• February 25, 2016

    The new miniseries about the O. J. Simpson trial has provided an opportunity to look back at some of the bestsellers that emerged following the murder of Nicole Brown Simpson and Ronald Goldman. Vulture revisits the lowest of the lowlights in Faye Resnick’s Nicole Brown Simpson: The Private Diary of a Life Interrupted, while prosecutor Marcia Clark (herself now a novelist) says Jeffrey Toobin’s American Crime Story, on which the TV series is based, “has glaring inaccuracies.” According to Clark: “Toobin got a lot wrong because he’s not behind the scenes. He’s not there. And so he has third-party sources he talks to that don’t care about getting it right, or deliberately lie.”

    After a long financial struggle, St. Mark’s Bookshop, the legendary independent East Village store, is closing.

    Tony Tulathimutte

    Tony Tulathimutte

    Brooklyn magazine has a round-up on the state of diversity in publishing, with statements from fifty people from the literary world. Novelist Tony Tulathimutte says, “ Even when you get to write about your own experience of being a minority in America—you know, even that can be turned against you. Are you going to be used later on as leverage against an accusation of racism? Will you then be seen as a collaborator? In most cases the answer is yes.”

    Tonight at the Strand in Manhattan, novelists John Wray and Colson Whitehead will discuss Wray’s new book, The Lost Time Accidents.

    President Obama has nominated Dr. Carla Hayden to be the United States’ fourteenth Librarian of Congress. The Librarian of Congress is in charge of caring for, and making available, the library’s 162 million items. In Hayden’s words, the Librarian is also responsible for making sure “people realize that they have this treasure right here in Washington, DC.” Obama cites Hayden’s work “revitalizing Baltimore’s struggling library system,” and points out that her “understanding of the pivotal role that emerging technologies play in libraries will be essential in leading the Library of Congress as it continues to modernize its infrastructure and promote open access and full participation in today’s digital world.” If confirmed by the Senate, Hayden will be the first woman and the first African American to hold the position.

  • February 24, 2016

    The New York Times has awarded its David Carr fellowship to three writers. John Herrman of the Awl, Amanda Hess of Slate, and Greg Howard of Deadspin will be joining the Times for a two-year stint in the newsroom. Executive editor Dean Baquet explained why the award went to three applicants rather than just one: “We found these three candidates so compelling that we decided to select all of them. They are thoughtful, deep reporters. We will learn as much from them as they will from us.”

    Amanda Hess

    Amanda Hess

    John Herrman’s coeditor at the Awl, Matt Buchanan, is also moving on from the site, which is now searching for their replacements.  

    Buzzfeed has launched a series of essays in which women writers share their ideas about Hillary Clinton. In the first installment, poet-novelist Eileen Myles (who was a write-in candidate for president in 1992) explains why she thinks Clinton is the best presidential candidate. “I actually trust a person who can change their tune,” Myles writes. “I trust her.”

    The finalists for the LA Times Book Prizes have been announced.

    The Man Booker International Prize is going to start giving translators more recognition.

    At the New York Times, Mark Bowden, the author of Black Hawk Down, reviews Playing the Field by Michael V. Hayden, the four-star Air Force general who led the NSA and the CIA during George W. Bush’s presidency, and oversaw many of that administration’s post-9/11 surveillance programs. Bowden calls out (and pokes fun at) Hayden’s animosity toward journalists more than once. “He seems to have more ill will for pesky journalists than for the terrorists in his cross hairs, although his efforts are likely to have the opposite effect intended,” Bowden writes. “Those whom Mr. Hayden brands as openly opportunistic or “agenda-driven,” like Tim Weiner, Jane Mayer, Glenn Greenwald, James Risen and others, will hardly find their journalistic stature diminished by his disdain.

  • February 23, 2016

    Umberto Eco’s final book, Pape Satàn Aleppe: Chronicles of a Liquid Society, will be published this weekend in Italy. The book was originally slated to come out in May, but the date was changed after Eco passed away this past Friday. Pape Satàn Aleppe is a collection of Eco’s essays for the magazine L’Espresso dating back to 2000. At The Guardian, Elisabetta Sgarbi, Eco’s Italian publisher, calls the new volume “an ironic book, as withering as he was.” There is no word yet about when the book will be released in English.

    In the wake of Jeb Bush’s announcement that he’s suspending his presidential campaign, journalist Ashley Parker writes that reporters will miss him: “He was your goofy dad, your awkward uncle. He bungled a policy rollout in Nevada when he called ‘Supergirl’ ‘hot’ (c’mon, Dad!), he was delightfully befuddled when his Apple Watch began ringing during a meeting with an Iowa newspaper. . . . Jeb almost seemed to think aloud in real time, and we got to watch him muddle and bumble through, just like any real person.”

    Hamilton, the hip-hop musical based on Ron Chernow’s biography of the founding father, has won the The Edward M. Kennedy Prize for Drama Inspired by American History.

    Magaret Sullivan

    Magaret Sullivan

    Margaret Sullivan is leaving her post as the New York Times public editor to become a media columnist for the Washington Post. Sullivan has held the job since 2012 and was not shy about criticizing her employers. In December 2015, Sullivan wrote a scathing column criticizing an erroneous Times story about the San Bernardino shooters’ use of social media. On the paper’s Op-Ed page, Sullivan called for systemic change in the way the paper handles anonymous sources, and said the story was “wrong” and that it “involved a failure of sufficient skepticism at every level of the reporting and editing process” (she quoted her colleagues, including executive editor Dean Baquet, agreeing with her assessment). As Michael Calderone writes at Huffpost Media, Sullivan was the first public editor at the Times to fully embrace social media and the immediacy of the web, writing quick reactions to stories online and creating features such as the Monocle Meter, which allowed readers to send in examples of unintentionally hilarious—or possibly fake—trend pieces.  

    Tonight at the Center for Fiction in New York, Richard Price will discuss his work and lead a master class in writing.

  • February 22, 2016

    At the New Yorker, Jeffrey Toobin, whose most recent book is the Supreme Court study The Nine, looks back at the career of Antonin Scalia. Toobin points out that Scalia—unlike “the great Justices of the Supreme Court,” who “have always looked forward”—always “looked backward.” The author has some advice for Obama as he considers who might fill the empty seat: “Belligerent with his colleagues, dismissive of his critics, nostalgic for a world where outsiders knew their place and stayed there, Scalia represents a perfect model for everything that President Obama should avoid in a successor.”

    Colm Toibin explains how Henry James’s family “tried to keep him in the closet.”

    Rob Sheffield, the Rolling Stone regular and the author of Love Is a Mix Tape, wrote one of the most powerful tributes to David Bowie following his death. Apparently he didn’t stop there. On Twitter, Sheffield writes: “over the past month I’ve written a book on David Bowie. ‘On Bowie’ will be published in June by Dey Street Books.”

    “James Franco wants to buy the rights to your memoir.” Those are the first words of the very funny trailer for author-director Stephen Elliott’s new movie, After Adderall, which stars Elliott and is loosely based on the author’s experiences after his memoir, The Adderall Diaries, was optioned by James Franco, who gave the film project to director Pamela Romanowsky. Elliott has not been shy about his feelings regarding the film version of The Adderall Diaries, which screened at the Tribeca Film Festival last year and will be in theaters this Spring. At New York magazine, he wrote: “Almost nothing in the movie is ‘true’—in terms of both the source material, as it was published, and my life, as it has been lived.”

    Punctuation in Blood Meridian by Cormac McCarthy (left) and in Absalom, Absalom! by William Faulkner (right)

    Punctuation in Blood Meridian by Cormac McCarthy (left) and in Absalom, Absalom! by William Faulkner (right)

    At Medium, Adam J. Calhoun has posted a fun and fascinating look at punctuation in novels. “I wondered,” he writes, “what did my favorite books look like without words. Can you tell them apart or are they all a-mush?” As it turns out, you can. He presents graphs that show how often authors such as Jane Austen, James Joyce, Charles Dickens, Mary Shelley, and others use commas, periods, question marks, etc. In the most striking visual, he removes all the words, but leaves the quotation marks, from passages in Blood Meridian and Absalom, Absalom! The resulting pages, as you’ll see, look radically different.


    In what is probably his final column for Al Jazeera America, Chris Lehmann notes that “Al Jazeera America’s pending closure is but one dismal entry in a long-running journalistic dance of the dead.” Equally alarming, he points out, are the ways that the pockets of journalism that have survived are compromising and “adapting to new market conditions.” Lehmann writes: “The polite euphemism for such rampant self-prostitution in our brave new digital media world is ‘sponsored content’—i.e., writing that’s made to look, feel and read like actual journalism while promoting a paid-for commercial agenda.”

  • February 20, 2016

    Harper Lee, author of the American classic To Kill a Mockingbird, has died. The Times obituary revisits, among other things, her life in the south, her friendship with Truman Capote, the the controversy surrounding her second novel, Go Tell a Watchman.

  • Umberto Eco

    Umberto Eco

    Umberto Eco has died at the age of 84. The author, best known for his 1980 novel, The Name of the Rose, once described his library to the Paris Review, revealing the habit of mind that made him a genius: “I own a total of about fifty thousand books. But as a rare books collector I am fascinated by the human propensity for deviating thought. So I collect books about subjects in which I don’t believe, like kabbalah, alchemy, magic, invented languages. Books that lie, albeit unwittingly. I have Ptolemy, not Galileo, because Galileo told the truth. I prefer lunatic science.” Eco had a favorite branch of lunatic science—list making, the subject of his 2009 book, The Infinity of Lists: An Illustrated Essay. This encyclopedic tour of Western civilization was also an investigation into how we try to tame the universe (and our own spiraling thoughts), and face our mortality, as Eco put it: “How, as a human being, does one face infinity? How does one attempt to grasp the incomprehensible? Through lists, through catalogs, through collections in museums and through encyclopedias and dictionaries. . . . We like lists because we don’t want to die.” He was deeply interested in language, telling Minna Proctor in a 2002 Bookforum interview: “I wrote a book about the search for the perfect language. I examined all the attempts throughout history to create perfect languages. My paternoster is a combination of real paternosters in several universal languages from the last three or four centuries, including Esperanto, plus, if I remember correctly, a piece from Gulliver’s Travels.” It makes sense, then, that he was also a fierce defender of free speech in Italy: “Imagine a United States where Bush owns the New York Times, theWashington Post, the Los Angeles Times, NBC, CBS, ABC, plus Hollywood, too. Wouldn’t this monopolistic concentration concern American citizens? You’re upset by the mere fact that Bill Gates runs Windows and Internet Explorer. Well, that’s our situation.” For more wise words from Eco, listen to his 2005 interview on Bookworm, and watch this charming video, “Advice to the Young,” filmed last year: “Don’t pretend immediately to receive the Nobel Prize.”  

  • February 19, 2016

    Jill Soloway

    Jill Soloway

    Transparent creator Jill Soloway is adapting Chris Kraus’s novel I Love Dick for television. Amazon has ordered a pilot episode of the show, which is being billed as a comedy, but if the industry press is any guide, Hollywood’s idea of what the book actually is remains fuzzy (“sex-comedy,” “pyscho-sexual novel,” “Rashomon-style”). We’re intrigued to see how the Emmy Award–winning Soloway handles the source material, which is mainly made up of letters (and faxes!) between the protagonist, her husband, and the all-powerful character “Dick,” or, as Deadline Hollywood describes him, the “off-putting but charismatic professor.”

    Facebook has announced that it will open up its Instant Articles publishing platform to all writers, and will share the ad revenue that a freelancer’s post makes with the author.  

    After the Pope declared that Donald Trump was not a Christian, the presidential candidate quickly responded, in a statement, that “for a religious leader to question a person’s faith is disgraceful.” The New Yorker was apparently not impressed with Trump’s answer, and the magazine unleashed one of their most formidable weapons against the Donald: They turned a copy editor loose on his statement.

    Maria Bustillos visits the New Directions offices and chats with the publisher Barbara Epler, who reveals part of her pitch to prospective authors: “I can totally guarantee you that we will get lots of reviews, because I will chew on people until they review it. I’ll just personally chew on people.”

    Ben Ratliff, whose book Every Song Ever: Twenty Ways of Listening in An Age of Musical Plenty proposes a clever, genre-averse strategy for music appreciation online, recently sat down with critic Alex Ross to discuss musical taste and listening habits in the age of Pandora and Spotify.  

  • February 18, 2016

    Choire Sicha, who is on hiatus from his site, The Awl, has taken a job with Vox media as the director of partner platforms.

    Meanwhile, one of those platforms is getting significantly smaller: Yahoo is killing off seven of its “content verticals” (i.e. digital magazines), leaving just four remaining. Visitors to the site will still find “news,” “sports,” “finance,” and “lifestyle,” but subjects like “parenting” and “health” have failed to make the cut.

    Álvaro Enrigue

    Álvaro Enrigue

    Apple is refusing to create a key for the FBI to unlock iPhones. This may be a principled decision, but it’s also a marketing move

    The Goodman theater in Chicago has staged an ambitious five-and-a-half-hour adaptation of Roberto Bolaño’s novel 2666. In a Times review, Charles Isherwood admires the spirit and enterprise of the stage version but writes that it ultimately falls short: “As is always the case when a doorstop novel is heaved onto the stage, the inevitable shortcuts drain Bolaño’s tale of its shimmering, mysterious layers, so that we seem to be watching a literal-minded sketch of events, not entering into them.” (To be fair, Isherwood doesn’t seem to care for the novel much either.)
    Tonight in New York, there are literary events galore, all well-worth attending: At McNally Jackson, Hannah Tennant-Moore will perform with Sara Majka and Brigid Hughes; at the Community Bookstore, Álvaro Enrigue will read from his forthcoming novel, Sudden Death; at CUNY, Paul Krugman will discuss inequality with Mayor Bill de Blasio; and at BookCourt, chef Deuki Hong and author Matt Rodbard will talk about their cookbook, Koreatown.  

  • February 17, 2016

    Dana Spiotta. Photo by Jessica Marx

    Dana Spiotta, photo by Jessica Marx

    The New York Times magazine has a profile of the novelist Dana Spiotta, whose new book Innocents and Others, is out next month. At one point, Spiotta recalls some early advice she got from Gordon Lish, which she does appear to have taken on board in her work: ‘‘Whatever you’re trying to hide is what you need to write from. . . . Whatever you’re trying to hide is what makes you an interesting writer.’’

    As the South Carolina primary approaches, it’s well worth reading Christian Lorentzen’s report from New Hampshire, if you haven’t already: “We woke before dawn and drove through the snow to Manchester, where we saw Carly Fiorina complain to supporters in a basement about her exclusion from the next night’s GOP debate due to insufficient poll numbers. She went on for some time about holding national referendums via smartphone, an idea that I (a flip-phone user) find anti-democratic.”

    And Stephen King has also recently weighed in on the race.

    Isaac Chotiner interviewed Jill Abramson about her firing from the New York Times as executive editor in 2014. (Along the way, she notes how few in-depth pieces have been written about Donald Trump, considering the amount of overall coverage, and recommends this one from the Washington Post.)

    Meanwhile, the Times is being sued for gender discrimination by another former employee, Arielle Davies.

    A man named Matt Steel has launched a Kickstarter campaign to fund his new edition of Thoreau’s Walden, which adapts the language to increase its “accessibility”: “Having gone through a period of career burnout, followed by radical lifestyle change, I could see that Thoreau’s ideas around simplicity, consumerism, and busy-ness had an uncanny relevance to the challenges we face today. I shared my enthusiasm for the book with anyone willing to listen. But I kept having to couch my recommendations: ‘This is an incredible book, but the 19th-century language is hard to digest at times. But stick with it, and you’ll be glad you did!’ This situation bothered me.”

  • February 16, 2016

    The New Yorker’s vast tome on the inner workings of the website TMZ is worth reading, if only for its portrait of a celebrity-gossip rag as a last bastion of old-school investigative reporting: Nicholas Schmidle writes that founder Harvey Levin “has trained many employees in the art of court reporting. Ben Presnell, who worked at ‘Celebrity Justice’ and, later, at TMZ, told me he spent most of his days at the Los Angeles County Municipal Courthouse, searching for new filings and trying to charm clerks into giving him information. Currently, TMZ has three reporters stationed full-time at the courthouse; the Los Angeles Times has one court reporter.” (Less salubrious methods, of course, are also documented in the piece.)

    Louise Mensch

    Louise Mensch

    Right-wing media can only get livelier now that novelist and former UK Conservative MP Louise Mensch, a Twitter stalwart, is launching a new website, Heat Street, for Rupert Murdoch’s News Corp. Understand, it will not be for the faint of heart: A spokesperson is quoted as promising “a spirit of free speech and no ‘safe spaces.’”

    Much to the chagrin of the British press, Daniel Craig, who has already expressed a certain weariness about the idea of continuing to play James Bond, is now set to star in a TV adaptation of Jonathan Franzen’s Purity.

    And John Micklethwait, former editor of The Economist and now editor in chief of Bloomberg, confides in the New York Times about the delicate complexities his job has involved in recent weeks, as Michael Bloomberg has flirted with a presidential run: It seems Micklethwait has been made to feel like “a character in a Graham Greene novel.”

    The Guardian has an obituary of Michael Sheringham, the great scholar of French literature who died earlier this year.