalists and high school students. Published by the Concord Free Press, the book is indeed free—three thousand copies will be given to bookstores, museums, and readers—though recipients are asked to donate to a Sandy relief foundation. The press will start taking requests for the book on October 30. Until then, here’s a selection of Peress’s photos, all taken in Breezy Point, Queens.