• September 20, 2018

    After facing criticism for publishing a first-person essay by Jian Ghomeshi, Ian Buruma has left the New York Review of Books, the New York Times reports. Buruma told Dutch website Vrij that he felt forced to resign after publisher Rea Hederman “made clear to me that university publishers, whose advertisements make publication of The New York Review of Books partly possible, were threatening a boycott. They are afraid of the reactions on the campuses, where this is an inflammatory topic.” Buruma feels that his decision to step down “is a capitulation to social media and university presses.” On Twitter, Jia Tolentino notes that though Buruma may blame a “frenzy of histrionic women” for his departure, “the Ghomeshi essay & Slate interview added up to a truly abysmal professional performance: you can’t be a good editor with such pathological distance from the texture of the world.”

    Former Harper’s Magazine managing editor Hasan Altaf talks to the Huffington Post about staff reactions to recent articles by John Hockenberry and Katie Roiphe. “I felt like it was inappropriate, to use a mild word, to give him the platform of Harper’s,” he said. “This to me seems like the time to give a platform to people on the other end of this, because it is more important to hear from them, and they generally don’t have the same access to platforms like this.”

    Danez Smith. Photo: Hieu Minh Nguyen

    St. Martin’s Press is publishing a book by former FBI Deputy Director Andrew McCabe. The Threat: How the FBI Protects America in the Age of Terror and Trump will hit shelves this December.

    Time editor in chief Edward Felsenthal talks to Columbia Journalism Review about its recent sale and the future of the magazine. Felsenthal is excited about working with the magazine’s new owners, Marc and Lynne Benioff. “One of the things that is so wonderful about the Benioffs is that they’ve made clear that they believe in high quality journalism,” he said. “I think we’re well-positioned for the future because of that.” At the Times, Marc Benioff tells Kara Swisher that he sees the company as a start-up: “They have been opportunity constrained . . . but we are here to unshackle them.”

    The Nation has hired Pitchfork’s Kevin Lozano as its assistant literary editor. Lozano will start at the magazine in October.

    The Forward Prize for poetry has been awarded to Danez Smith for the collection Don’t Call Us Dead. At twenty-nine, Smith is the youngest winner in the prize’s history.

    At Lithub, Elizabeth Metzger, Max Ritvo’s classmate and literary executor, remembers working with the late poet on what would become The Final Voicemails. “The poems in The Final Voicemails expose the machinery of the creative mind at work.They glitter with this intense and darker drive to enter the posthumous realm,” she writes. “Max’s project was clear: to imagine a world without him.”

    Tonight at Verso Books in Brooklyn, Crashed author Adam Tooze and Globalists author Quinn Slobodian discuss the financial crash, neoliberalism, and their books with Atossa Araxia Abrahamian.

  • September 19, 2018

    Laura van den Berg

    Tin House talks to Laura van den Berg about Havana, the similarities between travel and horror, and her new book, The Third Hotel. “Speaking generally, the way things appear to be versus the terrifying reality lying in wait just beneath the surface is often foundational to horror,” she said. “Transient spaces like hotels and airplanes ask us to make a pact with surfaces, I think, to believe in the lie of them (the bedspread is clean; those ‘homey’ touches actually feel something like home). Yet there are moments . . . where the surface falters and a whole little world of strange opens up.”

    Bob Woodward’s Fear has sold more copies in its first week than any other book in Simon & Schuster’s publishing history. Already in its tenth printing, the book has sold over one million hardcover copies alone.

    Puja Patel has been hired as the new editor in chief of Pitchfork. Patel was most recently editor in chief of Spin.

    Politico’s Annie Karni is joining the New York Times as a White House correspondent.

    “The confession, when made by men showing a sensitive side, is a literary device to display a newly whole, unified character who is stronger thanks to introspection,” writes Nausicaa Renner, comparing the ways that women and men are allowed to write about harassment and assault. “Women, however, have the reverse experience: to ensure that their accounts are bulletproof, they are quoted, rather than given space to describe their experience in their own words.” At the New Yorker, Jia Tolentino notes that “for Buruma and Ghomeshi and Hockenberry, and for many others, the abuse of women is not the problem—naming it, and giving it consequences, is the problem.” In an interview with CBC Radio program The Current host Anna Maria Tremonti, Harper’s Magazine president and publisher Rick MacArthur compared criticism of John Hockenberry and Jian Ghomeshi’s respective essays to Soviet Union-style reeducation.

  • September 18, 2018

    Salesforce co-founder Marc Benioff and his wife Lynne have bought Time magazine. Columbia Journalism Review notes that the Benioffs are “the latest tech entrepreneurs to join a club of billionaire media moguls.” Folio reports that the new owners don’t plan to involve themselves in the magazine’s daily operations. Benioff himself tells the Times that Time will stay in New York. “I’m busy enough with my job. They have a great team. It’s a very strong business,” he explained in a text message.

    Haruki Murakami

    Haruki Murakami has withdrawn himself from consideration for the New Academy Prize. The award was conceived as an alternative to the Nobel Prize, which is on hiatus this year after sexual assault allegations were made against members of the Swedish Academy. Murakami was among four finalists who were notified by the prize organizers, but said that he prefered “to concentrate on his writing, away from media attention.” The other three finalists are Neil Gaiman, Maryse Condé, and Kim Thúy.

    Hala Alyan’s Salt Houses and Ta-Nehisi Coates’s We Were Eight Years in Power have won the fiction and nonfiction Dayton Literary Peace Prizes.

    The New York Times talks to historian Jill Lepore about growing up in Boston, women in politics, and her new book, These Truths.

    Amy Chozick’s memoir Chasing Hillary is being turned into a TV series by Warner Bros.

    New York Media is rethinking its books coverage. Nieman Lab writes that rather than a separate vertical website section for books, they will now be thought of as a “horizontal” section and covered throughout the company’s media properties.

    French Exit author Patrick deWitt talks to The Guardian about wealth, family, and ghosts. DeWitt says that his belief in the occult drives his writing. “I think there are all sorts of things that go on behind the scenes that we can’t necessarily define or put words to,” he said. “To me, these are frightening elements and I don’t necessarily like to address them in my daily life, but my desire to write about them in fiction is apparently overwhelming. I keep doing it over and over again.”

  • September 17, 2018

    Sigrid Nunez

    Sigrid Nunez

    The National Book Foundation has announced the longlist for the 2018 awards in fiction, which includes Lauren Groff’s Florida, Rebecca Makkai’s The Great Believers, Sigrid Nunez’s The Friend, Tommy Orange’s There There, and others.

    At Slate, Isaac Chotiner interviews New York Review of Books editor Ian Buruma about why he chose to run an essay by Jian Ghomeshi, who has faced numerous allegations of sexual assault. Ghomeshi says that he is trying to “inject nuance” into his story. Laura Miller concludes that it’s a “terrible personal essay”: “The piece is one long and very weird train wreck.” Jezebel juxtaposes Ghomeshi’s essay with former NPR host John Hockenberry’s Harper’s piece “Exile,” in which the author claims he is “no rapist or sex offender,” but rather the victim of a culture that “chooses … not to distinguish between the charge and act of rape and some improper, failed, and awkward attempts at courtship.” Sarah Weinman, author of a new book on true crime and Nabokov, says: “Quit using Lolita to absolve your guilt, John Hockenberry.”

    Bob Woodward, the author of Fear, talks about how to find the “best obtainable truth” about Trump. “There has been a lot of reporting on the lies, the things that are untrue. But the question is, what are the consequences of those things that are untrue. How does Trump make decisions? As you go through the book—it is all immense new amounts of detail about North Korea, about Afghanistan, about the Middle East, taxes, immigration, trade issues … that is what affects people.”

    The New York Public Library is hoping that social media can inspire new interest in classic works of fiction, releasing books such as Lewis Carroll’s Alice in Wonderland along with slideshows and videos.

    At Medium, Sex Object author Jessica Valenti writes that “kids don’t hurt women’s careers”—father’s do. “If fathers did the same kind of work at home that mothers have always done, women’s careers could flourish in ways we haven’t yet imagined. But to get there, we need to stop framing mothers’ workplace woes as an issue of “balance,” and start talking about how men’s domestic negligence makes it so hard for us to succeed.”

    Laura Miller discusses the craft of book criticism.

  • September 14, 2018

    Stephanie Clifford, also known as Stormy Daniels, is writing a memoir. Full Disclosure will detail how Daniels “came to be a successful actress and director in the adult film business, her alleged affair with Mr. Trump and ‘the events that led to the nondisclosure agreement and the behind-the-scenes attempts to intimidate her,’” the New York Times reports. The book will be published by St. Martin’s Press next month.

    Jeffrey C. Stewart

    The National Book Foundation has announced the longlist for this year’s nonfiction National Book Award. Nominees include Steve Coll’s Directorate S, Sarah Smarsh’s Heartland, and Jeffrey C. Stewart’s The New Negro. Finalists will be announced in October, and the prize will be awarded in November.

    After over twenty years at the company, Slate chairman Jacob Weisberg is leaving to start a podcasting company with Malcolm Gladwell.

    “So how did this alternative media venture become just as broken as the outlets it hoped to displace, laying off dozens of staff in round after round of downsizing? asks Columbia Journalism Review’s Mathew Ingram of The Outline. “The answer is partly editorial ambition (or hubris) and partly poor timing, and provides yet another example of how venture capital funding and building a digital media business rarely go well together.”

    At Lit Hub, Jennifer Acker reports from Puerto Rico on how the island’s writers and artists have been affected by Hurricane Maria. “I wondered how writers and artists, whose incomes and opportunities are precarious in the best of times, were managing,” she writes. “Had they stayed on the island, and if so, how were they feeling about their futures, and how were they making art?”

  • September 13, 2018

    The National Book Foundation has released the longlist for the National Book Award in Translated Literature. Nominees include Domenico Starnone’s Trick, Olga Tokarczuk’s Flights, and Tatyana Tolstaya’s Aetherial Worlds. The winner will be announced in November.

    Olivia Laing. Photo: Suki Dhanda

    Yiming Ma has won the The Guardian’s BAME short story prize for “Swimmer of the Yangtze.”

    At Crimereads, Jo Jakeman compiles a list of her favorite revenge novels, including Gillian Flynn’s Gone Girl, Emily Brontë’s Wuthering Heights, and Ian McEwan’s Nutshell.

    Crudo author Olivia Laing talks to Longreads about Kathy Acker, the summer of 2017, and giving up Twitter. “That sense that we’re in ordinary life and it’s very familiar, then it suddenly is not familiar is what I wanted to capture,” Laing said of her new book, which is set in during the first summer of the Trump administration. “I knew this moment would be historicized and talked about by historians, and once it was turned into a historical narrative, it would lose the confusion and paranoia and the oddness of ordinary life going on as usual.”

    It’s not just that Woodward’s self-consciously Serious approach to Serious People sputters and short-circuits when confronted with the ludicrously Unserious figure of Donald Trump himself,” writes Patrick Blanchfield at n+1 on Bob Woodward’s latest book. “Rather, Fear showcases Woodward in his most abject and pathetic role as what Christopher Hitchens, who also saw him for what he was, called a ‘stenographer to power.’”

  • September 12, 2018

    In a staff memo obtained by Variety, Bustle founder and CEO Bryan Goldberg announced plans to relaunch Gawker in 2019. Amanda Hale, formerly The Outline’s chief revenue officer, has been hired as publisher. “We won’t recreate Gawker exactly as it was,” Goldberg explained in his memo, “but we will build upon Gawker’s legacy and triumphs — and learn from its missteps.”

    The Whiting Foundation is looking for submissions for its 2018 Whiting Literary Magazine Prize. The award, received last year by A Public Space, Fence, and Words Without Borders, offers grant money to outstanding literary magazines over three years.

    Katya Apekina

    At Artforum, Melissa Anderson, Vivian Gornick, J. Hoberman and more remember the Village Voice.

    At the New Republic, Daphne Merkin reviews Björn Runge’s new movie, The Wife, based on a novel by Meg Wolitzer. “The Wife is that increasingly rare offering, a commercially viable film that also makes you rethink your assumptions about talent and who gets to wield it,” she writes. “It begins as a portrait of a seemingly conventional marriage, its comforts and compromises, and gradually builds to a portrait of one woman’s radical journey to self-definition. “

    Lit Hub asks Katya Apekina, Esi Edugyan, Ben Fountain, Lydia Kiesling, and Olivia Laing about their literary influences, writing life, and more in their Author Questionnaire. Kiesling describes her life while writing The Golden State as “mired in toddler shit” and “mad about work and parental leave.” Fountain says that if he weren’t a writer he would like to be “a really good (and reasonably successful) jazz pianist. Apekina takes issue with critics who claim her novel is too dark. “The things I write are slippery and not easily categorizable, and maybe I enjoy making people a little bit uncomfortable,” she says. “I think discomfort is important.”

  • September 11, 2018

    Kate Bush is publishing a book. How to Be Invisible collects lyrics from the artist’s four-decade career and includes an introduction by novelist David Mitchell. The collection will be published by Faber in December.

    Rachel Cusk. Photo: Jaime Hogge

    “Essentially, I think all the problems of writing are problems of living,” Rachel Cusk tells Alexandra Schwartz. “I had been brought by my particular path to an experience of certain structures breaking down that I realized were old. For example, today I drove over the Brooklyn Bridge and remembered all the things I’d read about the infrastructure of American roads and bridges being in bad repair. I thought, ‘Am I entirely safe here?’ It’s been here a long time, but it doesn’t mean it always will be. It’s that feeling of realizing that your consciousness, what appears to be your individuality, is actually resting on old, possibly decrepit structures.”

    At Vox, Kainaz Amaria looks at the ways in which the #MeToo movement has been stifled in the male-dominated field of photojournalism.

    Hannah Fry talks to the Times about algorithms, riots, and her new book, Hello World.

    Masha Gessen is organizing the 2018 Festival Albertine, which begins October 30. This year’s theme is “Reimagining Democracy,” something Gessen feels is critical in the current moment. “The reason there’s an emphasis on the word ‘imagination’ is that I think that usually when we say the word ‘democracy,’ we’re referring to a known set of electoral mechanisms or constitutional institutions, etc. . . . And I wanted to underscore that that’s not actually what we’re talking about,” Gessen told the New York Times. “We’re not talking about how to salvage free and clear elections. . . . I would much rather talk about whether elections are, in fact, a necessary and sufficient component of democracy.”

  • September 10, 2018

    Teddy Wayne

    Teddy Wayne

    Archives reveal some of the most cantankerous behind-the-scenes battles between judges of the Booker Prize. Rebecca West once argued that John LeCarre wrote “according to formula,” and that Wendy Owen was a “half-wit.” In 1985, a judge protested winner Keri Hulme’s The Bone People by saying “over my dead body.” And the 1976 prize was so contested that it was finally decided on a coin toss.

    Bloomsbury’s Liese Mayer bought Teddy Wayne’s forthcoming novel Apartment, which according to the publisher is “a powerful, masterfully written novel about loneliness, sexuality, and class.” According to Publishers Weekly, the book is about an “MFA student who offers a classmate the chance to stay, rent-free, in his rent-stabilized New York City apartment.” The book is scheduled to be released in spring 2020.

    Veteran reporter Bob Woodward, whose book Fear: Trump in the White House was just released, says of the anonymous New York Times op-ed by a member of the Trump administration that ran last week: “I wouldn’t have used it.” He adds that the piece “does not meet the standards of trying to describe specific incidents. Specific incidents are the building blocks of journalism, as you well know.”

    The Brooklyn Book Festival, which culminates on Sunday September 16, kicks off today with a number of “Bookends” events. Here’s the full schedule.

  • September 7, 2018

    Politico reports that the Times op-ed by an anonymous Trump administration official has “raised a host of ethical and journalistic questions many have never considered before, including whether Times news reporters—who work independent of the editorial department, which published the op-ed—should now set about determining the identity of an anonymous Times opinion writer.”

    Newtown: An American Tragedy author Matthew Lysiak is working on a book about Drudge Report founder Matt Drudge. The book will be published by Benbella Books next year.

    Jonathan Lethem

    Jonathan Lethem talks to Vulture about the 2016 election, writing as a coping mechanism, and his new book, The Feral Detective. “In a funny way, I had a better 2017 than a lot of people,” Lethem said of the process of writing his book, which takes place during Trump’s inauguration. “It kept me relatively chipper during the brutal year, because I was pretending it was only happening to Phoebe and not to me. Then, on the day I finished the book, I remember I turned the news back on and realized: Now I have to do this without the armor of the book. Oh, fuck.

    At the New York Times, Joyce Maynard reflects on the reception of her memoir about her relationship with J.D. Salinger, At Home in the World, and its connection to the #MeToo movement. “Though I believe that if the book I wrote 20 years ago were published today it would be received differently, it does not appear that enlightenment concerning the abuses of men in power extends retroactively to women who chose to speak long ago, and were shamed and humiliated for doing so. As recently as last fall — on the occasion of my having published a memoir about the death of my second husband, a book in which Salinger never appears — I was referred to as ‘the queen of oversharing,’” she recalls. “What does it say about us that a woman who speaks the truth of her experience should be dismissed for telling more than the world feels comfortable hearing?”

    “The death of The Voice isn’t just about the end of a newspaper,” writes former columnist Tricia Romano. “ To some of us at least, it’s about the end of New York as a cultural and political center, as the place that the world turned to for art, for music, for leadership in new and uncomfortable ideas, often perceived by the mainstream to be dangerous or weird.”

    The Guardian takes a look at the archives of the Man Booker prize, which have been put online in honor of its fiftieth anniversary. Highlights include 1969 and 1970 judge Rebecca West’s disdain for, among others, Kingsley Amis (“curiously disappointing”) and John le Carré (for writing “according to formula”), as well as details of the coin toss that awarded the 1976 prize to David Storey for Saville.