• February 16, 2016

    The New Yorker’s vast tome on the inner workings of the website TMZ is worth reading, if only for its portrait of a celebrity-gossip rag as a last bastion of old-school investigative reporting: Nicholas Schmidle writes that founder Harvey Levin “has trained many employees in the art of court reporting. Ben Presnell, who worked at ‘Celebrity Justice’ and, later, at TMZ, told me he spent most of his days at the Los Angeles County Municipal Courthouse, searching for new filings and trying to charm clerks into giving him information. Currently, TMZ has three reporters stationed full-time at the courthouse; the Los Angeles Times has one court reporter.” (Less salubrious methods, of course, are also documented in the piece.)

    Louise Mensch

    Louise Mensch

    Right-wing media can only get livelier now that novelist and former UK Conservative MP Louise Mensch, a Twitter stalwart, is launching a new website, Heat Street, for Rupert Murdoch’s News Corp. Understand, it will not be for the faint of heart: A spokesperson is quoted as promising “a spirit of free speech and no ‘safe spaces.’”

    Much to the chagrin of the British press, Daniel Craig, who has already expressed a certain weariness about the idea of continuing to play James Bond, is now set to star in a TV adaptation of Jonathan Franzen’s Purity.

    And John Micklethwait, former editor of The Economist and now editor in chief of Bloomberg, confides in the New York Times about the delicate complexities his job has involved in recent weeks, as Michael Bloomberg has flirted with a presidential run: It seems Micklethwait has been made to feel like “a character in a Graham Greene novel.”

    The Guardian has an obituary of Michael Sheringham, the great scholar of French literature who died earlier this year.

  • February 15, 2016

    Justice Antonin Scalia’s death inspired quick, informative, and eloquent responses from Supreme Court scholar Ian Millhiser (austhor of Injustices), who looks at how Scalia’s absence could affect the Court’s docket; Jonathan Chait, who argues that Scalia’s death will change “everything”; and Dave Holmes, who writes, in response to Scalia’s aggressively antigay stances: “It is a curious feeling when a man who devoted a significant chunk of his career to your oppression dies.” Some of those paying homage to Scalia—the man who provided the title “Irreparable Harm” to Renata Adler’s analysis of Bush v. Gore—have done so perhaps a bit too quickly: On Twitter, former Congresswoman Michele Bachmann calls him “Anthony Scalia,” and likens Scalia’s written dissents to Shakespeare’s sonnets.

    Speaking of Shakespeare, the Oscar-winning actress Glenda Jackson has been cast as King Lear, “considered one of the crowning roles in any actor’s career,” in a new production of the play.

    Ada Calhoun

    Ada Calhoun

    Ada Calhoun is the author the 2015 book St. Marks Is Dead, a history of the fabled East Village throughway. This week at the New Yorker, she writes about the demise of another historical part of St. Marks Place—St. Mark’s Bookshop. The bookstore has been struggling for years (in 2014, it moved to its fourth and latest location in attempt to survive in the increasingly high-rent neighborhood), and last week it seemed to be on the verge of permanent closure (the store owes more than $60,000 in back rent, for starters). Calhoun, a longtime customer, pays tribute to the bookstore, “a polished jewel in the scuzzy crown of the East Village,” a place where “smart if sometimes snooty clerks could talk your ear off about Roland Barthes” and where “the zine collection was impeccably curated.” But she also points out that the store “has also seemed frustratingly unwilling to seek out new streams of revenue. The former employees I’ve spoken to have mentioned various innovations that were floated over the years by friends of the store: offering deeper discounts, as the thriving Strand does; investing in advertising, or opening an in-store café like McNally Jackson.”

    Laynie Browne offers a heartfelt tribute to the recently deceased poet C. D. Wright.

    Rolling Stone is looking for new ways to reach a larger audience and generate revenue: The magazine is reportedly developing a docu-series with the Showtime network. “The magazine, like its rivals, is in the process of trying to ramp up its digital and live events business under heir apparent Gus Wenner,” WWD reports.  “But insiders said that drumming up new advertisers for Rolling Stone has been a challenge in light of recent controversies,” such as its discredited article on rape at the University of Virginia and Sean Penn’s extended report on his meeting with El Chapo.

    “Ferrante fever” has caused in a surge in tourism in Naples, as The Guardian reports in an article about Elena Ferrante’s popularity (which has also resulted in a new television series based on her Neapolitan novels).

  • February 12, 2016

    MTV News is relaunching with some big-name new hires from both old- and new-media, including Grantland’s former editorial director Dan Fierman, longtime Spin author Charles Aaron, Pitchfork Review editor Jessica Hopper, political author Ana Marie Cox, and the New Republic’s Jamil Smith (among others).

    The UK newspaper The Independent will publish its last print edition next month.

    Gawker’s executive editor John Cook has given his writers the go-ahead to make political donations (and to write about the candidates they give to) as long as they disclose their gift. In a memo to Gawker staff, Cook says:  “Writing about political candidates to whom one has donated money or time is often described, inaccurately, as a ‘conflict of interest.’ It’s really more a confluence of interest—as long as you make no claims to objectivity, there is no reason to believe that the fact of a political donation could somehow compromise the authenticity of the views you are expressing.” At the Washington Post, Erik Wemple disagrees with Cook’s position, writing that “the discipline of a donation ban is a painless way to ensure that coverage is as fair and flexible as possible.”   

    Darryl Pinckney

    Darryl Pinckney

    The forthcoming book, Is That Kafka: 99 Finds, is a volume of Kafka ephemera collected by Reiner Stach in the course of assembling his three-volume biography. An excerpt at The Nation finds Kafka contemplating his desk, in a passage that any writer can relate to: ”Now I’ve taken a closer look at my desk and realized that nothing good can be produced on it. There’s so much lying around here, it creates disorder without regularity, and with none of that agreeableness of disorderly things that otherwise makes every disorder bearable.”

    On Saturday at the Brooklyn Public Library, frequent New York Review of Books contributor Darryl Pinckney will discuss his new novel, Black Deutschland.

  • February 11, 2016

    Harper Lee’s To Kill a Mockingbird is to become a Broadway production, with a script by Aaron Sorkin, of The West Wing, The Newsroom, and The Social Network fame. Given Sorkin’s characteristic line on both the imaginary media and imaginary American politics, Atticus Finch is likely to remain a wise, lovable father figure in this version.

    Michelle Alexander

    Michelle Alexander

    And out there in the landscape of what you might choose to call real American politics, there is reading to be done ahead of tonight’s Democratic debate, starting with Michelle Alexander’s essential piece on Hillary Clinton and race.

    There’s also a guide—for the perplexed—to Bernie lit, and a primer from Sarah Leonard on what younger American progressives want and why.

    Lisa Lucas, publisher of Guernica magazine, has been chosen as executive director of the National Book Foundation.

    A tale of two bestselling fantasy novelists, and how one accused the other (Cassandra Clare, who has had similar troubles before), of plagiarism.

    Thanks to the Brooklyn Institute for Social Research, starting March 29, you can join in a discussion of George Eliot’s Middlemarch, led by Christine Smallwood.

  • February 10, 2016

    Elena Ferrante’s Neapolitan novels are to be adapted for television, and the author will apparently be “working closely” with the producers on the project, which will shoot in Italy.

    To our relief, Politwoops relaunched in the US just in time for last night’s New Hampshire primary, so we will no longer be missing out on any of the candidates’ deleted tweets (that phrase seems to cry out for a Nixon joke, but we don’t have it in us this morning).

    Meanwhile, this account from Gawker of how Hillary Clinton’s staff arranges her press coverage is quite amazing.

    Heather Havrilesky

    Heather Havrilesky

    While Bookforum remains proudly anti-Valentine, we admit to being somewhat seduced by the line-up for The Cut’s “True Romance” series this week, which so far includes Heather Havrilesky and Eileen Myles.

    Two Palestinian writers and a Syrian novelist have made the shortlist for the $60,000 International Prize for Arabic Fiction, which will be awarded in late April in Abu Dhabi.

    Tony Tulathimutte, whose novel Private Citizens is reviewed in the latest issue of Bookforum, has a funny and at times brilliantly deranged essay at the Believer about the possibilities of computer-generated writing. Along the way, he considers the Hemingway app, which promises to render your writing “bold and clear” by auto-recommending brutal edits: “Tallying up all the infelicities,” Tulathimutte notes, “it assigns the passage a numerical grade, representing ‘the lowest education level needed to understand your text,’ which oddly equates boldness and clarity with legibility to young children (presumably, the best score would be ‘Illiterate’).” Other highlights of the Believer piece include the idea that a bot “might produce garbage 99.99999% of the time—but in the months or years it takes a person to compose one novel, a computer might generate hundreds of millions, only one of which needs to be any good in order to match a human writer’s achievements (and all without going into debt).” And the notion that, should we perfect software that can automatically replace any trite phrases in our writing, the result could start to seem “tacky and cloying, the prose equivalent of Photoshop or Auto-Tune—the deliberate use of cliché may become an act of subversive camp, or a reassuring watermark of human authorship.”

    The Tournament of Books draws ever nearer and, among other things, we are curious about what will happen when (on March 15th) Choire Sicha is let loose on A Little Life.

  • February 9, 2016

    Tolstoy’s great-great-granddaughter has organized a public marathon reading of War and Peace across more than thirty Russian cities this week: Readers include Vladimir Urin, director of the Bolshoi ballet, and the great Polish auteur Andrzej Wajda, who made Ashes and Diamonds.

    Matt Power

    Matt Power

    Applications for the second annual Matthew Power Literary Reporting Award, the grant honoring the acclaimed journalist who died on assignment in Uganda in 2014, are due February 16th.

    The Al Jazeera America shutdown is coming earlier than expected: The website will cease being updated at the end of this month, but you can still find the work (and contact details) of an excellent group of reporters and editors at their portfolio site.

    At Jezebel, Catherine Nichols muses on Adelle Waldman’s analysis of love in fiction written by men and women. Nichols goes on to write about the ways in which characters in Jane Austen and Charlotte Brontë change and adapt to one another, but she starts with a rather irresistible quotation from Douglas Adams: “It is difficult to be sat on all day, every day, by some other creature, without forming an opinion on them. On the other hand, it is perfectly possible to sit all day, every day, on top of another creature and not have the slightest thought about them whatsoever.”

    Some political scientists have set up a database of women experts on various topics, for those spoilsports out there who don’t enjoy an all-male panel.

    Tonight at BookCourt, Christopher Sorrentino will present his new novel, The Fugitives. And at the Powerhouse Arena in Dumbo, Sarah Leonard and Bhaskar Sunkara will launch The Future We Want: Radical Ideas for the New Century—you can read an excerpt from it here.

  • February 8, 2016

    In an interview with Bill Maher on Friday, author Gloria Steinem, who is pro–Hillary Clinton, implied that women who support Bernie Sanders are just trying to meet men. “When you’re young, you’re thinking: ‘Where are the boys? The boys are with Bernie.’” But after a group of Sanders supporters started an online petition requesting that she take the statement back, Steinem issued an apology: “In a case of talk-show Interruptus, I misspoke on the Bill Maher show recently, and apologize for what’s been misinterpreted as implying young women aren’t serious in their politics,” she wrote in a Facebook post yesterday. “Whether they gravitate to Bernie or Hillary, young women are activist and feminist in greater numbers than ever before.”

    After a bidding war, HarperCollins has acquired a memoir by Fox News anchor Megyn Kelly. Deadline Hollywood says the publisher paid $10 million for the book, but publishing sources told Page Six that the figure is in the $3 million to $4 million range. The book, which as yet is untitled, will be released in the fall.

    St. Mark’s Bookshop, the legendary independent East Village bookseller, is losing its fight against eviction, sources say. The store has announced an emergency sale to raise funds, but owes more than $60,000 in back rent, and was recently issued a warrant for a $34,400 tax lien. A lawyer for St. Mark’s says, “They’re probably not going to be around much longer; we’re talking days.”

    Alison Bechdel

    Alison Bechdel

    Alison Bechdel names her ten favorite books.  

    At Publishers Weekly, Ken Pisani drolly recounts his difficult, humiliating attempts to find a literary agent. “The first thing I learned about rejection is that agents are very, very sorry—nearly every rejection contains an apology or some regret: ‘I am sorry, but we cannot take it on at this time’; ‘We regret to inform you…’ Some of them are frightened: ‘I’m afraid I have to pass’; ‘I’m afraid this isn’t right for me.’”

    The New York Times’s public editor, Margaret Sullivan, writes about the paper’s Express Team: eight writers and editors who “quickly develop articles when a topic begins gathering steam on social media.” The team “is a response to a new reality: The Times can no longer just decide, high on its mountaintop, what is news.” Says editor Patrick LaForge: “The reader controls the news agenda much more than 30 years ago.” As Sullivan points out, some readers are not happy with the change (“There is too much fluff and silliness in the so-called news,” one reader responded), but in the end she argues that the paper must experiment, and must “reinvent itself to survive.”  

  • February 5, 2016

    New York Times executive editor Dean Baquet has sent staffers a memo announcing a fairly major overhaul, including cuts in the newsroom and elsewhere: “Simply put, we keep turning things on—greater visual journalism, live news blogs, faster enterprise, podcasting, racing against an ever-growing list of new competitors on an expanding list of stories—without ever turning things off,” he writes. From now on, “everything we do must either be part of [our] mission or help generate the revenue to sustain our journalistic dominance.” The Awl has a bracing graph of the Times’s revenue relative to its operating costs over the past decade, and notes that “between this and Condé Nast and Hearst spinning off their print services into an easily disposable joint venture, sounds like 2016 is off to a great start for print media!”

    Sarah Koenig

    Sarah Koenig

    This week, the Serial podcast has leapt from a leisurely bi-weekly schedule to daily updates, as Sarah Koenig attends a hearing in Baltimore at which Adnan Syed’s lawyer is using new evidence to argue that his murder conviction should be overturned. Today’s episode follows the testimony of Asia McClain, a potential alibi for Syed who was never called to testify at his original trial.

    We’ve always said that editing was important, and now look: The drama of the presidential primaries is being played out partly on Wikipedia.

    A new literary review, the Chicago Review of Books, has been set up with the aim of “cultivating awareness of diverse voices, settings, genres, and ideas.”

    Gawker has a piece on what you might call the personal essay–industrial complex, and more specifically, a quite striking “identity survey” that the women’s website Bustle apparently sends to its new writers, which includes detailed questions about mental and physical health, family relationships, sexual history, drug use, and experiences of abuse or assault.

    Remember hypertext fiction, and that moment when it seemed as if it might threaten the printed book? Now it seems some brave souls are giving that another go, creating experimental digital fiction for anyone who feels they’re not getting enough quality time with their phone.

    Book reviewers have always had a good line in backhanded compliments, but this piece, congratulating its subject on his derring-do in writing a novel so much worse than his previous fiction, may set a new record.

  • February 4, 2016

    trialNext Friday, February 12, Bookforum will host a Valentine’s reading at the New Museum. “Trial and Error,” a tribute to love’s vicissitudes (in previous years we’ve named it “Bad Trips,” “Wasted Youth,” and “The Night We Called it a Day”), will feature readings by Mary Gaitskill, Vivian Gornick, Patricia Marx, A. O. Scott, and Christopher Sorrentino.

    No one seems quite ready to believe that Amazon now plans to open hundreds of physical bookstores, but if you’re on the west coast, weren’t put off by that New York Times story, and have the ability to lift 50 lbs,” you might just have a shot at a job.

    And it seems fair, or at least tempting, to say that you could do a lot worse (both professionally and in terms of reading material).

    Alexander Chee writes in the New Republic about the odd status of the historical novel, from War and Peace—which “holds a strange place in literary history, participating in the crowning of realism as a substantial and serious literary mode in America, even as the novel also contributed to the argument that historical fiction could be by nature dangerous, illegitimate, and inaccurate”—to Hilary Mantel’s tour de force of the French Revolution, A Place of Greater Safety, which she was initially unable to publish, to the “trepidation” in friends’ eyes when he described his own second novel, “as if I had announced that I was giving up years of hard work writing literary fiction to sell out and become a hack.” And the Rumpus interviews Chee about that novel, The Queen of the Night, “structured like a five act opera,” and how, while writing it,I often thought I was losing my mind, or that I’d done something that would kill me before I finished it.”

    Now that Tina Fey has signed a deal with Universal Pictures to make a movie based on a Good Housekeeping article, we can’t help wondering whether or not writers there are bound by New Yorker–style rules about such things.

    As primary season rolls on, you may want to refamiliarize yourself with our editor Chris Lehmann’s thoughts on the Republican field (sans Trump).

  • February 3, 2016

    Christopher Cox

    Christopher Cox

    Christopher Cox, who was promoted to editor in chief of Harper’s just three months ago, has been abruptly fired by the publisher and president, John R. MacArthur, seemingly over Cox’s support of a plan to redesign the magazine’s cover. The rest of the staff reportedly opposed the firing of Cox, who has done great work in his several years at the magazine. Roger D. Hodge, a previous editor of Harper’s who was fired in 2010 after a four-year tenure, told the New York Times that he too had had conflict with MacArthur over editorial matters, and that he warned Cox when he took the job “that he should expect to get fired eventually, but that he would probably have a few good years.”

    In the Guardian, Pankaj Mishra has a biting account of the situation for writers in Narendra Modi’s India, where the novelist Arundhati Roy is now facing trial for “contempt of court.” Mishra vividly describes the ways in which “the suppression of artists and intellectuals in a formal democracy such as India manifests itself in many interlocking patterns.”

    The Awl reports rumors that Gawker’s editorial union will be staging a two-hour walk-out one day next week in protest at the management’s refusal to offer cost-of-living salary increases. All the Gawker sites are expected to go dark during the staffers’ absence.

    The Atlantic won Magazine of the Year at the Ellies on Monday night, and Kathryn Schulz, a poet of the present and future tenses, took the prize for feature writing for her truly frightening New Yorker piece, “The Really Big One.

    Ten thousand copies of a very real-looking parody supplement to the New York Times were handed out to New York commuters yesterday (including outside the Times building itself). It critiques the Times’s Israel/Palestine coverage and announces a “new editorial policy.”