• September 21, 2015

    Geoff Dyer

    Geoff Dyer

    The Brooklyn Book Festival celebrated its tenth anniversary yesterday with a full day of author panels and other events—all of which concluded with a Ping Pong tournament, of course. Contestants included Jonathan Lethem, Fiona Maazel, PEN’s Paul Morris, Pico Iyer, Robert Christgau, Marlon James, David Simon, and Geoff Dyer, who reached the final round to play New York Public Library’s Paul Holdengraber, who had earlier in the day interviewed Salman Rushdie. Dyer won.

    The poet C.K. Williams, whose many honors include a Pulitzer Prize and a National Book Award, died yesterday. He was seventy-eight.

    Author Richard Dawkins, whose book Brief Candle in the Dark: My Life in Science will be released in the US this week, has been criticizing Ahmed Mohamed, the fourteen-year-old Texas student who was recently arrested at his school for building a clock. Why is Dawkins so bent out of shape about the teen? “Because he disassembled & reassembled a clock (which is fine) & then claimed it was his ‘invention’ (which is fraud),” Dawkins writes.

    Olive Kitteridge, the HBO miniseries that was based on the book by Elizabeth Strout, won six Emmys last night, while Game of Thrones, based on the novel series by George R.R. Martin, won twelve, more than any other show has won in a single year.

  • September 18, 2015

    Nell Zink

    Nell Zink

    As of yesterday, the fiction longlist for the National Book Award is out, and Hanya Yanagihara’s A Little Life made it, as did Nell Zink’s Mislaid.

    Layoffs, layoffs, everywhere (at the Daily News, the Post reports, quoting an “insider,” it’s no longer like rearranging the deckchairs on the Titanic so much as being “ripped in two like the Titanic just before it sank”).

    If you’re looking to do a reverse Michael Derrick Hudson, the Asian American Writers’ Workshop can help.

    Meanwhile, the writer Mira Jacob gave a speech at a Publishers Weekly event on Wednesday, but not enough publishers actually heard it, so she put it up at Buzzfeed too: “White Americans can care about more than just themselves. They really can. And the rest of us? We are DYING to see ourselves anywhere. To be clear: I’m not asking for altruism here. I worked in corporate America for 20 years before I put my book out; I know the stakes, the economics. What I am saying makes solid, actual business sense: There is a vast, untapped audience out there. . . there’s a huge gap between the many American experiences and the books that speak to them. . . . You will ignore us at your own peril—to the industry’s peril.”

    Renaissance man James Franco has started a biweekly film column at Indiewire—or two columns, if you count the two Franco personae (James and Semaj) who will be on show. The gimmick is nominally intended to help the movie star get away with moonlighting as a critic, because “a one-sided take on a movie, in print, might be misconstrued as a review.” “As someone in the industry,” runs part of the intro to the first column, “it could be detrimental to James’s career if he were to review his peers, because unlike the book industry—where writers review other writer’s books—the film industry is highly collaborative, and a bad review of a peer could create problems.”

    After its relaunch a few months ago, the New York Times Magazine seems ready to settle down—Ana Marie Cox (founder of Wonkette) will be its regular interviewer with a weekly Talk feature, and philosophy and law professor Kwame Anthony Appiah will become its sole Ethicist (that’s “advice columnist” to you).

    But we all know the real joy of reading the Times is in the art of the headline.

  • September 17, 2015

    The perks of being owned by Jeff Bezos: Amazon Prime members will now be automatic digital subscribers to the Washington Post (for an initial six-month period). That promises a big leap in readership, which, the Washingtonian notes, “plays into the Post’s grander plan of trying to become the newspaper brand for a national—and perhaps international—audience, a fight it’s in with the New York Times and USA Today.”

    The Post, incidentally, has an annotated transcript of last night’s Republican debate, if you like that sort of thing.

    Ta-Nehisi Coates

    Ta-Nehisi Coates

    Amid much authorial nail-biting, the New Yorker will today announce the longlist for the National Book Award in Fiction. The Nonfiction list, which came out yesterday, includes Sally Mann’s Hold Still and Ta-Nehisi Coates’s Between the World and Me.

    The LRB has a (strongly worded) dissenting view on Booker Prize favorite A Little Life, by Hanya Yanagihara.  

    A history professor is claiming that a crucial chunk of Thomas Paine’s foundational 1791 work Rights of Man is not, in fact, by Thomas Paine.

    The New Yorker weighs in on Mark Zuckerberg’s recent announcement that Facebook will soon at long last have a “dislike” button as “a quick way to emote” about friends’ bad news.

    Dave Eggers, a Knopf author, has interviewed Knopf editor-in-chief Sonny Mehta for Vanity Fair about how his is still “the best job in the world.”

  • September 16, 2015

    Hanya Yanagihara

    Hanya Yanagihara

    After yesterday’s announcement of the Booker Prize shortlist, the bookies’ favorite is Hanya Yanagihara’s harrowing A Little Life (reviewed in Bookforum’s summer issue). It’s an interesting list: Marilynne Robinson didn’t make it, and Tom McCarthy is the only previously shortlisted writer who did; the others are Marlon James, Chigozie Obioma, Sunjeev Sahota, and Anne Tyler.

    Trouble at the L.A. Times: The owner, Tribune Publishing, after firing the paper’s publisher last week over a host of internal disputes, apparently plans to save around $10 million in editorial expenses, cutting some eighty newsroom jobs.

    Mary Karr has just published her tough-love advice for memoirists, and appeared on Fresh Air to mark the occasion (though if audio is not enough, you can also watch Karr—and Lena Dunham, and Gary Shteyngart—talking on the subject). Among other things, she debunks the notion that David Foster Wallace disliked his own fame: “I had to talk David out of doing a Gap commercial at one point because I said, ‘Would Cormac McCarthy do it? Would Toni Morrison do it?’”

    Writers should cheat more (turns out only suckers follow the submission guidelines)…

    … and so should readers (Tilly Minute, of the New Yorker Minute newsletter, which goes out Wednesday nights, has “recently learned many people get the print edition earlier than Thursday; I apologize to them for having to let the magazine sit for a few days before knowing what they need to read.”).

    Hal Foster will be reading tonight at the Kitchen to launch his book Bad New Days: Art, Criticism, Emergency, which looks at Western art of the last twenty-five years and its relationship to “the general condition of emergency instilled by neoliberalism and the war on terror.” More than three thousand people claim to be attending on Facebook, though, so you may want to be early, or resign yourself to catching the livestream instead.

  • September 15, 2015

    For readers, there’s a bright side to the Best American Poetry debacle—a flood of recommendations for “actual Asian poets” (and a somewhat chilling insight into the experience of non-white writers in prestigious MFA programs).  

    Joan Didion

    Joan Didion

    At New York, Christian Lorentzen mounts a masterful defense of Joan Didion from the current tendency to split her into separate Didions (and dismiss some of her best work). Lorentzen, incidentally, presents his credentials early on: “Having read that Didion used to type out Hemingway to learn how to write, in my 20s I did the same. Then I just switched to Didion. I would type out ‘The White Album.’ I would type out ‘Goodbye to All That,’ skipping the epigraph.” He also reminds us that you don’t need to aspire to wear Céline in order to admire her: “I don’t know what jasmine smells like. I can’t distinguish organdy from other forms of cotton. Even if I read Didion, as Nabokov stipulated all literature should be read, with a dictionary at hand, many of the details about clothes and household objects are lost on me. ‘Loving’ a writer, for me, is a matter of returning to her sentences over and over again, not a matter of identification, aspiration, emotion, or taking her words as Gospel truth, but an attraction of attention. Perhaps that’s a defective — because it’s heartless — definition of love.

    In memory of David Carr, the New York Times is offering a two-year media reporting fellowship for an early-career journalist to work in its newsroom: Applications are open until November 14.

    There are fewer and fewer places an American can go without the risk of hearing from Jonathan Franzen.

    Is religious faith required in order to believe that journalism can survive without paywalls? It can only help.

    Bookforum contributors Christine Smallwood and Namara Smith will be reading tonight in Williamsburg as part of the Animal Farm series, as will Mark Sussman, who collaborated with Smallwood on a new book, ScarJo, launching this weekend.

  • September 14, 2015

    Mark Bittman

    Mark Bittman

    How to Cook Everything author Mark Bittman announced on Saturday that he’s leaving the New York Times, where he has been a food columnist for almost five years. The author, whose work for the Times has helped Americans eat food that is better for their health and for the environment, says that he will be taking “a central role in a year-old food company, to do what I’ve been writing about these many years: to make it easier for people to eat more plants.” He does not reveal the name of his new employer.

    In a new interview, novelist and essayist Aleksandar Hemon, who was visiting the US when his native Sarajevo erupted in war in 1992, reflects on the current refugee crisis in Europe: “There are so many instances in history where Europe, and other countries too, shut their doors to refugees, somehow hoping that they would die or vanish. The saddest thing is that the tragedy of people having to risk their lives, and losing their lives crossing the sea or half of Europe, is seen as a desire to steal from us what we have, this wonderful privilege of living in a democracy and having a stable life. And that we must protect it from them, and the only danger for us is their coming—it’s another variation of the zombie fantasy.”

    In the Times, historian Timothy Snyder, whose most recent book is Black Earth, notes that the Holocaust “may seem a distant horror whose lessons have already been learned,” but warns that “contemporary environmental stresses could encourage new variations on Hitler’s ideas, especially in countries anxious about feeding their growing populations or maintaining a rising standard of living.”

    Justin Taylor has written an obsessive and compelling analysis of Sam Lipsyte’s prose, dwelling on two short stories and their general themes, their syntax, and the particular sounds of their words.

    At Bookforum, Gene Seymour reviews Margo Jefferson’s new memoir, Negroland, alongside Ta-Nehisi Coates’s Between the World and Me. “Coates’s book and Jefferson’s overlap most chillingly in the knowledge of a certain kind of death awaiting African Americans seeking release from the constricting demands of Difference.”

  • September 11, 2015

    Michael Eric Dyson

    Michael Eric Dyson

    At the New Republic, Michael Eric Dyson traces the development of the “black digital intelligentsia.”

    On the Harper’s blog this week, Art Winslow claimed to have discovered the new Thomas Pynchon—or rather, the old one, using a pseudonym to publish Cow Country, a long and until now unsung novel that came out earlier this year. But now the spoilsports at New York magazine’s Vulture blog have gone and asked Penguin, who said: “We are Thomas Pynchon’s publisher and this is not a book by Thomas Pynchon.”

    Wayne Koestenbaum talked to Sarah Gerard about “sexualized formalist curiosity” and his forthcoming Pink Trance Notebooks. And about the pains of writing his Andy Warhol biography, because “I couldn’t make things up, and I had to go kind of in order.”

    Pity the professional gossip: “No longer,” Erik Wemple notes, “do beat reporters covering politics, diplomacy and national security leave juicy trimmings for their resident gossip columnist; they write them up for themselves.”

    Grace Jones’s memoir, I’ll Never Write My Memoirs, out later this month and excerpted in next week’s Time Out, sounds not to be missed.

    Also worth reading: the Baffler piece on Amish romance novels.

    In Interview magazine, Choire Sicha asks Ursula K. Le Guin about being a poet: “It really doesn’t seem that rewarding. Is that a terrible thing to say?” (Le Guin has some helpful thoughts to share, too.)

  • September 10, 2015

    Rupert Murdoch

    Rupert Murdoch

    The National Geographic Society has teamed up with Fox on a new for-profit media venture that will include its existing cable television channels and the famous magazine (Fox paid $725 million and will own 73 percent of the new company; the Society itself will remain a nonprofit, with a larger endowment). Rupert Murdoch isn’t fazed by those who object to the idea of a “climate-change denier” having such a major stake in the National Geographic—in any case, he prefers the term “skeptic.”

    Padgett Powell talks to Powells.com about Cries For Help, Various: Stories. “Well, it’s not the original subtitle,” he says. “The original subtitle, which I have discovered made the publisher nervous, was ‘45 Failed Novels.’” Flannery O’Connor, Powell goes on, can be said to have written short stories: “The rest of us . . . sit down and have some accidents.”

    After the fuss over Michael Derrick Hudson making it into the Best American Poetry 2015 anthology under a fake Asian name, Buzzfeed reproduces an e-mail from the guest editor Sherman Alexie, apologizing to the rest of the poets he chose: “I am sorry that this Pseudonym Bullshit has taken so much attention away from all of your great poems.”

    Perseus Books, which was almost bought by Hachette last year, is looking into a possible sale again.

    The Observer has an interview with Greil Marcus about his forthcoming book, Three Songs, Three Singers, Three Nations. When Matthew Kassel asks if he listens more to songs and snippets than albums now, Marcus says he prefers to let things play and see what strikes him, rather than go looking for a particular kind of thing: “You don’t go up to one of your friends and say, Tell me something really profound today that I’m going to remember and want to tell other people about. Your friend is going to say, What? And that’s going to be the end of the conversation. So when you approach a song, and you say, in essence, Tell me something profound, it won’t.”

  • September 9, 2015

    Erica Jong

    Erica Jong

    If you were wondering who’d come off better in a disagreement on feminism between Erica Jong and Roxane Gay, here’s your answer.

    It seems Gawker Media will let you get away with saying almost anything on its sites, as long as you’re not paying to do so. Vox reports that Jezebel’s advertising team recently refused to run an ad in support of abortion rights, saying: “While Jezebel’s editorial content is very feminist, our advertising management team tends to be more conservative on the advertising we can accept.” Vox notes “a certain irony” in the idea of a website that will “run controversial content for free, but paid advertising is a different story.”

    At the Awl, Noah Davis goes into great detail about how much freelance writers are really getting paid online. He even includes a whole paragraph on the deal he negotiated with the editors for this particular piece: As a “one-off experiment, the Awl ultimately counter-proposed a base rate of two hundred dollars plus an additional dollar per thousand pageviews, which I accepted. (The piece will be updated with the results in a month.) You have to bet on yourself. No one else will.”

    John McPhee has an essay in the New Yorker about the pains of being edited and the importance of leaving things out.

    Tribune Publishing, which owns the Los Angeles Times, has just fired the paper’s publisher and chief executive, Austin Beutner.

    No rest for those who have a new book to promote—even when they’re still trapped in the Ecuadorean embassy.

    Greg Grandin will be at BookCourt tonight to discuss his new book on Henry Kissinger’s legacy.

  • September 8, 2015

    Dale Peck

    Dale Peck

    Next year, novelist-critic Dale Peck and OR Books cofounder John Oakes will relaunch The Evergreen Review, the legendary literary quarterly founded by Barney Rosset in 1957. Oakes will be the publisher, and Peck will act as the editor in chief.

    It has been revealed that Yi-Fen Chou, one of the contributors to this year’s edition of Best American Poetry, is a pseudonym that was used by Michael Derrick Hudson, a white poet who adopted the Chinese pen name because he thinks it’s a successful strategy for being published more often. Guest editor Sherman Alexie (whose list of authors is 60 percent women and 40 percent people of color) has issued a statement explaining why he decided to publish the poem, even after learning of Hudson’s true identity. “ Listen, I was so angry that I stormed and cursed around the room. I felt like punching the wall…. But I realized that I would primarily be jettisoning the poem because of my own sense of embarrassment.”

    On September 3, the young-adult writer Patrick Ness launched a fundraising campaign for Syrian refugees, and thanks to contributions from writers including Philip Pullman, Marian Keyes and Anthony Horowitz, he has already raised more than £500,000.

    On Wednesday, Apple is expected to demo its new operating system and updates to its Apple News app, which will support ad blocking. But as much as Apple claims that new software will help news organizations get their stories to mobile devices, ad-blocking could raise a serious problem, because publishers rely on revenue from online advertising.